Marisol
Venezuelan and American, born France, 1930-2016
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Marisol (Venezuelan and American, born France, 1930–2016). Tea for Three, 1960. Wood, acrylic, and found objects, 64 x 22 x 27 inches (162.56 x 55.88 x 68.58 cm). Collection Albright-Knox Art Gallery, Buffalo, New York; Bequest of Marisol, 2016 (2018:16a-d). © Estate of Marisol / Albright-Knox Art Gallery / Artists Rights Society (ARS), New York
© Estate of Marisol / Artists Rights Society (ARS), New York
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© Estate of Marisol / Artists Rights Society (ARS), New York
Image downloads are for educational use only. For all other purposes, please see our Obtaining and Using Images page.
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© Estate of Marisol / Artists Rights Society (ARS), New York
Image downloads are for educational use only. For all other purposes, please see our Obtaining and Using Images page.
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© Estate of Marisol / Artists Rights Society (ARS), New York
Image downloads are for educational use only. For all other purposes, please see our Obtaining and Using Images page.
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© Estate of Marisol / Artists Rights Society (ARS), New York
Image downloads are for educational use only. For all other purposes, please see our Obtaining and Using Images page.
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© Estate of Marisol / Artists Rights Society (ARS), New York
Image downloads are for educational use only. For all other purposes, please see our Obtaining and Using Images page.
Tea for Three, 1960
Artwork Details
Currently on View
Materials
wood, acrylic, and found objects
Measurements
overall: 64 x 22 x 27 inches (162.56 x 55.88 x 68.58 cm)
Collection Buffalo AKG Art Museum
Credit
Bequest of Marisol, 2016
Accession ID
2018:16a-d
Provenance:
bequest of the artist to the Albright-Knox Art Gallery, 2016;
accessioned by the Albright-Knox Art Gallery, June 26, 2018
Object Classifications:
Work Type:
Information may change due to ongoing research. Glossary of Terms
In 1954, Marisol began making sculpture, initially taking influence from pre-Columbian art. At first, she worked on a relatively small scale but within a few years, began to focus on life-size, totemic figures. The artist combined wood with painting and found objects to create oftentimes quizzical or satirical mixed-media assemblages. When Pop art emerged in the 1960s, Marisol’s works were often associated with the movement. However, she did not share the preoccupation with mass media and mass culture that drove her friends and peers, such as Andy Warhol.
Tea for Three brings together three heads mounted atop narrow rectangular bodies painted yellow, red, and blue: the colors of the Venezuelan flag. These merge to create a single entity with rocker-like feet. The clown-like head of each character is actually a found hat form the artist then painted, carved, and adorned with a plaster mouth and glass eyes. Two hands are also present in the center of the sculpture. The larger of the two is based on the artist’s hand. It is paired with a small, child-like palm that extends forth a cup of tea—a gesture that seemingly beckons the viewer to join them.
Label from Giant Steps: Artists and the 1960s, June 30–December 30, 2018
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