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Contemporary Art 1942-72: Collection of the Albright-Knox Art Gallery

Contemporary Art 1942-72: Collection of the Albright-Knox Art Gallery

Author:

Alloway, Lawrence; Fry, Edward F.; Geldzahler, Henry; Marck, Jan van der; Oxenaar, R. W. D.; Rickey, George; Russell, John; Sandler, Irving
Publisher:

Praeger Publishers, in association with the Albright-Knox Art Gallery
New York, New York
Editor:

Moore, Ethel
Type:

Collection catalogue
Year:

1972

This collection catalogue features highlights of the Albright-Knox Art Gallery's collection created between 1942 and 1972 and notes on these works by Irving Sandler, Edward F. Fry, John Russell, R. W. D. Oxenaar, Lawrence Alloway, Jan van der Marck, George Rickey, and Henry Geldzahler.

Dancer, 1952

Marino Marini

Dancer

Torso, ca. 1950

Reg Butler

Torso

The Cry, 1962

Isamu Noguchi

The Cry

Sacrifice, 1948

Jacques Lipchitz

Sacrifice

Constellation-Punctuation, 1956

Jean (Hans) Arp

Constellation-Punctuation

Linear No. 2, Variation, 1962-1965

Naum Gabo

Linear No. 2, Variation

The Artist and His Model, 1964

Pablo Picasso

The Artist and His Model

Sky Cathedral, 1958

Louise Nevelson

Sky Cathedral

Untitled, 1969

Donald Judd

Ten identical boxes industrially fabricated out of galvanized iron and orange Plexiglas protrude seemingly weightlessly from the wall in a vertical stack. Each box is separated from the unit above and below by a space equal to its height. When lit from above, the sculpture casts a dramatic pattern of orange and gray shadows on the adjacent walls and floor.

La Fuite (Flight), 1954

Karel Appel

La Fuite (Flight)

Gotham News, 1955

Willem de Kooning

Thick jagged brushstrokes come together in an abstract composition covering this large-scale, horizontally oriented painting. Fields of red, and strokes of yellow, blue and black punctuate the largely white surface.

Vie No. 1 (Life No. 1), 1950

Auguste Herbin

Vie No. 1 (Life No. 1)

Relational Painting #93, 1962

Fritz Glarner

Relational Painting #93

Homage to the Square: Terra Caliente, 1963

Josef Albers

Homage to the Square: Terra Caliente

Exuberance, 1955

Hans Hofmann

Multidirectional, abstract brushstrokes animate the surface of this vertically oriented canvas. Dark blues, greens, and blacks contrast with passages of pale yellow and red. Two areas of red at top right and toward the bottom of the lower edge of the canvas seem to pulsate forward. At top left, a dark brown arc that looks like the letter C is surrounded with a dark rectangular outline.

June 4-52 (tableform), 1952

Ben Nicholson

A series of roughly rectangular shapes of pale blue, green, yellow, and white layer over and under each other across the surface of this portrait-oriented oil painting. A loose geometric patterning in thin black pencil overlays some of the shapes near the bottom center. A small, bright red triangle pops out from near the bottom left corner.

Female, Male, 1955

Alan Davie

Female, Male

White Bird, 1957

William Baziotes

White Bird

Green Sculpture II, 1954

Herbert Ferber

Green Sculpture II

Elegy to the Spanish Republic XXXIV, 1953-1954

Robert Motherwell

Elegy to the Spanish Republic XXXIV

Construction from a Ring, 1942-1963

Max Bill

Construction from a Ring

Plane Sawtooth, 1970

Ronald Wendell Davis

No image available,
but we’re working on it

Blue Territory, 1972

Joan Mitchell

Blue Territory

Royal Game I, 1961

Louise Nevelson

Royal Game I

Star, 1960-1962

Robert Indiana

Star

Flying Bird, 1951

Carl-Henning Pedersen

Flying Bird

Orange Crush, 1963

Larry Poons

Light blue polka dots randomly pepper the solidly orange-colored surface of this large square canvas. Neat rows of six or seven dots line the painting’s edges. The contrast between the vibrant orange and pale blue creates an optical effect that makes it appear as if the blue dots are vibrating.

Alpha, 1960

Morris Louis

Stripes of orange, black, yellow, blue, and red stream from the left and right sides of this large, horizontally oriented abstract painting. The stripes are thickest near the top of the canvas and grow thinner as they reach the bottom. A large expanse of raw canvas yawns between these colored passages.

Any Fire Flower, 1964

Otto Piene

Any Fire Flower

Drift 2, 1966

Bridget Riley

Drift No. 2

Field of 32 Parts in 4 Colors, 1965

Max Bill

Field of 32 Parts in 4 Colors

11-67, 1967

Nassos Daphnis

11-67

Lotus Europa, 1969

Nicholas Krushenick

Lotus Europa

Flat Rate II, 1969

Lyman Kipp

Flat Rate II

Lecteur I.K.B. 1960 (No. 1), 1960

Yves Klein

Lecteur I.K.B. 1960 (No. 1)

White and Gold, 1961

Kenzo Okada

White and Gold

The Final Veteran, 1960

Larry Rivers

The Final Veteran

Nomad, 1963

James Rosenquist

What appears to be a collage of unrelated images from advertisements and everyday photographs fills the surface of this large-scale horizontally oriented painting. A massive bowl of spaghetti and meatballs in the bottom right, a gray picnic table slightly above center, and three ballerina legs paired with the words NEW and Oxy at bottom left. A paint-splatted plastic bag tied at the bottom is suspended from the top-left corner of the canvas; a pile of paint-splattered wood scraps lies on the floor below.

Green Patio Door, 1955, 1955

Georgia O'Keeffe

Green Patio Door, 1955

New England, October, 1957

Grace Hartigan

New England, October

Woman in a Window, 1957

Richard Diebenkorn

Woman in a Window

Kroll, 1961

John Chamberlain

Kroll

Ouverture sur l'été (Beginning of Summer), 1962

Corneille

Ouverture sur l'été (Beginning of Summer)

Year of Meteors, 1961

Robert Indiana

At the center of the painting is a blue, eight-pointed star against a green background within two concentric circles of stenciled, all-capitalized text on white. The circle within the smaller of these rings is green, and the background visible outside the larger of these rings is blue. The text in the smaller of these rings is blue and the text in the larger of these rings is green.

Head - Red and Yellow, 1962

Roy Lichtenstein

A woman’s head and neck, cleanly outlined like a classic comic book illustration, fills the majority of this large square canvas. This figure is painted in bright red and white against a solid yellow background. The woman looks toward the right and her large mouth is opened in a laugh. Shoulder length, loosely curled hair frames her face. Her skin is covered with a field of miniscule red dots in emulation of halftone printing.

The Generals, 1961-1962

Marisol

The Generals

Odalisque, 1957

Conrad Marca-Relli

Odalisque

Numbers in Color, 1958-1959

Jasper Johns

Numbers in Color

The Whiteness of the Whale, 1957

Sam Francis

The Whiteness of the Whale

Requiem, 1958

Franz Kline

Requiem

Composition, 1953

Serge Poliakoff

Composition

Tanktotem IV, 1953

David Smith

A series of three-dimensional geometric forms balance on two forked legs in the front and a third leg in the back. Overall, the sculpture abstractly mimics the human form: a vertical half circle at the top serves as a head and is connected to the rest of the work by a long vertical rectangle that resembles a neck. Two additional long rectangles at the center of the work sit alongside further half circles that resemble a shoulder and two hips.

Paysage de Vaucluse No. 2, 1953

Nicolas de Staël

Paysage de Vaucluse No. 2

Levant for E. W. R., 1958

Theodoros Stamos

Levant for E. W. R.

Jill, 1959

Frank Stella

A pattern of concentric, white diamond shapes fills this otherwise black canvas. The pattern extends from the paintings center at regular intervals of two and a half inches with the largest diamonds partially cut off at the work’s edges.

No. 12 - 1952, 1952

Bradley Walker Tomlin

No. 12 - 1952

Composition No. 11, 1940-42--LONDON, with Blue, Red and Yellow, 1940-1942

Piet Mondrian

Composition No. 11, 1940-42--LONDON, with Blue, Red and Yellow

Sommernachtstraum (Summer Night's Dream), 1957

Hans Hofmann

Sommernachtstraum (Summer Night's Dream)

Mirrored Room, 1966

Lucas Samaras

Mirrored Room

Spatiodynamique 22, 1954

Nicolas Schöffer

Spatiodynamique 22

Hotel Lobby, 1950

Max Beckmann

More than a dozen figures crowd this canvas. Four appear to be seated around a table in the center and the rest appear to be standing elsewhere in the room. The figures’ features are abstracted, exaggerated, and outlined with thick black lines filled with a range of shades of muted russet, turquoise, pink, and green. The black frame of what appears to be a French door interrupts the right third of the composition.

Round Trip, 1957

Helen Frankenthaler

Round Trip

Monsieur Plume pièce botanique (portrait d'Henri Michaux), 1946

Jean Dubuffet

Monsieur Plume pièce botanique (portrait d'Henri Michaux)

Vega-Nor, 1969

Victor Vasarely

A brightly colored grid stands out in sharp contrast against the dark blue and green background of this large-scale square painting. At the center of the work, the artist distorted the grid to create the optical illusion of a large spherical shape bulging out of this flat surface.

Seated Figure, 1959

Fritz Wotruba

Seated Figure

Man with Dog, 1953

Francis Bacon

A muscular white dog on a chain leash and the lower legs of its owner are visible beneath a dark blue trapezoid that fills the upper quarter of this vertically oriented canvas. The pair stand on sidewalk abutting a stretch of road perforated by a storm drain. The dog’s head and tail are lowered, and its front two legs extended as if caught in the moment springing forward. The artist’s palette of black, beige, and grey conveys a dark and tense atmosphere.

The Liver Is the Cock's Comb, 1944

Arshile Gorky

Abstract shapes loosely resembling animal or human body parts populate this abstract landscape. These forms, painted in many different hues of red, yellow, blue, orange, white, and green, boldly stand against a background in more neutral shades of brown and gray-blue. Thin black lines delineate some of the forms, while others are boundless fields of color.

January 1950-D, 1950

Clyfford Still

January 1950-D

1951-E, 1951

Clyfford Still

1951-E

1951-L-No. 2, 1951

Clyfford Still

1951-L-No. 2

November 1954, 1954

Clyfford Still

November 1954

September 1955, 1955

Clyfford Still

September 1955

November 1953, 1953

Clyfford Still

November 1953

1963-A, 1963

Clyfford Still

1963-A

1957-D-No. 1, 1957

Clyfford Still

Yellow, jagged-edged forms tear through portions of this mostly matte black canvas. The largest of these forms runs the full height of the painting near its right edge. Each of the yellow streaks includes small areas of white, which most appear in the center of the form, flanked by larger areas of yellow. Three small patches of unpainted canvas are visible near the bottom-left corner.

1954, 1954

Clyfford Still

1954

1945-K, 1945

Clyfford Still

1945-K

July 1945-R, 1945

Clyfford Still

July 1945-R

September 1946, 1946

Clyfford Still

September 1946

1946-L, 1946

Clyfford Still

1946-L

1946-N, 1946

Clyfford Still

1946-N

January 1947, 1947

Clyfford Still

January 1947

1947-8-A, 1947-1948

Clyfford Still

1947-8-A

1947-G, 1947

Clyfford Still

1947-G

1947-8-W-No. 2, 1947-1948

Clyfford Still

1947-8-W-No. 2

July 1948, 1948

Clyfford Still

July 1948

January 1948, 1948

Clyfford Still

January 1948

1948-B, 1948

Clyfford Still

1948-B

1948-E, 1948

Clyfford Still

1948-E

1948-M, 1948

Clyfford Still

1948-M

1949, 1949

Clyfford Still

1949

1949-C, 1949

Clyfford Still

1949-C

1949-H, 1949

Clyfford Still

1949-H

1949-M, 1949

Clyfford Still

1949-M

October 1950, 1950

Clyfford Still

October 1950

November 1950, 1950

Clyfford Still

November 1950

November 1950-No. 2, 1950

Clyfford Still

November 1950-No. 2

Serie 14 No. 2, 1970

Julio Le Parc

Serie 14 No. 2

Permanence, 1961

Gottfried Honegger

Permanence

Voyage, 1956

Philip Guston

Voyage

Pintura (Painting), 1969

Rogelio Polesello

Pintura (Painting)

Convergence, 1952

Jackson Pollock

Artist Jackson Pollock dripped, poured, and splattered black, white, red, yellow, and blue oil paint across the entire surface of this large-scale, horizontally oriented canvas. The colors are visible as separate, overlapping and convey a sense of motion and energy; no single color dominates.

Delfina, 1961

Jack Youngerman

Delfina

Bois-tiges de fer, 1964

Jesús Rafael Soto

Bois-tiges de fer

Cubi XVI, 1963

David Smith

Cubi XVI

Child's Blue Wall, 1962

Jim Dine

A field of hand-painted white stars alternating with dark blue dots fills the light blue background of this nearly square canvas. Attached to the bottom-right corner is a what appears to be the base of a child’s table lamp, complete with a blocky castle and toy soldier painted in solid shades of white, blue, and red beneath a shadeless, illuminated bulb. Midway up the left edge of painting is a light switch with a blue plate and worn white switch.

Divisibilité indéfinie (Indefinite Divisibility), 1942

Yves Tanguy

Two biomorphic forms sit side by side in the foreground of this abstract, dream-like landscape. The smaller form on the left includes a gray square with red sticks emerging from its left side. Narrow gray stalks support the blue and pink shapes that make up the taller form on the right, which casts a long shadow toward the top left corner of the painting. Nine small circular discs with white sides and blue surfaces appear scattered throughout the scene.

Femme et oiseaux dans la nuit (Woman and Birds in the Night), 1945

Joan Miró

Femme et oiseaux dans la nuit (Woman and Birds in the Night)

Difficult, 1942-1943

Kurt Schwitters

Difficult

Dialogue I, 1960

Adolph Gottlieb

A rectangular white canvas sits horizontally. In the top-right corner, there is a large black circle; a large red circle of roughly equal size is adjacent to the black dot, toward the center of the canvas. Beneath these dots are energetic and erratic swirls of black paint with splatter and drips on their edges.

Turbulent Forest, 1956

Carl Morris

Turbulent Forest

Broglie, 1955

Richard Mortensen

Broglie

Variation, 1951

Antoine Mortier

Variation

The Light, 1959

Walter Tandy Murch

The Light

3 Avril 1954, 1954

Pierre Soulages

3 Avril 1954

Unrest, 1963

Julian Stanczak

Unrest

Alaska I, 1958

Hedda Sterne

Alaska I

Structure XI-6F, 1967

Peter Struycken

Structure XI-6F

H, 1962

Ian Stuart

Pastoral, 1962

Ian Stuart

No image available,
but we’re working on it

Trajan and the Children, ca. 1944

Walter Stuempfig

Trajan and the Children

No. 15, 1952

Ad Reinhardt

No. 15

April 1962, 1962

Clyfford Still

April 1962

Ovestone, 1955

Ernst Wilhelm Nay

Ovestone

Orange and Yellow, 1956

Mark Rothko

Two hazily painted rectangles, one yellow and the second a burnt orange, float against an orange creamsicle colored background, which is visible along the margins of the canvas and in a strip separating the two rectangles. The yellow rectangle is smaller, extending about a third of the way down from the top of the canvas. The burnt orange rectangle fills much of the bottom two thirds of the canvas.

4 July 1956, 1956

Pierre Soulages

4 July 1956

Poly-joueurs des cartes (Card Players), ca. 1957

Roberto Matta

The background of this largely abstract painting is dark gray with a collection of brushy white elements that dissipate outward from the center. Around this center float several white rectangular forms shown from various angles. Interspersed among the rectangular forms are five abstract, robot-like masses made up of yellow appendages. In the bottom third of the canvas, overlaying this composition, are additional white graffiti-like scribbles.

La Paura del buio (Fear of the Night), 1952

Afro

La Paura del buio (Fear of the Night)

Rythme coloré (Colored Rhythm), 1958

Sonia Delaunay

Rythme coloré (Colored Rhythm)

Concertino, 1948

Afro

Concertino

Loud Tactile Painting, 1962

Yaacov Agam

Loud Tactile Painting

Pintura (Painting), 1968-1969

Roberto Aizenberg

Pintura (Painting)

Homage to the Square: Dedicated, 1955

Josef Albers

Homage to the Square: Dedicated

La struttura a elementi quadri, verde/rosso (Structure Composed of Green/Red Square Elements), 1968

Getulio Alviani

La struttura a elementi quadri, verde/rosso (Structure Composed of Green/Red Square Elements)

Cock, 1963

Carl Andre

Cock

Water from the Rock, 1961-1963

Richard Joseph Anuszkiewicz

Water from the Rock

Convex, Concave I Dimensional, 1967

Richard Joseph Anuszkiewicz

Convex, Concave I Dimensional

Fire World, 1957

Karel Appel

No image available,
but we’re working on it

Personnage et Fleur (Personage and Flower), 1967

Karel Appel

Personnage et Fleur (Personage and Flower)

Toccata et Fugue, 1962

Arman, Arman

Toccata et Fugue

Family Going for a Walk, 1951

Kenneth Armitage

Family Going for a Walk

Seated Woman with Arms Extended, 1953-1957

Kenneth Armitage

Seated Woman with Arms Extended

Charlie, 1969

Anne Arnold

Charlie

Charlotte, 1971

Anne Arnold

Charlotte

Somersault, 1942

Jean (Hans) Arp

Somersault

L'Etoile (Star), 1956

Jean (Hans) Arp

L'Etoile (Star)

Don Quixote, 1964

Revington Arthur

Don Quixote

Villa Rotunda, 1942

John Atherton

Villa Rotunda

West #2, 1962

Edward Avedisian

West #2

Anxiety, 1958

Beth Nablo

Anxiety

Two Nights, 1965

Masayuki Nagare

Two Nights

Rhythms in Grey and Yellow, 1959

Ernst Wilhelm Nay

Rhythms in Grey and Yellow

Transparent Sculpture I, 1967-1968

Louise Nevelson

Transparent Sculpture I

Transparent Sculpture IV, 1968

Louise Nevelson

Transparent Sculpture IV

Still Life, 1945

Ben Nicholson

Still Life

Ancient Song, 1966

Minoru Niizuma

Ancient Song

Untitled, 1961

Georges Noël

Untitled

Western Highways, 1968

Georges Noël

Western Highways

Conjunción (Conjunction), 1967

Miguel Ocampo

Conjunción (Conjunction)

Counterpoint, 1956

Tetsuo Ochikubo

No image available,
but we’re working on it

Three Loops, 1966

Samuel Ogden, Jr.

Three Loops

Dynasty, 1956

Kenzo Okada

Dynasty

Study #3, 1957

Jerry Tsukio Okimoto

Study #3

Mobile Painting #17, 1963

Jerry Tsukio Okimoto

Mobile Painting #17

Glace en dégustation (Ice Cream Being Tasted), 1964

Claes Oldenburg

Glace en dégustation (Ice Cream Being Tasted)

Aton, 1964

George Earl Ortman

Aton

Office Building, 1946

Virginia Cuthbert

Office Building

January Afternoon, 1968

Virginia Cuthbert

January Afternoon

Phil Painting "Shelocta, PA", 1943

Virginia Cuthbert

Phil Painting "Shelocta, PA"

Icon, 1958

Hubert Dalwood

Icon

Monument for a Poet, 1963

Hubert Dalwood

Monument for a Poet

Composition, 1957

Horia Damian

Composition

35-60-W, 1960

Nassos Daphnis

35-60-W

3-61-MT, 1961

Nassos Daphnis

3-61-MT

4-J30-63, 1963

Nassos Daphnis

Landscape, 1968

Allan D'Arcangelo

Landscape

Study for "The Key", 1960

Alan Davie

Study for "The Key"

Grey-Blue-Grey, 1959

Olivier Debré

Grey-Blue-Grey

L'Aile (Wing), 1957

Jacques Delahaye

L'Aile (Wing)

Red Beat 6, 1958

Robyn Denny

Red Beat 6

Deep Sleep, 1960

Isami Doi

Deep Sleep

Painting, 1958

Dōmoto Hisao

Painting

Solution de continuité (Solution of Continuity), 1966

Dōmoto Hisao

Solution de continuité (Solution of Continuity)

Habbaku Dancers, 1958

Enrico Donati

Habbaku Dancers

Staremesto I, 1968

Piero Dorazio

Staremesto I

Sea Wind, 1966

Saliba Douaihy

Sea Wind

Bronx Bridge, 1949

Seymour Drumlevitch

Bronx Bridge

Ardeatine Caves, 1952-1953

Seymour Drumlevitch

Ardeatine Caves

Untitled, 1954

Kumi Sugai

Untitled

Aooni, 1960

Kumi Sugai

Aooni

Calm Before the Storm, 1961

Kumi Sugai

Calm Before the Storm

Untitled (#E-111), 1969

Tadasuke Kuwayama

#E-111

K-121, Black/White, 1965

Paul Talman

K-121, Black/White

Edge of Place, 1948

Reuben Tam

Edge of Place

Vendedores de frutas (Fruit Vendors), 1952

Rufino Tamayo

Vendedores de frutas (Fruit Vendors)

Constructions of Shah Abbas, 1950

Antoni Tàpies

Constructions of Shah Abbas

Painting, 1955

Antoni Tàpies

Painting

Relief over Black Space, 1958

Antoni Tàpies

The majority of this portrait-oriented canvas is an uninterrupted expanse of matte black. In the bottom third of the canvas, a mixed-media element in shallow relief extends from the left edge. This element appears to have a bumpy, ridged texture in places. There are roughly defined and thinly applied patches of dark yellow-brown paint that appear to overlay the relief element.

Tropical Moonlight, 1952

Vicente Clavo Gil

Tropical Moonlight

Zurbale, 1962

Joan Josep Tharrats

Zurbale

Yo Yos, 1963

Wayne Thiebaud

Yo Yos

Large Seated Figure with Chair (Version II), 1960

Leslie Thornton

Large Seated Figure with Chair (Version II)

Hairdressing, No. 3, 1948

Geoffrey Arthur Tibble

Hairdressing, No. 3

Peut-être No. II (Maybe No. II), ca. 1959

Jean Tinguely

Peut-être No. II (Maybe No. II)

Atmosphère chromoplastique no. 106 (Chromoplastic Atmosphere No. 106), 1963

Luis Tomasello

Atmosphère chromoplastique no. 106 (Chromoplastic Atmosphere No. 106)

Sui (4 Elementi) 1, 1964

Tomonori Toyofuku

Sui (4 Elementi) 1

Between Clouds and Crystals, 1951

Heinz Trökes

Between Clouds and Crystals

Harmonic Sculpture # 11, 1968

Wen-Ying Tsai

Harmonic Sculpture # 11

Flower for 1945, 1945

John Tunnard

Flower for 1945

Abstract #25, 1958

William Turnbull

Abstract #25

Cortez, 1960

William Turnbull

Cortez

Still Life, 1951

Raoul Ubac

No image available,
but we’re working on it

Champs (Fields), 1964

Raoul Ubac

No image available,
but we’re working on it

Overgrowth, 1962

Günther Uecker

Overgrowth

Growth, 1952

Hans Uhlmann

Growth

Painting 1959, 1959

Albert Urban

Painting 1959

Bright and Black Shining, 1952

Piet Ouborg

Bright and Black Shining

Untitled, 1959

Ray Parker

Untitled

Abstract in Red, No. 3, 1960

Victor Pasmore

Abstract in Red, No. 3

Yankee Clipper, 1965

Philip Pavia

Yankee Clipper

Relax, Relax, 1964

Henry Pearson

Relax, Relax

Gandabrod Ball II, 1965

Henry Pearson

Gandabrod Ball II

Chrysalide (Chrysalis), 1961

Alicia Penalba

Chrysalide (Chrysalis)

Forme abstraite (Abstract Form), 1967

Helen Phillips

Forme abstraite (Abstract Form)

War/Game, 1961

Peter Phillips

War/Game

Filodendro (Philodendron), 1965

Michelangelo Pistoletto

Filodendro (Philodendron)

Il Cubo (The Cube), 1962

Arnaldo Pomodoro

Il Cubo (The Cube)

Passer-Welsh Green, 1964

David Prentice

Passer-Welsh Green

Bird Bath, 1944

Abraham Rattner

Bird Bath

Composition, 1959

Serge Rezvani

Composition

Composition in White, 1955

Jean-Paul Riopelle

No image available,
but we’re working on it

Forasteros II (Strangers II), 1969

Josefina Robirosa

Forasteros II (Strangers II)

Imagined Music, 1957

Kurt Roesch

Imagined Music

Arrival #4, 1960

William Ronald

Arrival #4

Sun Ikon, 1959

Tony Rosenthal

Sun Ikon

Carved "Coco de Mer", ca. 1901-1903

Paul Gauguin

Carved "Coco de Mer"

Agincourt, 1958

Frank Roth

Agincourt

Winter Plant, 1957

Alexander Peter Russo

Winter Plant

Transformation: Boxes, 1966-1967

Lucas Samaras

Transformation: Boxes

Composition - Blue, 1960

Ludwig Sander

Composition - Blue

Castilian Earth I, 1959

Giuseppe Santomaso

Castilian Earth I

Composition #10 - Three Lines, 1957

Tadashi Sato

Composition #10 - Three Lines

Retrato 64 (Portrait 64), 1959

Antonio Saura

Retrato 64 (Portrait 64)

Directory, 1960

Salvatore Scarpitta

Directory

Number 9, 1951

Louis Schanker

Number 9

Untitled, 1966

Julius Schmidt

No image available,
but we’re working on it

Painting 61-C, 1957

Gérard Ernest Albert Schneider

Painting 61-C

Iwan, 1960

Emil Schumacher

Iwan

Morning, 1957

Ethel Schwabacher

Morning

Nile Valley: Morning, 1962

William Scott

Nile Valley: Morning

Polarity, 1966

Peter Sedgley

Polarity

Souvenir d'Amérique (Souvenir of America), 1943

Kurt Seligmann

Souvenir d'Amérique (Souvenir of America)

Saturday Afternoon, 1942

Zoltan L. Sepeshy

Saturday Afternoon

Tsepheej (Cricket), 1957

Jaroslav Serpan

Tsepheej (Cricket)

Spring, 1947

Ben Shahn

Spring

Southampton, 1968

George Kendall Shaw

Southampton

Bridge Series: Structure #32, 1962

Dorothy Shea

Bridge Series: Structure #32

9/15/59, 1959

Barbara Shivitz

9/15/59

Painting Relief, 1962

Richard Lin

Painting Relief

Venus, 1957

Carlo Sergio Signori

Venus

Composition, 1951

Mario Sironi

Composition

Number 4, 1960, 1960

Hassel Wendell Smith, Jr.

Number 4, 1960

Structure permutationnelle (Permutational Structure), 1963-1966

Francisco Sobrino

Structure permutationnelle (Permutational Structure)

Along II, 1960

Sasson Soffer

Along II

The Tides, 1962-1963

Sasson Soffer

The Tides

Vertical, 1959

Francesco Somaini

Vertical

Deux Personages (Two Persons), 1957

Gene Vass

No image available,
but we’re working on it

Eleventh Street, 1960

Gene Vass

Eleventh Street

Bathers by a Grey Sea, 1947

John Keith Vaughan

Bathers by a Grey Sea

Chimera, 1962

Alberto Viani

No image available,
but we’re working on it

Focos de luz (Lightbulbs), 1969

Miguel Ángel Vidal

Focos de luz (Focus of Light)

Fall of Related Objects (Tribute to Charles Fort), 1948

Martha Visser't Hooft

Fall of Related Objects (Tribute to Charles Forte)

Untitled, 1967

Wakita Aijiro

Untitled

Reflection, 1962

Idelle Weber

Reflection

George Washington and Three Indians, 1963

John Wesley

George Washington and Three Indians

Still Life #20, 1962

Tom Wesselmann

Still Life #20

Change Game, 1964

John Willenbecher

Change Game

Metro, 1962

James N. Wines

Metro

Composition in Red and Blue, 1953

Fritz Winter

Composition in Red and Blue

Within Space, 1954

Fritz Winter

Within Space

Eva Plus Five, 1962

Dick Wray

Eva Plus Five

Incantation, 1961

Ernst Van Leyden

Incantation

Roundabout, 1970

Jack Youngerman

Roundabout

Acceleration #15, Series B, 1962

Jean-Pierre Yvaral

Acceleration #15, Series B

Gloucester Alley, 1943

Karl Zerbe

Gloucester Alley

Amagansett Summer, 1959

Kyle Morris

Amagansett Summer

Number 22 -1968, 1968

Peter Ford Young

Number 22 -1968

Pitcairn, 1958

Gabriel Kohn

This horizontally expansive, wooden sculpture sits on a narrow base atop a small flat black square. Multiple horizontal and vertical layers of wood are joined and sanded smooth, revealing different colors and knots of the grain. A low horizonal rectangular shape juts far out on the left side, and gradually getting narrower. A cube-like structure with vertical layers protrudes out from the center of the sculpture and to the right.

Fallen Pine, Camp Island, 1955

William Austin Kienbusch

Fallen Pine, Camp Island

Improvisation, 1944

Peter Grippe

Improvisation

Preo, 1964

Jean-Paul Riopelle

Preo

Salut le nord, salut le sud (Greet the North, Greet the South), 1962

Pierre Alechinsky

Salut le nord, salut le sud (Greet the North, Greet the South)

Untitled, 1961

Asger Jorn

Untitled

Wachstum (Growing), 1952

Willi Baumeister

Wachstum (Growing)

Our Lady of All Protections, 1958

Richard Peter Stankiewicz

Our Lady of All Protections

Untitled, 1960

Lee Bontecou

Untitled

Soft Manhattan #1 (Postal Zones), 1966

Claes Oldenburg

The overall shape of this wall-mounted sculpture is similar to the outline of the island of Manhattan as it might appear on a map. The sculpture is made up of roughly thirty-five beige, tan, brown, and gray bags stacked together. These bags are shaped and positioned to mirror the outlines of the city’s postal zones.

Four Quart-er-s, 1965

Mary Bauermeister

Four Quart-er-s

Sacra conversazione (Holy Conversation), 1963

Michelangelo Pistoletto

Sacra Conversazione (Holy Conversation)

Cinema, 1963

George Segal

Cinema

Lecteur I.K.B. 1960 (No. 2), 1960

Yves Klein

Lecteur I.K.B. 1960 (No. 2)

Lecteur I.K.P. 1960, 1960

Yves Klein

Lecteur I.K.P. 1960

Soap Bubble Set (Ostend Hotel), ca. 1958

Joseph Cornell

Soap Bubble Set (Ostend Hotel)

The Cone, 1960

Alexander Calder

A large playful sculpture made of thin sheets of black metal forming a partially open cone that stands on its circular base. A thin metal rod is balanced across the cone’s pointed top. Numerous interconnected wires and rods, each of which ends in a small white metal circle, hang from one side of the rod. The weight of the many wires and circles on one side of the central rod is counterbalanced and held in equilibrium by a single red circle on the rod’s other end.

Conger, 1950

Alexander Calder

Conger

Mindanao, 1952-1955

Victor Vasarely

Mindanao

Bora III, 1964

Victor Vasarely

Bora III

Bucolic Landscape, 1945

Milton Avery

A bright yellow cow, seen from the rear, sits in a grassy field on the left side of this horizontally oriented canvas. On the right, a reddish path leads into a dense woodland, and above the cow on the left, a narrow rectangle of pink sky emerges behind rolling green hills. Short red flowers are visible in the foreground, and a single, scraggly tree juts out of the ground in the upper-left corner. The colors are soft and bright, suggesting a warm, sunny day.

Avvenimento #103 (Event #103), 1955

Edmondo Bacci

Avvenimento #103 (Event #103)

Blanar, 1953

Olle Bærtling

Blanar

XIH, 1966

Olle Bærtling

XIH

Harbor View # 1, 1970

Walter Darby Bannard

Harbor View # 1

Caprice, 1963

Leonard Baskin

Caprice

Untitled, 1964

Larry Bell

Untitled

Overlap #4, 1967

Ernst Benkert

No image available,
but we’re working on it

Torso of a Girl, 1944

Ahron Ben-Shmuel

Torso of a Girl

Malanggan I, 1959

Hubert Berke

Malanggan I

Untitled, 1953

Harry Bertoia

Untitled

Sculptural Screen, 1961

Harry Bertoia

Sculptural Screen

1970 no.9, 1970

Jakob Bill

Untitled No. 9

Continuous Surface in Form of a Column, 1953-1958

Max Bill

Continuous Surface in Form of a Column

Neun Felder durch Doppelfarben geteilt (Nine Fields Divided by Means of Two Colors), 1968

Max Bill

Neun Felder durch Doppelfarben geteilt (Nine Fields Divided by Means of Two Colors)

Cose rurali (Things of the Land), 1954

Renato Birolli

No image available,
but we’re working on it

Vainglory, 1944

Carol Blanchard

No image available,
but we’re working on it

Painting 1957, 1957

Sandra Blow

Painting 1957

Haute Claire, 1963

Norman Bluhm

Haute Claire

La Chute (The Fall), 1957

Bram Bogart

La Chute (The Fall)

Bemo, 1959

John E. Drummer

Bemo

Chemin bordé d'herbe (Path Bordered by Grass), 1956

Jean Dubuffet

Chemin bordé d'herbe (Path Bordered by Grass)

Painting 1960-D, 1960

Edward Dugmore

Painting 1960-D

Echoes, 1968

Alfred Dunn

No image available,
but we’re working on it

Shelocta, Pa., 1943

Philip Clarkson Elliott

Shelocta, Pa.

Flame Shaft, 1968

Philip Clarkson Elliott

Flame Shaft

The Chant, 1955

Jimmy Ernst

The Chant

Lumière (Light), 1968

Jimmy Ernst

Lumière (Light)

Dunes with Ray of Light, II, 1944

Lyonel Feininger

Dunes with Ray of Light, II

Luminary I, 1959

Luis Feito López

No image available,
but we’re working on it

Concetto spaziale, Attese (Spatial Concept, Waiting), 1960

Lucio Fontana

Concetto spaziale, Attese (Spatial Concept, Waiting)

Natura I, 1961

Lucio Fontana

Natura I

Blue-Black, 1952

Sam Francis

Blue-Black

Untitled, 1956

Sam Francis

Untitled

Table and Flowers with Deck Chairs, 1958

Donald Hamilton Fraser

No image available,
but we’re working on it

Landscape, ca. 1946

Arnold Aaron Friedman

Landscape

Violette Interferenzen im Rot (Violet Interferences into Red), 1968

Günter Fruhtrunk

Violette Interferenzen im Rot (Violet Interferences into Red)

Figure 2 "Mar", 1958

Franco Garelli

Figure 2 "Mar"

Winter Stone, 1966

Lee Gatch

Winter Stone

Phantom Landscape, 1960

William Gear

Phantom Landscape

Facteur Rhésus, 1963

Klaus Geissler

No image available,
but we’re working on it

Lens Picture No. 15, 1964

Karl Gerstner

Lens Picture No. 15

Night, 1960

Frank Di Gioia

Night

Summer House, 1958

Michael Goldberg

Summer House

The Struggle, 1957

Robert Arthur Goodnough

The Struggle

Frozen Sounds II, 1952

Adolph Gottlieb

Frozen Sounds II

Presence of Black No. 1, 1958

José Guerrero

Presence of Black No. 1

Morning, 1959

Philip Guston

Morning

Shields IV, 1959-1961

Dimitri Hadzi

Shields IV

Polychromatic Diffraction (Diffraction Polychrome), 1970

Jean-Pierre Yvaral

$Polychromatic Diffraction (Diffraction Polychrome)$

Iridescence, 1965

Richard Joseph Anuszkiewicz

Iridescence

9 boules sur 5 plans (9 Balls on 5 Planes), July 1964

Pol Bury

9 boules sur 5 plans (9 Balls on Five Planes)

Untitled (#B-133), 1964

Tadasuke Kuwayama

Untitled B 133

Cocktail au Cheval (Cocktail on Horseback), 1966

Jean Tinguely

Cocktail au Cheval (Cocktail on Horseback)

Free Standing Painting, 1971

Yaacov Agam

Free Standing Painting

The Ninth Power, 1970-1971

Yaacov Agam

The Ninth Power

Peristyle: Five Lines, 1963-1964

George Rickey

Peristyle: Five Lines

Coming and Going, 1970

Mark Tobey

Coming and Going

Red Man-White Man-Black Man, 1945

Mark Tobey

Red Man-White Man-Black Man

Wild Indigo, 1967

Kenneth Noland

Twenty-eight stripes of different colors and widths run the width of this horizontally oriented painting. The very clearly defined bands are separated by pencil-thin stripes of unpainted canvas. While the colors used vary, they are mostly distinct hues of red, green, and blue.

Painting with Red Letter S, 1957

Robert Rauschenberg

Painting with Red Letter S

Ace, 1962

Robert Rauschenberg

Ace

Fez, 1964

Frank Stella

Fez

Lac Laronge III, 1969

Frank Stella

Lac Laronge III

New York, NY, 1957

Ellsworth Kelly

New York, NY

Second Tremor, 1969

Jules Olitski

Second Tremor

100 Cans, 1962

Andy Warhol

The front-facing, red, gold, and white labels of one hundred cans of Campbell’s Condensed Beef Noodle Soup fill this vertically oriented canvas. The cans are organized in a tight grid of ten rows and ten columns. The bottoms of the last row of cans are cut off so that only the upper halves of these cans are visible.

Scarlet Diamond, 1969

Ilya Bolotowsky

Scarlet Diamond

Untitled, 1963

Ludwig Sander

Untitled

First Theme, 1963-1964

Burgoyne Diller

First Theme

Blue, Yellow and Red, 1968

Ellsworth Kelly

Blue, Yellow and Red

Yellow Half, 1963

Kenneth Noland

Yellow Half

Column, 1961

Robert Adams

Tall Spike Form, 1957

Robert Adams

Tall Spike Form

Triangulated Column, 1960

Robert Adams

Triangulated Column

Réception automnale (Autumn Reception), 1953

Paul Emile Borduas

Réception automnale (Autumn Reception)

Interférences Optiques (Optical Interferences), 1965

Martha Boto

Interférences Optiques (Optical Interferences)

Secuencias No. 1, 1969

Ary Brizzi

Secuencias No. 1

Gant, 1955

James Brooks

Gant

Husserlienne, 1959

Jacques Brown

Husserlienne

Things Fussing Around the Moon, 1959

Joan Brown

Things Fussing Around the Moon

Bianco 1955, 1955

Alberto Burri

Bianco 1955

Manipulator, 1954

Reg Butler

Manipulator

Pacific Series, No. IX - Sierra, 1955

Lawrence Calcagno

Pacific Series, No. IX - Sierra

Lumière aeolienne (Aeolian Light), 1957

Manolis Calliyannis

Lumière aeolienne (Aeolian Light)

Relief No. 278, 1970

Sérgio de Camargo

Relief No. 278

Capricorno, 1964

Andrea Cascella

Capricorno

The Black Fish, 1951

Bruno Cassinari

The Black Fish

Untitled, 1956

Giorgio Cavallon

Untitled

Untitled, 1964

Francis Michael Celentano

Untitled

Kinetic Painting III, 1967

Francis Michael Celentano

Kinetic Painting III

Two Dancing Figures, 1954

Lynn Russell Chadwick

Two Dancing Figures

The Flying Fish, 1948

Marc Chagall

The Flying Fish

Letter "T", 1959

Chryssa

Letter "T"

The Gates to Times Square, 1964-1966

Chryssa

The Gates to Times Square

Woman in Black, 1945

Nicolai Cikovsky

Woman in Black

Unités (Unities), 1970

Geneviève Claisse

Unités (Unities)

Minoan Light, 1970

Calvert Coggeshall

Minoan Light

Ferro transparente, lilla (Transparent Iron, Lilac), 1966

Pietro Consagra

Ferro transparente, lilla (Transparent Iron, Lilac)

Revolving Table, 1965

Xavier Corberó

Revolving Table

Beyond Words, 1958

Antonio Corpora

Beyond Words

Diver, 1963

John Graham Coughtry

Diver

From the Sea, 1958

Rollin McNeil Crampton

From the Sea

Number 2, 1963

Rollin McNeil Crampton

Number 2

Number 3, 1963

Rollin McNeil Crampton

Number 3

Boat on the Beach, 1951

Leonardo Cremonini

Boat on the Beach

Mount Marion Walnut, 1952-1954

Raoul Hague

Mount Marion Walnut

Livia, 1968

Étienne Hajdu

Livia

Seated Woman, 1958

David Hare

Seated Woman

T 1951-3, 1951

Hans Hartung

T 1951-3

T55-28, 1955

Hans Hartung

T55-28

Untitled, 1971

David Hatchett

Untitled

B/WX, 1968

Al Held

B/WX

Curved Form, 1956

Barbara Hepworth

Curved Form

Three Standing Forms, 1964

Barbara Hepworth

Three Standing Forms

Untitled, 1959

Edward Higgins

Untitled

Acropolis, 1965

Charles B. Hinman

Acropolis

Saugus, 1960

Gottfried Honegger

No image available,
but we’re working on it

Tree Landscape, not dated

Ivon Hitchens

Tree Landscape

Archon, 1956

Rudolf Hoflehner

Archon

Agon, 1959

Rudolf Hoflehner

No image available,
but we’re working on it

Z-611, 1970

Gottfried Honegger

Z-611

Summer Day 57, 1957

Philippe Hosiasson

Summer Day 57

Composition, 1960

Philippe Hosiasson

Composition

No. 42.10.11.61, 1961

John Hoyland

No. 42.10.11.61

Italian Journey, 1954

John Hultberg

Italian Journey

Icarus, 1956

Richard Howard Hunt

Icarus

Untitled No. 104, 1969

Paul Huxley

Untitled No. 104

The Day the Rains Came Down, 1959

Gwyther Irwin

The Day the Rains Came Down

Bedford Heights, 1964

Gwyther Irwin

Bedford Heights

The Archer, 1955

Paul Jenkins

The Archer

Untitled, 1962-1963

Robert Irwin

Untitled

Untitled, 1961

Tadaaki Kuwayama

Untitled

Hudson River School Series #30, 1957

James Jarvaise

Hudson River School Series #30

The Great Mystery II, 1960

Alfred Jensen

The Great Mystery II

Bronze Star, 1967

Howard Jones

Bronze Star

Blue on Blue and Beyond, 1966

Morris Kantor

Blue on Blue and Beyond

Saint Pierre of Rome, 1963

Constantin Karahalios

Saint Pierre of Rome

Untitled, 1966

Craig Kauffman

Untitled

Green Curve, 1967

Kawabata Minoru

No image available,
but we’re working on it

Couleur-douleur (Color-Sadness), 1960

Zoltan Kemeny

Couleur-douleur (Color-Sadness)

Patina, 1959

György Kepes

Patina

Birth of a Lake, 1960-1964

Frederick John Kiesler

No image available,
but we’re working on it

Sleeping Figure, 1958

Peter Kinley

Sleeping Figure

Number Zero - Adam, 1948

Karl Knaths

Number Zero - Adam

Directional I, 1962

Lyman Kipp

Directional I

Cylindre à trois pattes (Cylinder with Three Paws), 1964

Harry Kramer

Cylindre à trois pattes (Cylinder with Three Paws)

Untitled, 1961

Tadaaki Kuwayama

Untitled

Construction 31 - II, 1965

Leroy Lamis

Construction 31 - II

Lulworth, 1956

Peter Lanyon

Lulworth

Sky, 1956

Peter Lanyon

Sky

Theme and Variations #1, 1957

Ibram Lassaw

Theme and Variations #1

Cytherea, 1964

Ibram Lassaw

No image available,
but we’re working on it

Icarus, 1957

Ger Lataster

Icarus

Departing from Red, 1961

Ger Lataster

Departing from Red

Red Window, 1960

Phillip B. Leavitt

Red Window

The Collector, 1944

Charles Le Clair

The Collector

Country Wedding, 1942

Doris Lee

Country Wedding

Summer, 1958

Doris Lee

Summer

Instabile-continuel lumière (Unstable-Continual Light), ca. 1962

Julio Le Parc

Instabile-continuel lumière (Unstable-continual Light)

Soldier's Medal, 1959

Alfred Leslie

Soldier's Medal

Couleur-douleur (Color-Sadness), 1960

Zoltan Kemeny

Couleur-douleur (Color-Sadness)

Simurgh, 1965

Josef Levi

Simurgh

#169, 1959

Kurt Lewy

#169

Iota III, 1961

Alexander Liberman

Iota III

Ohne Titel (Untitled), 1969-1970

Verena Loewensberg

Untitled No. 1

Egypt, 1965

Sven Lukin

Egypt

Grass, 1965

Len Lye

Grass

Still Life, 1948

Robert MacBryde

Still Life

Pintura generativa (Generative Painting), 1969

Eduardo Mac Entyre

Pintura generativa (Generative Painting)

Peinture (Painting), not dated

Jean McEwen

Peinture (Painting)

Night Shadows, 1961

Loren MacIver

Night Shadows

White Light Dynamo, 1964

Heinz Mack

White Light Dynamo

Simona, 1965

Heinz Mack

Simona

Zig-Zag, 1965

Heinz Mack

Zig-Zag

Monument of Mirrors, 1966

Heinz Mack

Monument of Mirrors

Pintura (Painting), 1965

Victor Magariños

Pintura (Painting)

Black and White, 1964-1965

Karel Malich

Black and White

Apothecary, 1960

Robert Mallary

Apothecary

Idea No. 16, 1958, 1958

Edgardo Mannucci

No image available,
but we’re working on it

Beach Stand, 1949

Conrad Marca-Relli

Beach Stand

Freya, 1949

Gerhard Marcks

Freya

From Elements of Evening, 1957

Boris Margo

From Elements of Evening

Acrobats and Horse, 1951

Marino Marini

Acrobats and Horse

Baby Girl, 1963

Marisol

Baby Girl

Piazza, 1960

Jack Massey

Piazza

Dans la forêt (In the Forest), 1944

André Masson

Dans la forêt (In the Forest)

Pour une aliénation définitive du logos (For the Definitive Alienation of Logos), 1955

Georges Mathieu

Pour une aliénation définitive du logos (For the Definitive Alienation of Logos)

First Avenue, 1957

Georges Mathieu

First Avenue

Startled Bird, 1955

Bernard Meadows

Startled Bird

Standing Blue, 1966

Victor Millonzi

No image available,
but we’re working on it

Chimera, ca. 1953-1960

Mirko

Chimera

Caucus Room, 1965

Benjamin Moncloa

Caucus Room

Mother and Child, 1959

Henry Moore

No image available,
but we’re working on it

Two-Piece Reclining Figure No. 4, 1961

Henry Moore

Two-Piece Reclining Figure No. 4

Oval with Points, 1968

Henry Moore

Oval with Points

New York, N.Y., 1953

Franz Kline

An abstract arrangement of broad black brushstrokes appears against a mostly solid white background. One stroke extends from the top to bottom of the painting along its right edge and another two of similar length appear near the left edge. Other, shorter strokes extend horizontally and diagonally among these vertical elements. The black lines could resemble in outline the type of buildings and bridges that populate New York City’s skyline.

East Barrier, 1960

Jack Tworkov

East Barrier

Cooba, 1963

James Brooks

Cooba

In the Forest, 1957

Richard Pousette-Dart

In the Forest

George Went Swimming at Barnes Hole, but It Got Too Cold, 1957

Joan Mitchell

Large, energetic brushstrokes in green, brown, black, red, blue, and white cover portions of this abstract painting’s white background. These marks are primarily concentrated in two areas: in the top half of the canvas, especially in the center, and on its lower edge, especially in the center and toward the right corner.

Sunrise, 1954-1955

David Hare

Four short oxidized steel legs elevate a small, taupe-colored rock a couple inches off the ground. Additional lengths of oxidized steel extend either vertically or in a trapezoidal shape above the rock. Several additional abstract steel elements are attached to this framework, including one that looks like an origami crane and another at the very top of the sculpture that looks like a bird in flight with its head pointed toward the ground.

Cigarette, 1961 (fabricated 1967)

Tony Smith

Cigarette

Diamond—#I of III, 1967

Antoni Milkowski

Diamond—#I of III

Georgiana, 1969-1970

Anthony Caro

Georgiana

Bond, 1969

Alexander Liberman

Bond

Zig-Zag, 1967

Beverly Pepper

Zig-Zag

Big Red, 1970-1971

James Rosati

Big Red

Sea King, 1955

Seymour Lipton

Bronze-colored, jagged vertical forms grouped together appear to balance on top of a small, square, stone base. The majority of the sculpture extends to the right, narrowing to a sharp point resembling the tip of a spear. Five jagged tips point upward, and three on the right side point down. Each section is angular, casting dark shadows throughout the sculpture, and the bumpy surface throughout adds an aged, or patina-like appearance.

Mars and Venus, 1959-1960

Reuben Nakian

Mars and Venus

Japanese War God, 1958

Eduardo Luigi Paolozzi

Japanese War God

Blue Painting, 1960

William Scott

Blue Painting

Walter Lippmann, 1966

R. B. Kitaj

Walter Lippmann

Thorn Trees, 1945

Graham Vivian Sutherland

Thorn Trees

Internal and External Forms, 1953-1954

Henry Moore

Internal and External Forms

Reclining Figure No. 1, 1959

Henry Moore

Reclining Figure No. 1

Sculpture classique (Classical Sculpture), 1964

Jean (Hans) Arp

The gently curving contours of this white marble sculpture suggest a head, shoulders, and hips. The slim vertical form stands on top of and is contiguous with a cylindrical base.

Baigneuse jouante (Female Bather Playing), 1958

Pablo Picasso

Baigneuse jouante (Female Bather Playing)

Man Walking (Version I), 1960

Alberto Giacometti

Man Walking (Version I)

La Fleur qui marche (The Walking Flower), 1951

Fernand Léger

La Fleur qui marche (The Walking Flower)

Construction dans l'oeuf (Construction in the Egg), 1948

Antoine Pevsner

Construction dans l'oeuf (Construction in the Egg)

Standing Cardinal, 1957

Giacomo Manzù

Standing Cardinal

Borne au logos VII (Milestone to Logic VII), 1967

Jean Dubuffet

Borne au logos VII (Milestone to Logic VII)