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Hi-Vis

Friday, February 21, 2025Monday, June 9, 2025

Jeffrey E. Gundlach Building
Floor 3

Image removed.
Pat Perry, Erie County Witness Tree Map, 2024, in progress. Photo: Jeff Mace
 

The thought of making an artwork may not invoke images of hard hats and harnesses, but for those who make art in public spaces these are tools of the trade as common as any brush or tube of paint. Public art takes place at great heights and busy intersections, with heavy machinery, following the guidance of experts in fabrication and rigging and the instructions of engineers. All of this takes place alongside artists to physically make their work happen as a live audience comes and goes—and while clad in high visibility orange or yellow. Over the first ten years of its existence, the Public Art Initiative at the Buffalo AKG Art Museum has created more than sixty works by eighty artists. When these artworks are installed, sometimes for a short amount of time, sometimes permanently, they meet an audience of hundreds of thousands—the highest form of visibility an artist could ask for.

Hi-Vis is an invitational survey exhibition that celebrates the artists who have worked with the Buffalo AKG’s Public Art Initiative in its first ten years of existence. While you may recognize the works of these artists found throughout the region, you might not know the depth, the breadth, and the variety of art practices they embrace. Hi-Vis allows us to look closely and engage deeply with the practices behind the public art.

Often, the Public Art Initiative challenges artists to create their first-ever public works or to make the largest works of their career. Working in this way creates the chances for robust dialogue in shared civic spaces. Often, these conversations are led by the public, with the ensuing dialogue creating new space and novel platforms for opportunities to create, experience, and talk about meaningful aspects of our collective creative culture. As an institution, the Buffalo AKG has seen its public art as a way to more meaningfully connect with the many residents of the region by working in their neighborhoods. 

With Hi-Vis, we are overjoyed to expand those conversations with the work into the museum itself, to offer a platform for our artists in a new way, to revisit conversations with our audiences, and to celebrate what we have created together.

Hervé Tullet, French, born 1958. (left) Detail of Traits points taches gribouillage (Lines dots stains scribbles), 2021. Acrylic on Polytab. 25 × 85 feet (7.6 × 25.9 m). Commissioned by the Buffalo AKG Art Museum Public Art Initiative, 2020; (right) Detail of Untitled (Gribouillage et Points), 2021. Acrylic on paper. Sheet: 59 1/2 x 93 3/4 inches (151.1 x 238.1 cm). Gift of the artist, 2021. (2021:23). © Hervé Tullet. 

Louise Jones (American, born 1988). Wildflowers for Buffalo, 2018. Acrylic paint. Approximately 80 x 180 feet (24.4 × 54.9 m). Commissioned by the Buffalo AKG Art Museum Public Art Initiative, 2018. Photo: Jeff Mace

Casey Riordan, American, born 1973, Shark Girl, 2014 (created 2013). Fiberglass and paint. 60 × 60 × 36 inches (152.4 × 152.4 × 91.4 cm). Public Art Collection of the Buffalo AKG Art Museum. Gift of A. Conger Goodyear, by exchange, 2014; (right) Shark Girl by the Sea (with Cancer), 2005. Watercolor and gouache on paper. Sheet: 45 x 34 1/2 inches (114.3 x 87.63 cm). Collection Casey Riordan Millard. (ACQ1479)

Adeyemi Adegbesan, aka Yung Yemi (Canadian, born 1982). Queen City, 2022. Polytab. Commissioned by the Buffalo AKG Art Museum Public Art Initiative, 2022. Photo: Brenda Bieger, Buffalo AKG Art Museum

Sarah Braman, American, born 1970, (left) Sit, 2022. Precast concrete, steel, glass; (Right) Friend, 2020. Maple, found wood, and glass. 36 x 26 x 24 inches (91.4 x 66 x 61 cm). George B. and Jenny R. Mathews Fund, by exchange, 2023. (2023:37a-b) © Sarah Braman. 

Jun Kaneko (Japanese, born 1942). The Space Between: Frank Lloyd Wright | Jun Kaneko, 2020–2021. Photo: Brenda Bieger, Buffalo AKG Art Museum

Felipe Pantone, Argentinian and Spanish, born 1986. Detail of Optichromie—BUF, 2019. Spray and acrylic paint. 44 × 90 feet (13.4 × 27.4 m) Commissioned by the Buffalo AKG Art Museum Public Art Initiative, 2019; (right) SUBTRACTIVE VARIABILITY KOSMOS 3, 2023. UV paint, UHS lacquer, PMMA, aluminum, steel, ball bearings. 110 x 160 x 150 cm. ©️ FPSTUDIO.


This exhibition is curated by Aaron Ott, Curator of Public Art; Eric Jones, Public Art Projects Manager; and Zack Boehler, Assistant Curator, Special Projects.


  • A person holding up a patterned piece of fabric in a studio

    Upcoming Programming

    Stay tuned for a variety of upcoming programming planned in conjunction with the exhibition, including workshops led by artist Amanda Browder, community painting sessions with artist Saira Siddiqui, related artmaking activities, artist talks, and more! 

  • Closeup of a mural of a blue sleeping giantess

    Explore Public Art

    Browse our public art projects or explore them on a map. You are welcome to take photographs and video of Public Art Initiative projects for personal use. 

About the Catalogue

Image removed.Hi-Vis: Ten Years of the Public Art at the Buffalo AKG Art Museum showcases every project made under the Public Art Initiative from 2013 when it was founded to 2023. It features extensive documentation of the works and the processes behind them. Essays by Curator of Public Art Aaron Ott, Project Coordinators Zack Boehler and Eric Jones, and Peggy Pierce Elfvin Director Janne Sirén tell the story of the initiative’s evolution and what it’s like to create the conditions for a wide range of artistic talent to thrive. A dozen participating artists offer insights and lessons about making work in the public eye.

Sponsors

This exhibition is presented by the Buffalo AKG National Council. 
The Public Art Initiative was established and is supported by leadership funding from the County of Erie and the City of Buffalo. 

Erie county seal
Seal of the city of Buffalo