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The Albright-Knox owns 33 paintings by the abstract expressionist Clyfford Still, the largest public collection of the artist's work. These span the most critical developments of his career from 1937 to 1963 and as a unified group tell us a great deal about his primary concerns during a seminal period of activity.

This tightly focused selection of Tissot’s best works revealed him as the intelligent and complex artist that he was and celebrates his dramatic return to both popular and scholarly favor.

This selection of works on paper, organized by the Staatliche Graphische Sammlung in Munich, came primarily from Scully's private collection — which was not available to the public until this exhibition.

Since 1977, when the Albright-Knox presented its first In Western New York biennial open-call exhibition, this series highlighted the work of numerous talented artists within the 8 counties of Western New York.

Eugène Leroy's paintings pile layer upon layer of gnarled paint on canvas. This was the first solo museum exhibition in the U.S. of the highly regarded, then 90-year-old, painter from France.

Landscape at the Millennium combined 19th century landscape paintings from the collections of the Albright-Knox and the Parrish Art Museum, Southampton, New York, with two contemporary installations by painters Tobi Kahn and Pat Steir.

The perfected design of an Essenhigh painting, so seemingly resolved in every detail, belies the spontaneity that went into its creation. That the artist refers to her canvases as "giant drawings" confirms the primacy of draughtsmanship in her process.

As a German traveling to Buffalo in the 1990s, Engel brings a contemporary eye to these quintessential structures, as only a European in love with modern American architecture can.

This exhibition, which gathered the work of 20 artists who work in all media — from painting, photography, and sculpture to video and installation — explored the question of identity in a world where mobility is considered the norm.

Angela Grauerholz created her own archive: a tomb-size wooden cabinet that houses 62 large-scale, black-and-white photographs.

On view concurrently with Monet at Giverny, the selection of exquisite photographs provided a special insight into Monet's gardens, depicting the grounds in different seasons and times of day.

Monet at Giverny featured 22 paintings that Monet created between 1903 and 1926 while living at Giverny, not far from Paris.