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This exhibition's focus was the 1950s, a decade distinguished by significant transformations in the cultural landscape, from McCarthyism, space travel, civil rights, and Cold War politics to post-Bebop, Abstract Expressionism, and Beat poetry.

In conjunction with The Tumultuous Fifties: A View from the New York Times Photo Archive, The Material Fifties was a special installation devoted to 1950s mass culture

This exhibition highlighted seldom seen drawings and mixed media works on paper from the Albright-Knox’s collection, spanning the period from 1970 through 2000.

Following a Line, the title for two consecutive exhibitions in the Clifton Hall Link, celebrated the museum's significant drawing collection, which is often kept out of view due to sensitivity to light and environmental conditions.

Following in the legendary footsteps of its generous benefactor Seymour H. Knox, the Albright-Knox continues to acquire contemporary works of art while, as the saying goes, "the paint is still fresh."

The more than 100 artworks in the exhibition, made by children ages four to eighteen, offered a glimpse into the hearts and minds of young people dealing with psychiatric and emotional problems.

Circa 1900 celebrated the beginning of the 21st century and the centennial of the Pan-American Exposition by honoring the momentous changes that took place at the advent of the 20th century.

John Bisbee's sculptures, made exclusively of welded nails, blend elements of Surrealism and Minimalism with mystery and humor to create a truly unique and engaging sculptural vision.

Leon Golub: Paintings 1950–2000 was a compelling exhibition of 39 paintings selected in consultation with the artist. These key works are supplemented by a large representation of Golub’s lesser-known political portraits.

Photographs by Gyula Halasz Brassaï, Henri Cartier-Bresson, and Hans Namuth offered a unique opportunity to peer into the studios and faces of a spectrum of the past century's artistic masters.

This exhibition featured a selection from the more than 500 prints gifted to the museum from the collections of F. Paul Norton and Frederic P. Norton.

This exhibition featured more than 70 prints and posters produced by Latino and Latin American artists in this country, as well as Argentina, Brazil, Cuba, Colombia, Guatemala, Uruguay, and Panama.