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Chuck Close: Self-Portraits 1967–2005 featured more than 80 works in a broad range of media that traced the evolution of Close's process and self-examination from 1967 to the present.

This comprehensive, 19-year survey included a selection of Petah Coyne’s works from the late 1980s to 2001.

This work was inspired by a series of black-and-white Polaroid photographs the artist made of the underside of his kitchen table, which captured the mix of vertical and horizontal lines formed by the various surfaces, legs, and rungs of the furniture.

On View: Stellar Works from the Collection was an exciting reinstallation of the museum's collection, featuring well-known masterworks from the turn of the 19th century to the present.

This exhibition examined Latin American abstraction from the 1960s and early 1970s, and paid homage to the museum's commitment to acquiring modern and contemporary art from all over the world.

Jim Hodges—a internationally renowned artist who transforms ordinary objects into poetic spectacles—brought his largest work to date to the Albright-Knox’s Sculpture Garden in the summer of 2006. 

Karin Davie: Dangerous Curves was the first solo exhibition of the artist’s paintings, sculptures, and drawings; a survey that tracked the evolution of Davie’s visual vocabulary.

Organized by the Albright-Knox and the University at Buffalo Art Galleries in collaboration with the Millennium Art Museum, Beijing, The Wall: Reshaping Contemporary Chinese Art was at the time the largest exhibition of contemporary Chinese art to travel beyond China.

The Albright-Knox presented Rachel Whiteread's Untitled (Domestic) as part of an ongoing series of large-scale sculptural installations in the museum’s Sculpture Court. 

In recognition of the Stanley Cup’s visit to Buffalo on April 24, 2006, the Albright-Knox presented Pfeiffer’s work Caryatid, 2003, honoring hockey’s Holy Grail.

Extreme Abstraction was a major exhibition surveying of the history and future of abstraction that spanned the Albright-Knox’s three buildings and extended onto its outdoor campus during the summer and fall of 2005.

The Natalie and Irving Forman Collection celebrated the significant gift of paintings, sculptures, and works on paper that was recognized at The Buffalo Fine Arts Academy’s Annual Meeting on October 8, 2003.