Olafur Eliasson

Icelandic, born Denmark, 1967

Triple ripple

Olafur Eliasson (Icelandic, born 1967). Triple ripple, 2004. Glass, mirror, electric motors, spotlight, and tripod; dimensions variable. Collection Albright-Knox Art Gallery, Buffalo, New York. Albert H. Tracy, Charles W. Goodyear and Charles Clifton Funds, by exchange, 2007 (2007:14a-g). © 2004 Olafur Eliasson, Courtesy Tanya Bonakdar Gallery, New York.

© Olafur Eliasson

Image downloads are for educational use only. For all other purposes, please see our Obtaining and Using Images page.

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© Olafur Eliasson

Image downloads are for educational use only. For all other purposes, please see our Obtaining and Using Images page.

© Olafur Eliasson

Image downloads are for educational use only. For all other purposes, please see our Obtaining and Using Images page.

© Olafur Eliasson

Image downloads are for educational use only. For all other purposes, please see our Obtaining and Using Images page.

© Olafur Eliasson

Image downloads are for educational use only. For all other purposes, please see our Obtaining and Using Images page.

© Olafur Eliasson

Image downloads are for educational use only. For all other purposes, please see our Obtaining and Using Images page.

Triple ripple, 2004

Artwork Details

Materials

glass, mirrors, electric motors, spotlight, and tripod

Measurements

installed dimensions variable; target 1 (overall): 43 1/4 x 43 1/4 inches (109.86 x 109.86 cm); target 2 (overall): 35 x 35 inches (88.9 x 88.9 cm); target 3 (overall): 26 1/2 x 26 1/2 inches (67.31 x 67.31 cm)

Collection Buffalo AKG Art Museum

Credit

Albert H. Tracy, Charles W. Goodyear and Charles Clifton Funds, by exchange, 2007

Accession ID

2007:14a-g

The hypnotic, shifting shadows of Olafur Eliasson’s Triple ripple are produced by rotating glass discs and mirrors that distort light and play with the shadows of people moving through the gallery. Eliasson has described his works as “devices for the experience of reality,” and over the course of his career he has employed a wide range of mediums in his experiments with color and light. However, these physical materials—which have included mirrors, projected light, and fog—are only a means to what he sees as the real work of art: the human experiences they generate.

Label from Out of Sight! Art of the Senses, November 4, 2017–January 28, 2018