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Selected from the Albright-Knox’s substantial holdings by Arturo Herrera, this exhibition gave prominence to the artist’s multifaceted practice.

This exhibition focused on the painter's development during the 1960s and 1970s, a period that marked her transition from oil to acrylic paint, and from gestural abstraction to robust images of consolidated color and tonal nuance.

This exhibition fleshed out the full spectrum of Paul Feeley’s creative output, from early Abstract Expressionist–inspired paintings to the diagrammatical compositions that preoccupied him from 1962 until 1966. 

This exhibition presented four works by Dean from the Albright-Knox’s collection that were created following two visits to the Romanesque cloister at Santo Domingo de Silos, a Benedictine monastery in northern Spain. 

Presented alongside Lucas Samaras’s famously disorienting Room No. 2, 1966, this exhibition comprised a selection of Samaras’s prints, sculpture, photographs, and a painting, all drawn from the museum’s collection.

Printed Editions in the Sixties and Seventies: LeWitt, Roth, Ruscha featured a selection of artists’ books and prints from the Albright-Knox’s Collection by three pioneering artists who reenvisioned what a book could be: Sol LeWitt, Dieter Roth, and Ed Ruscha.

In Millie Chen's The Miseries & Vengeance Wallpapers, what initially appeared to be decorative walls were revealed to be a provocative dialogue between two sets of images culled from Jacques Callot's “The Miseries and Misfortunes of War.”

Anselm Kiefer: Beyond Landscape explored the interplay of history, identity, and landscape in the work of one of the most important artists of our time. Several major works by Kiefer formed the core of the exhibition.

This exhibition in the Gallery for New Media featured Sayed, 2013, and It Was Restored Again, 2013, from Ga's most recent series of works, “Square, Octagon, Circle,” 2012–14.

This exhibition of more than 70 masterworks from the Albright-Knox's collection came home to Buffalo as the second stop of a national tour, giving Western New Yorkers the opportunity to see these treasures with fresh eyes.

Albrecht Dϋrer: Highlights from the Collection presented works by the German artist Albrecht Dϋrer (1471–1528) in celebration of the quincentennial of Dϋrer’s Melencolia I, 1514.

This exhibition, drawn primarily from the Albright-Knox’s collection, considered the creative impulses of some of the most influential female artists of our time.