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Presented alongside Lucas Samaras’s famously disorienting Room No. 2, 1966, this exhibition comprised a selection of Samaras’s prints, sculpture, photographs, and a painting, all drawn from the museum’s collection.

Printed Editions in the Sixties and Seventies: LeWitt, Roth, Ruscha featured a selection of artists’ books and prints from the Albright-Knox’s Collection by three pioneering artists who reenvisioned what a book could be: Sol LeWitt, Dieter Roth, and Ed Ruscha.

In Millie Chen's The Miseries & Vengeance Wallpapers, what initially appeared to be decorative walls were revealed to be a provocative dialogue between two sets of images culled from Jacques Callot's “The Miseries and Misfortunes of War.”

Anselm Kiefer: Beyond Landscape explored the interplay of history, identity, and landscape in the work of one of the most important artists of our time. Several major works by Kiefer formed the core of the exhibition.

This exhibition in the Gallery for New Media featured Sayed, 2013, and It Was Restored Again, 2013, from Ga's most recent series of works, “Square, Octagon, Circle,” 2012–14.

This exhibition of more than 70 masterworks from the Albright-Knox's collection came home to Buffalo as the second stop of a national tour, giving Western New Yorkers the opportunity to see these treasures with fresh eyes.

Albrecht Dϋrer: Highlights from the Collection presented works by the German artist Albrecht Dϋrer (1471–1528) in celebration of the quincentennial of Dϋrer’s Melencolia I, 1514.

This exhibition, drawn primarily from the Albright-Knox’s collection, considered the creative impulses of some of the most influential female artists of our time. 

Tour, 2014, an audio-video installation by Millie Chen that contemplates arguably “healed” genocide sites, provokes the question: How can we sustain the memory of that which has become invisible? 

Cubes and rectangles can be some of the quietest forms in art. Boxes and containers are altogether different from their non-referential counterparts; by definition, they contain something. This exhibition explored all four forms.

Buffalo's Monuments Men presented archival materials, as well as recently discovered information about one of the Albright-Knox’s paintings, to celebrate the contributions made by Buffalo’s Monuments Men to the preservation of Europe’s cultural heritage during World War II.

Co-organized by the Albright-Knox and The Drawing Center, this exhibition included more than 60 works on paper by Ken Price, many of which had rarely been exhibited.