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This second exhibition in the Gallery for New Media centered on the recent acquisition of All or Nothing (alles oder nichts), 2010, an intimately scaled video sculpture by the Swiss-born artist Pipilotti Rist.

Telling Tales featured a selection of small sculpture and other works that tell stories.

This exhibition presented three newly acquired sculptural-based video works by Pfeiffer that focus on the history of sports culture and spectatorship.

This exhibition complemented the forthcoming installation of the artist's graphite wall drawing on the museum's staircase.

This international contemporary art exhibition—the product of a unique curatorial collaboration between 12 of Western New York’s museums and galleries—showcased the work of more than 100 extraordinary artists from the region and beyond.

Forty: The Sabres in the NHL featured more than 200 images taken from 1970 to 2010, providing a pictorial survey of 40 years of the Buffalo Sabres in the NHL. The exhibition also featured an exciting experiential film and video installation designed by the Buffalo Sabres.

ECHO: Sampling Visual Culture explored a selection of contemporary artists from the museum's collection who incorporate humor and appropriation into their artmaking.

This exhibition included 29 paintings from Clyfford Still's 1964 gift to the Albright-Knox, as well as a selection of Still archives from the museum’s Library Collection.

Fletcher Benton is best known for cutting, folding, and realigning two-dimensional sheets of steel into three-dimensional objects that seem to defy gravity. This exhibition focused on Benton’s Alphabet series, which he began in the 1970s.

This intimate installation featured a dozen photographic works from the museum's collection by Shirin Neshat, Angela Grauerholz, Sharon Lockhart, Laurie Simmons, Gillian Wearing, and Carrie Mae Weems.

Guillermo Kuitca: Everything traced nearly three decades of work from the Buenos Aires–based artist Guillermo Kuitca, whose canvases have received significant international attention since the early 1990s.

Guest curated by Roald Nasgaard, Professor of Art History at Florida State University, this exhibition included 60 works of art, as well as photographs, books, and other ephemera documenting the history of the Automatiste, Canada’s first truly avant-garde art movement.