Robert Indiana

American, 1928-2018

Four Panel LOVE

© Morgan Art Foundation Ltd / Artists Rights Society (ARS), New York

Image downloads are for educational use only. For all other purposes, please see our Obtaining and Using Images page.

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© Morgan Art Foundation Ltd / Artists Rights Society (ARS), New York

Image downloads are for educational use only. For all other purposes, please see our Obtaining and Using Images page.

© Morgan Art Foundation Ltd / Artists Rights Society (ARS), New York

Image downloads are for educational use only. For all other purposes, please see our Obtaining and Using Images page.

© Morgan Art Foundation Ltd / Artists Rights Society (ARS), New York

Image downloads are for educational use only. For all other purposes, please see our Obtaining and Using Images page.

© Morgan Art Foundation Ltd / Artists Rights Society (ARS), New York

Image downloads are for educational use only. For all other purposes, please see our Obtaining and Using Images page.

© Morgan Art Foundation Ltd / Artists Rights Society (ARS), New York

Image downloads are for educational use only. For all other purposes, please see our Obtaining and Using Images page.

Four Panel LOVE, 1972

Artwork Details

Materials

set of four: color screen prints on heavy white wove paper

Edition:

1/150

Measurements

sheet (each); image area (each): 31 1/2 x 31 3/8 inches (80.01 x 79.6925 cm); mat (each): 34 7/8 x 34 15/16 inches (88.5825 x 88.74125 cm)

Collection Buffalo AKG Art Museum

Credit

Gift of Seymour H. Knox, Jr., 1973

Accession ID

K1973:2.1-4

LOVE is among the most recognizable artworks of the twentieth century. Robert Indiana first executed this square stacked-letter format in a series of pencil rubbings in 1964 , and his design first achieved widespread distribution as a Museum of Modern Art (MoMA) Christmas card in 1965. The artist did not copyright his design, and by 1966, the year he conceived his first LOVE sculpture, the image was already being widely pirated. Indiana revisited LOVE throughout his career in a variety of media, scales, and color combinations, such as this four-panel, red, white and blue screen print. The museum’s collection also includes an eight-foot, polychromed aluminum LOVE in the classic red, blue, and green color combination that Indiana originally used for MoMA’s Christmas card.

Label from Robert Indiana: A Sculpture Retrospective, June 16–September 23, 2018

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