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Diamonds are Forever was a traveling exhibition featuring more than 120 works inspired by the social and cultural significance of this favorite American pastime, organized by the New York State Museum.

This exhibition highlighted artworks in the Albright-Knox’s collection that feature cityscapes.

Buffalo, My City premiered the 20 watercolor series by Dr. Lalli, a retired chairman of the art education and mechanical drawing departments of Amherst Central High School.

Held in conjunction with a Polish festival of cultural events, this exhibition featured a selection of paintings by important Polish artists from the 19th and early 20th centuries.

This exhibition, the first U.S. retrospective of the work of Israeli artist Moshe Kupferman, included his paintings and works on paper.

This exhibition featured 50 paintings that represented the eclecticism of American art before the First World War.

This exhibition featured the recreation of several of the Independent Group’s 1950s shows, which greatly influenced the later development of Pop art and postmodern architecture.

Originally organized for the 1990 Venice Biennale, this presentation of Jenny Holzer: The Venice Installation featured several new works designed specifically to be shown at the Albright-Knox.

The Albright-Knox’s then-called Prints and Drawings Corridor featured an exhibition of two print series by French artist Georges Rouault.

This exhibition featured a stunning portfolio of etchings, Five Plates by Brice Marden in the then-called North Corridor.

This biennial exhibition featured the work of 28 artists from the eight county areas in Western New York.

This exhibition offered a brief historical overview of work by American artists, beginning with a collection of etchings by James McNeil Whistler.