Search the Site

Originally organized for the 1990 Venice Biennale, this presentation of Jenny Holzer: The Venice Installation featured several new works designed specifically to be shown at the Albright-Knox.

The Albright-Knox’s then-called Prints and Drawings Corridor featured an exhibition of two print series by French artist Georges Rouault.

This exhibition featured a stunning portfolio of etchings, Five Plates by Brice Marden in the then-called North Corridor.

This biennial exhibition featured the work of 28 artists from the eight county areas in Western New York.

This exhibition offered a brief historical overview of work by American artists, beginning with a collection of etchings by James McNeil Whistler.

This survey of the work of black feminist artist Faith Ringgold included paintings, masks, and soft sculptures, as well as the story quilts for which she is best known.

This exhibition was on view to recognize the centennial of the Buffalo Society of Artists, which was founded at the end of the 19th century by a group of artists centered on John Francis Brown’s studio.

This exhibition featured works by Aristide Maillol from the museum’s collection held in the then-called North Corridor.

This exhibition was featured in the then-called Prints and Drawings Corridor, and included works from the museum’s collection by Henri de Toulouse-Lautrec.

In keeping with a long-standing tradition of complementing the museum’s changing exhibition programs with shows from its collection, the museum opened Postwar Sculpture from the Collection.

This exhibition was featured in the then-called North Corridor, and included works from the museum’s collection by Robert Longo and Cindy Sherman.

A Distanced Land: The Photographs of John Pfahl was this internationally recognized, Buffalo-based artist’s first career retrospective.