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This exhibition was a collaboration between the Albright-Knox, the San Francisco Museum of Modern Art, and the Kunsthalle Basel, and included 40 paintings that represented every phase of the artist's development from 1936 to 1963.

This exhibition chronicled Susan Rothenberg’s development over the past two decades and over 80 paintings and drawings.

This exhibition of more than 60 colorful, provocative Cubist paintings and drawings representing the pinnacle of Max Weber’s aesthetic achievements.

Joshua Neustein: The Carbon Series featured an exquisite group of 60 carbon paper constructions by Joshua Neustein, minimal in execution yet bold and provocative in their capturing of spaces and illusions.

The 44th Annual Western New York Exhibition was a biennial exhibition of painting, drawing, sculpture, prints, and photographs by artists living or studying in eight counties of Western New York.

Diamonds are Forever was a traveling exhibition featuring more than 120 works inspired by the social and cultural significance of this favorite American pastime, organized by the New York State Museum.

This exhibition highlighted artworks in the Albright-Knox’s collection that feature cityscapes.

Buffalo, My City premiered the 20 watercolor series by Dr. Lalli, a retired chairman of the art education and mechanical drawing departments of Amherst Central High School.

Held in conjunction with a Polish festival of cultural events, this exhibition featured a selection of paintings by important Polish artists from the 19th and early 20th centuries.

This exhibition, the first U.S. retrospective of the work of Israeli artist Moshe Kupferman, included his paintings and works on paper.

This exhibition featured 50 paintings that represented the eclecticism of American art before the First World War.

This exhibition featured the recreation of several of the Independent Group’s 1950s shows, which greatly influenced the later development of Pop art and postmodern architecture.