Marisol Bequest

“The Albright-Knox is proud to have been the first museum to acquire Marisol’s work . . . . We are moved, and profoundly grateful, that Marisol was similarly proud of her association with the Albright-Knox and took the extraordinary step of leaving her estate to our museum.”
– Janne Sirén, Peggy Pierce Elfvin Director

Upon her death in 2016, Marisol (María Sol Escobar, Venezuelan and American, born France, 1930–2016), bequeathed her estate to the Buffalo AKG Art Museum (then the Albright-Knox), based on her longstanding ties with the museum. 

Through the artist’s generosity, the museum received more than 100 sculptures spanning the entirety of Marisol’s 60-year career, more than 150 works on paper, thousands of photographs and slides, and a small group of works by other artists Marisol had collected. The bequest also included the artist’s archive, library, studies, and tools. 

The Buffalo AKG was the first museum to formally acquire Marisol’s work, having purchased the sculptures The Generals, 1961–62, from her solo show at the Stable Gallery in 1962 and Baby Girl, 1963, in 1964. 

With this bequest, the Buffalo AKG holds the world’s most significant collection of Marisol’s work, which has brought remarkable depth and richness to the museum’s superb collection of Pop art and modern sculpture. 

View Marisol: A Retrospective

View of Marisol’s New York studio. Image courtesy of the Albright-Knox Art Gallery Digital Assets Collection, Albright-Knox Art Gallery, Buffalo, New York. © Estate of Marisol / Albright-Knox Art Gallery / Artists Rights Society (ARS), New York. Photograph by Jason Mandella.

Although copyright permissions for the estate of Marisol are controlled by the Buffalo AKG, the museum asks that any interested parties please contact Artists Rights Society (ARS), which handles all reproduction and copyright clearance requests for the artist.