Georges Braque

French, 1882-1963

Still Life on a Mantelpiece

Georges Braque (French, 1882–1963). Still Life on a Mantelpiece, ca. 1923. Oil and sand on canvas, 25 1/2 x 30 inches (64.8 x 76.2 cm). Collection Albright-Knox Art Gallery, Buffalo, New York; Room of Contemporary Art Fund, 1941 (RCA1941:22). © Estate of Georges Braque / Artists Rights Society (ARS), New York / ADAGP, Paris.

© Estate of Georges Braque / Artists Rights Society (ARS), New York / ADAGP, Paris

Image downloads are for educational use only. For all other purposes, please see our Obtaining and Using Images page.

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© Estate of Georges Braque / Artists Rights Society (ARS), New York / ADAGP, Paris

Image downloads are for educational use only. For all other purposes, please see our Obtaining and Using Images page.

© Estate of Georges Braque / Artists Rights Society (ARS), New York / ADAGP, Paris

Image downloads are for educational use only. For all other purposes, please see our Obtaining and Using Images page.

Still Life on a Mantelpiece, ca. 1923

Artwork Details

Collection Highlight

Materials

oil and sand on canvas

Measurements

support: 25 1/2 x 30 inches (64.77 x 76.2 cm); overall: 28 1/2 x 33 1/4 x 3 inches (72.39 x 84.45 x 7.62 cm)

Collection Buffalo AKG Art Museum

Credit

Room of Contemporary Art Fund, 1941

Accession ID

RCA1941:22

Through unusual combinations of color, line, and texture, Georges Braque pushed the boundaries of representing objects from various perspectives. While he is best known for his Cubist collaborations with Pablo Picasso, Braque continued to create art long after his creative relationship with Picasso ended. Unlike his former partner, however, Braque often preferred the quiet of his studio to burning bright in the world of art. The subject of the still life on a mantelpiece repeatedly piqued his interest, and from 1919 to 1926, Braque made at least six studies of this theme. He was drawn to its spatial tension and the way in which it naturally compresses objects on a small surface. Still Life on a Mantelpiece is the second horizontally oriented work in the series. Here, there exists a harmonious balance between the mantel and the objects, and the composition and the viewer. Braque further played with space by grouping all of the components asymmetrically on the far right of the ledge; however, they appear disproportionately large in scale, as if they are about to fall.