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One with Eternity: Yayoi Kusama

AKG members' preview begins Friday, September 26, 2025

Thursday, October 2, 2025Monday, March 2, 2026

Yayoi Kusama. Infinity Mirrored Room—My Heart Is Dancing Into The Universe, 2018. Wood and glass mirror room with paper lanterns. 119 5/8 × 245 1/8 × 245 1/8 in. (303.8 × 622.6 × 622.6 cm) Purchased jointly by the Hirshhorn Museum and Sculpture Garden with funds provided by the Joseph H. Hirshhorn Purchase Fund and the Buffalo AKG Art Museum with funds from the George B. and Jenny R. Mathews Fund, by exchange, 2021. Photo credit: Ron Blunt. Hirshhorn Museum and Sculpture Garden. Courtesy of Ota Fine Arts, David Zwirner ©YAYOI KUSAMA

Jeffrey E. Gundlach Building
Floor 1 

One with Eternity: Yayoi Kusama honors the influential artist’s distinctive vision of self-obliteration by exploring its development across media. The exhibition will feature three immersive installations of Yayoi Kusama’s artwork, including two of her renowned Infinity Mirror Rooms. Born in Japan in 1929, the artist is globally recognized for her multidisciplinary practice that includes room-size installations, paintings, sculpture, poetry, and public performances. One with Eternity: Yayoi Kusama is presented in partnership with the Hirshhorn Museum and Sculpture Garden in Washington, DC. 

To emphasize the depth of her artistic practice, three transcendent Infinity Mirror Rooms will be exhibited alongside a selection of small paintings and sculpture (many highlighting pumpkins, a signature motif) against biographical information and photographs of the artist over the course of her long career. 

Infinity Mirror Room: Phalli's Field or Floor Show Yayoi Kusama (1965/refabricated 2017) Cotton, polyester stuffing, wood, Dibond, acrylic sheeting, and mirrors in constructed room. 181 1/8 × 181 1/8 × 98 7/16 in. (460 × 460 × 250 cm) Joseph H. Hirshhorn Purchase Fund, 2020 Photo credit: Ron Blunt. Hirshhorn Museum and Sculpture Garden. Courtesy of Ota Fine Arts, David Zwirner ©YAYOI KUSAMA

Infinity Mirror Room: Phalli's Field or Floor Show Yayoi Kusama (1965/refabricated 2017) Cotton, polyester stuffing, wood, Dibond, acrylic sheeting, and mirrors in constructed room. 181 1/8 × 181 1/8 × 98 7/16 in. (460 × 460 × 250 cm) Joseph H. Hirshhorn Purchase Fund, 2020 Photo credit: Ron Blunt. Hirshhorn Museum and Sculpture Garden. Courtesy of Ota Fine Arts, David Zwirner ©YAYOI KUSAMA

The artist’s breakthrough immersive installation, Infinity Mirror Room—Phalli’s Field (Floor Show) (1965/2017) is presented here alongside one of her most recent Rooms, My Heart is Dancing Into the Universe (2018), offering visitors a glimpse into how these artworks have evolved over a half-century of innovation. 

 

A yellow room with black polka dots with a large pumpkin in the center with the same shade of yellow and black polka dots
Pumpkin Yayoi Kusama (2016) Fiberglass-reinforced polyester with urethane paint. 96 7/16 × 102 3/8 in. (245 × 260 cm) Joseph H. Hirshhorn Purchase Fund, 2020 Photo credit: Ron Blunt. Hirshhorn Museum and Sculpture Garden. Courtesy of Ota Fine Arts, David Zwirner ©YAYOI KUSAMA

Since the 1940s, Kusama has made work about pumpkins, which she considers unpretentious, solid, and spiritually balanced and which remind her of her childhood. The polka dot environment created for Pumpkin (2016) links two of Kusama’s sustained interests. 

 Visitors will experience Kusama’s distinctive vision of self-obliteration, a radical approach to connecting with others and the universe. Observing one’s body in the infinite space of a mirrored room or losing one’s sense of place by navigating a field of colorful lamps, the boundary between the self and the outside world is dissolved and visitors become one with everything around them, one with eternity. 

“The positive and negatives become one,” she says. “At that moment, I become obliterated.”

Infinity Mirrored Room – My Heart Is Dancing Into The Universe Yayoi Kusama (2018) Wood and glass mirror room with paper lanterns. 119 5/8 × 245 1/8 × 245 1/8 in. (303.8 × 622.6 × 622.6 cm) Purchased jointly by the Hirshhorn Museum and Sculpture Garden with funds provided by the Joseph H. Hirshhorn Purchase Fund and the Buffalo AKG Art Museum with funds from the George B. and Jenny R. Mathews Fund, by exchange, 2021. Photo credit: Ron Blunt. Hirshhorn Museum and Sculpture Garden. Courtesy of Ota Fine Arts, David Zwirner ©YAYOI KUSAMA

AKG members receive an array of benefits throughout the run of One with Eternity: Yayoi Kusama including advance access (September 26–29), exclusive access to online reservations, and invitations to special events and programming. Additionally, the special exhibition admission fee will be waived for members at the Associate level and above.


One with Eternity: Yayoi Kusama is organized at the Buffalo AKG by Associate Curator Andrea Alvarez. It was curated at the Hirshhorn Museum and Sculpture Garden by Assistant Curator Betsy Johnson in 2020.

 

Sponsor

This exhibition is organized by the Buffalo AKG Art Museum and the Hirshhorn Museum and Sculpture Garden, Washington, DC. This presentation is made possible through support from the Buffalo AKG National Council. 
 

HIRSHORN