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  • Visit

    Visit

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    Cornelia

    The Buffalo AKG offers fast-casual and full-service dining experiences at Cornelia in the Knox Building. The menu at Cornelia places an artful spin on classic dishes. Enjoy morning pastries with tea, coffee, or espresso drinks; stop in for fresh lunch offerings; or make reservations for Friday night or Sunday brunch service.

     
  • Art

    Art

    • Exhibitions
    • Collection
    • Search the Collection
    • Public Art
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    Let Us Gather in a Flourishing Way

    Through September 6, 2026
    Jeffrey E. Gundlach Building

  • Events

    Events

    • Find an Event
    • M&T FIRST FRIDAYS
    • Music at the AKG
    • Public Tours
    • After Hours

    Members' Preview of "Ragnar Kjartansson: Politics of the Obvious"

    Join us for the Members' Preview of Ragnar Kjartansson: Politics of the Obvious on Thursday, September 3, 2026, from 4 to 7 pm, in the Gundlach Building! 

  • Learn & Create

    Learn & Create

    • Studio Art Classes
    • Creative Commons
    • Blog
    • Free Digital Guide
    • Art’scool: School Tours
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    • Resources for Educators

    Studio Art Classes

    Check out our ongoing Adult, Clay, and Kids' Classes! Students of all levels of experience are invited to get creative at the Buffalo AKG.

  • Entertain

    Entertain

    • Entertain at the Buffalo AKG
    • Book Your Birthday Party
    • Book the Art Truck
    • Book a Photography Session
    • Catering at Cornelia

    Entertain at the AKG

    The Buffalo AKG Art Museum provides an unparalleled setting for your special event. With one of the foremost collections of modern and contemporary art in the world, the museum offers exclusive opportunities for you and your guests. 

  • Support

    Support

    • Membership
    • Make a Donation
    • Museum Day Pass Donations
    • Corporate Support
    • Annual Fundraising Events
    • Travel with Us
    • Volunteer
    • Our Supporters

    Become a Member Today!

    Become a member at the Buffalo AKG and enjoy a year of unlimited free admission, exclusive invitations to exhibition previews and members-only events, discounts on dining, retail, classes, and so much more! 

  • About

    About

    • Vision & Mission
    • Our Collections
    • Our Campus
    • Our History
    • Our Team
    • Annual Reports
    • 2016–2026 Strategic Plan
    • Building the Buffalo AKG Art Museum

    Campus History Timeline

    Trace the evolution of the museum’s campus, from groundbreaking for our first building in 1900 to the opening of the Buffalo AKG Art Museum in 2023.

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  4. Hunter

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  4. Hunter

Peter Phillips

British, 1939-2025

No image available,
but we're working on it

Hunter, 1975

Artwork Details

Materials

screen print on paper

Edition:

39/75

Measurements

sheet: 40 1/4 x 28 3/4 inches (102.24 x 73.02 cm)

Collection Buffalo AKG Art Museum

Credit

Gift of Eddie Green, 1980

Accession ID

P1980:43.1B

Object Classifications:

Prints

Work Type:

Screen print

Information may change due to ongoing research. Glossary of Terms

Other Works by This Artist

  • Olympic Art Poster 1972, 1971

    Peter Phillips

    Olympic Art Poster 1972
  • War/Game, 1961

    Peter Phillips

    War/Game
  • Collection, 1974

    Peter Phillips

    Collection
  • Gravy for the Navy, 1968-1975

    Peter Phillips

    Gravy for the Navy
  • 11 Pop Artists, Volume III, 1965 (published 1966)

    Allan D'Arcangelo, Jim Dine, Allen Jones, Gerald Laing, Roy Lichtenstein, Peter Phillips, Mel Ramos, James Rosenquist, Andy Warhol, John Wesley, Tom Wesselmann

    11 Pop Artists, Volume III
  • Custom Print III from the portfolio 11 Pop Artists, Volume III, 1965 (published 1966)

    Peter Phillips

    Custom Print III from the portfolio 11 Pop Artists, Volume III
  • Six Times Eight, Dreaming, 1974

    Peter Phillips

    Six Times Eight, Dreaming

Collection Highlights

All Collection Highlights
  • Le Canigou, 1921

    Juan Gris

    Le Canigou
  • Le Vociférant (The Loud One), 1973

    Jean Dubuffet

    A number of small, irregularly shaped metal fragments are adhered together at various angles to form the contours of a vaguely humanoid figure. Each of these white fragments is heavily edged in black, and most of their interiors are filled with thin blue or red stripes; a small number of fragments are solid white, red, or blue. shape like a hand with three fingers and a thumb sticks out to the left side, midway down.
  • Sentinel, 1978

    Anne Truitt

    The body of this tall, thin, rectangular wooden pillar is almost entirely white. Light gray stripes run along the length of each of its four corners, and the base of the sculpture is marked with a thin black band with a thin red line running through its center. The work sits directly on the floor.
  • D IV, 1922

    László Moholy-Nagy

    D IV
  • Wild Indigo, 1967

    Kenneth Noland

    Twenty-eight stripes of different colors and widths run the width of this horizontally oriented painting. The very clearly defined bands are separated by pencil-thin stripes of unpainted canvas. While the colors used vary, they are mostly distinct hues of red, green, and blue.
  • L'Ambitieuse (Political Woman), 1883-1885

    James Tissot

    A woman in an elaborately ruffled pink dress with a large feathered fan enters an ornately decorated ballroom filled with party-goers on the arm of a much older gentleman. She looks left and outward beyond the viewer, while the attention of nearly all other male figures in the scene is directed at her. The textures of various surfaces and fabrics are painted with rich detail and texture, especially the pink dress ruffles gathered on a plush red ottoman at the bottom of the frame.
  • Abstraktes Bild (Abstract Painting), 1977

    Gerhard Richter

    Three light-colored abstract forms, resembling zoomed-in and blurry details of paint strokes, stand out against this painting’s dark brown and green background. One thin stripe extends the height of the canvas; it is white at top and gradually gradates to red at the bottom. A second, thicker stripe in gray topped with white extends from the center of the right edge and appears to overlap the vertical stripe. The end of a third stripe, similar in shape and color to the second stipe, appears in the upper-left
  • Music, 1904

    Thomas Eakins

    Music
  • Synecdoche, 2008

    Byron Kim

    Thirty-six, portrait-oriented rectangles in monochromatic shades ranging from cool peach to warm caramel to dark brown are arranged randomly in a in a six-by-six grid.

Related People

  • Peter Phillips
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