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    • M&T FIRST FRIDAYS
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    Public Tours

    Join us for a public tour! Led by our incredible docents, public tours take visitors through the museum’s collection and special exhibitions. More of a guided conversation in the galleries than a traditional lecture, our interactive tours share surprising stories and fun facts and encourage visitors to form personal connections with the art on view and each other. 

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    Members get the best access to the AKG and special opportunities to create deeper connections with the collection. Enjoy unlimited free admission, guest passes, invitations to exclusive members’ previews and events, and more!

     

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    Trace the evolution of the museum’s campus, from groundbreaking for our first building in 1900 to the opening of the Buffalo AKG Art Museum in 2023.

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  4. Untitled (T)

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  4. Untitled (T)

Piero Dorazio

Italian, 1927-2005

No image available,
but we're working on it

Untitled (T), 1975

Artwork Details

Materials

watercolor on paper

Measurements

sheet: 16 3/4 x 21 inches (42.54 x 53.34 cm)

Collection Buffalo AKG Art Museum

Credit

Gift of Seymour H. Knox, Jr., 1976

Accession ID

K1976:12

Inscriptions:

signature / lower right / Dorazio 1975

Object Classifications:

Paintings

Work Type:

Watercolor (painting)

Information may change due to ongoing research. Glossary of Terms

Other Works by This Artist

  • Horizontal II, 1979

    Piero Dorazio

    Horizontal II
  • Olympic Art Poster 1972, 1970

    Piero Dorazio

    Olympic Art Poster 1972
  • Madrigale, 1979

    Piero Dorazio

    Madrigale
  • Untitled #3, 1975

    Piero Dorazio

    Untitled #3
  • Oval I, 1982

    Piero Dorazio

    Oval I
  • A Peaceful Solution, 1976-1977

    Piero Dorazio

    A Peaceful Solution
  • Staremesto I, 1968

    Piero Dorazio

    Staremesto I
  • Raw Spectrum, 1978

    Piero Dorazio

    Raw Spectrum

Collection Highlights

All Collection Highlights
  • Wall Drawing # 1268: Scribbles: Staircase (AKAG), conceived 2006 (executed 2010)

    Sol LeWitt

    Wall Drawing # 1268: Scribbles: Staircase (AKAG)
  • L'Objet invisible (Mains tenant le vide) [Invisible Object (Hands Holding the Void)], 1934 (cast executed 1935)

    Alberto Giacometti

    A life-sized bronze abstract female nude holds her hands placed in front of her chest, as if cradling an invisible sphere. She appears to be perched on a tall chair, which supports and frames the figure from behind. The facial features on her flat, round head are angular. Her long, skinny body terminates in long legs bent at the knee. The figure’s feet rest on a narrow rectangular shaped stool at the sculpture’s base.
  • Return of the Prodigal Son, 1967

    Romare Howard Bearden

    Fragments of printed images are collaged together and supplemented with areas of paint to shape the three figures that dominate this composition. The face of the left-most figure is the best defined; he stares back at the viewer, and his lips are twisted upward in a wry grin. With his left arm, he pulls the shorter figure at center toward him in an embrace. From the right edge of the canvas, a third figure appears in profile carrying a candle lamp.
  • Kilroy, 1957

    Paul Terence Feeley

    Kilroy
  • SP273, 2014

    Sterling Ruby

    SP273
  • Les Arbres (The Trees), ca. 1906

    André Derain

    A vibrantly colored landscape with several slim-trunked trees and mountains in the background fills this canvas. The sky is a light yellow while the ground is a slightly darker, sandy hue. The artist used cool blues with patches of crimson to depict the mountains, and warm reds, yellows, and oranges to emphasize tall, thin tree trunks in the foreground. Shadows fall diagonally from the trees toward the right hand corner of the painting where the artist’s small, blue signature rests.
  • Chatham XI: Blue Yellow, 1971

    Ellsworth Kelly

    This artwork is made up of two separate, rectangular panels installed adjacent to one another at a right angle. The top panel is horizontally oriented and a solid dark blue color. Aligned underneath the left side of this panel is a second, smaller panel that is vertically oriented and a solid yellow color.
  • Orange and Yellow, 1956

    Mark Rothko

    Two hazily painted rectangles, one yellow and the second a burnt orange, float against an orange creamsicle colored background, which is visible along the margins of the canvas and in a strip separating the two rectangles. The yellow rectangle is smaller, extending about a third of the way down from the top of the canvas. The burnt orange rectangle fills much of the bottom two thirds of the canvas.
  • Synecdoche, 2008

    Byron Kim

    Thirty-six, portrait-oriented rectangles in monochromatic shades ranging from cool peach to warm caramel to dark brown are arranged randomly in a in a six-by-six grid.

Related People

  • Piero Dorazio
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