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  • Visit

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    • Plan Your Visit
    • Hours & Admission
    • Directions & Parking
    • Codes of Conduct
    • Group Experiences
    • Accessibility
    • Shop
    • Dining
    • Frequently Asked Questions

    Public Tours

    Led by our incredible docents, public tours take visitors through the museum’s collection and special exhibitions. More of a guided conversation in the galleries than a traditional lecture, our interactive tours share surprising stories and fun facts and encourage visitors to form personal connections with the art on view and each other.

     
  • Art

    Art

    • Exhibitions
    • Collection
    • Search the Collection
    • Public Art
    • Nordic Art and Culture Initiative
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    One with Eternity: Yayoi Kusama

    Through March 2, 2026
    Jeffrey E. Gundlach Building

  • Events

    Events

    • Find an Event
    • M&T FIRST FRIDAYS
    • Music at the AKG
    • Public Tours
    • After Hours

    Palentine’s Day and Valentine’s Day at the AKG

    Whether you’re nursing a broken heart, celebrating a new or enduring love, or just looking for a fun place to hang out with friends, there’s a treat for you at the AKG this February!

  • Learn & Create

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    • Studio Art Classes
    • Creative Commons
    • Blog
    • Free Digital Guide
    • Art’scool: School Tours
    • Lesson Plans
    • Resources for Educators

    Studio Art Classes

    Check out our ongoing Adult, Clay, and Kids' Classes! Students of all levels of experience are invited to get creative at the Buffalo AKG.

  • Entertain

    Entertain

    • Entertain at the Buffalo AKG
    • Book Your Birthday Party
    • Book the Art Truck
    • Book a Photography Session

    Entertain at the AKG

    The Buffalo AKG Art Museum provides an unparalleled setting for your special event. With one of the foremost collections of modern and contemporary art in the world, the museum offers exclusive opportunities for you and your guests. 

  • Support

    Support

    • Membership
    • Make a Donation
    • Museum Day Pass Donations
    • Corporate Support
    • Annual Fundraising Events
    • Travel with Us
    • Volunteer
    • Our Supporters

    Membership

    Buffalo AKG members receive an array of benefits throughout the run of One with Eternity: Yayoi Kusama, including exclusive early access to online reservations and invitations to special events and programming. Additionally, the special exhibition admission fee will be waived for members at the Associate level and above.

  • About

    About

    • Vision & Mission
    • Our Collections
    • Our Campus
    • Our History
    • Our Team
    • Annual Reports
    • 2016–2026 Strategic Plan
    • Building the Buffalo AKG Art Museum

    Campus History Timeline

    Trace the evolution of the museum’s campus, from groundbreaking for our first building in 1900 to the opening of the Buffalo AKG Art Museum in 2023.

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  4. Noa Noa, Voyage de Tahiti

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  4. Noa Noa, Voyage de Tahiti

Paul Gauguin

French, 1848-1903

No image available,
but we're working on it

Noa Noa, Voyage de Tahiti, 1926

Artwork Details

Materials

book

Collection Buffalo AKG Art Museum

Credit

James G. Forsyth Fund, 1973

Accession ID

1973:9

Object Classifications:

Information forms

Work Type:

Book

Information may change due to ongoing research. Glossary of Terms

Other Works by This Artist

  • Les Laveuses (The Washer Women) from the Volpini Suite, 1889

    Paul Gauguin

    Les Laveuses (The Washer Women) from the Volpini Suite
  • Le Christ jaune (The Yellow Christ), 1889

    Paul Gauguin

    Le Christ jaune (The Yellow Christ)
  • Carved "Coco de Mer", ca. 1901-1903

    Paul Gauguin

    Carved "Coco de Mer"
  • Les drames de la mer, Bretagne (Dramas of the Seas, Brittany) from the Volpini Suite, 1889

    Paul Gauguin

    Les drames de la mer, Bretagne (Dramas of the Seas, Brittany) from the Volpini Suite
  • Bretonnes à la barrière (Breton Women Beside a Fence) from the Volpini Suite, 1889

    Paul Gauguin

    Bretonnes à la barrière (Breton Women Beside a Fence) from the Volpini Suite
  • Hina, before 1893 (cast posthumously from wood original)

    Paul Gauguin

    Hina
  • Manaò tupapaú (Spirit of the Dead Watching), 1892

    Paul Gauguin

    Manaò tupapaú (Spirit of the Dead Watching)

Collection Highlights

All Collection Highlights
  • Le Matin en Provence (Morning in Provence), ca. 1900-1906

    Paul Cézanne

    Similarly short, distinct brushstrokes primarily in cool shades of green and blue coalesce into a sketchily painted landscape; portions of the canvas are visible. A light green field fills much of the bottom third of the canvas, and the sky above, while largely blue, also includes some green areas. A slender, leafless tree rises from the left edge of the field and curves at its top toward the right and downward. A small, light brown house sits on the right edge of the field.
  • Tanktotem IV, 1953

    David Smith

    A series of three-dimensional geometric forms balance on two forked legs in the front and a third leg in the back. Overall, the sculpture abstractly mimics the human form: a vertical half circle at the top serves as a head and is connected to the rest of the work by a long vertical rectangle that resembles a neck. Two additional long rectangles at the center of the work sit alongside further half circles that resemble a shoulder and two hips.
  • Untitled (intern "Shape 7") (KG/O 2010_8031L), 2010

    Katharina Grosse

    This abstract sculpture appears overall like an oversized piece of paper with a V-shaped divot cut out of the right side and curling edges. It balances on the floor near its center. The underside of the plastic form is white, but bright patches of spray-painted yellow, blue, green, purple, orange, black, gray, and pink cover the top, overlapping and dripping onto one another.
  • Only God Knows I'm Good, 2009 (produced 2011)

    Tracey Emin

    The phrase “Only God Knows I’m Good” in cursive English script is fabricated in snow white neon, which is mounted on a wall.
  • Orange and Yellow, 1956

    Mark Rothko

    Two hazily painted rectangles, one yellow and the second a burnt orange, float against an orange creamsicle colored background, which is visible along the margins of the canvas and in a strip separating the two rectangles. The yellow rectangle is smaller, extending about a third of the way down from the top of the canvas. The burnt orange rectangle fills much of the bottom two thirds of the canvas.
  • Le Christ jaune (The Yellow Christ), 1889

    Paul Gauguin

    Le Christ jaune (The Yellow Christ)
  • Elke-Akt 2, 1976

    Georg Baselitz

    An upside-down, loosely painted image of a seated woman fill this vertically oriented painting. The woman’s face, near the bottom center of the canvas, is quite legible, but her form progressively becomes more abstract toward her feet at the upper right of the canvas. The confident, gray strokes that define her outline are filled with white and occasional rose hues; the background is also predominately white.
  • Milkweed, 1955

    Lee Krasner

    This vertically oriented canvas seems to contain three layers. Softly defined rectangles in shades of mottled green, white, and cream form the background. Six large, amorphous black shapes with ragged edges rest on top. Finally, three cream-colored slivers extend vertically from the base of painting on its right side. Near the top and to the left of these forms, three small orange shapes peep out from background.
  • La Vie paysanne (Peasant Life), 1925

    Marc Chagall

    La Vie paysanne (Peasant Life)

Related People

  • Paul Gauguin
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