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  • Visit

    Visit

    • Plan Your Visit
    • Hours & Admission
    • Directions & Parking
    • Codes of Conduct
    • Group Experiences
    • Accessibility
    • Shop
    • Dining
    • Frequently Asked Questions

    Public Tours

    Led by our incredible docents, public tours take visitors through the museum’s collection and special exhibitions. More of a guided conversation in the galleries than a traditional lecture, our interactive tours share surprising stories and fun facts and encourage visitors to form personal connections with the art on view and each other.

     
  • Art

    Art

    • Exhibitions
    • Collection
    • Search the Collection
    • Public Art
    • Nordic Art and Culture Initiative
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    One with Eternity: Yayoi Kusama

    Through March 2, 2026
    Jeffrey E. Gundlach Building

  • Events

    Events

    • Find an Event
    • M&T FIRST FRIDAYS
    • Music at the AKG
    • Public Tours
    • After Hours

    Palentine’s Day and Valentine’s Day at the AKG

    Whether you’re nursing a broken heart, celebrating a new or enduring love, or just looking for a fun place to hang out with friends, there’s a treat for you at the AKG this February!

  • Learn & Create

    Learn & Create

    • Studio Art Classes
    • Creative Commons
    • Blog
    • Free Digital Guide
    • Art’scool: School Tours
    • Lesson Plans
    • Resources for Educators

    Studio Art Classes

    Check out our ongoing Adult, Clay, and Kids' Classes! Students of all levels of experience are invited to get creative at the Buffalo AKG.

  • Entertain

    Entertain

    • Entertain at the Buffalo AKG
    • Book Your Birthday Party
    • Book the Art Truck
    • Book a Photography Session

    Entertain at the AKG

    The Buffalo AKG Art Museum provides an unparalleled setting for your special event. With one of the foremost collections of modern and contemporary art in the world, the museum offers exclusive opportunities for you and your guests. 

  • Support

    Support

    • Membership
    • Make a Donation
    • Museum Day Pass Donations
    • Corporate Support
    • Annual Fundraising Events
    • Travel with Us
    • Volunteer
    • Our Supporters

    Membership

    Buffalo AKG members receive an array of benefits throughout the run of One with Eternity: Yayoi Kusama, including exclusive early access to online reservations and invitations to special events and programming. Additionally, the special exhibition admission fee will be waived for members at the Associate level and above.

  • About

    About

    • Vision & Mission
    • Our Collections
    • Our Campus
    • Our History
    • Our Team
    • Annual Reports
    • 2016–2026 Strategic Plan
    • Building the Buffalo AKG Art Museum

    Campus History Timeline

    Trace the evolution of the museum’s campus, from groundbreaking for our first building in 1900 to the opening of the Buffalo AKG Art Museum in 2023.

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  4. Noa Noa, Voyage de Tahiti

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  4. Noa Noa, Voyage de Tahiti

Paul Gauguin

French, 1848-1903

No image available,
but we're working on it

Noa Noa, Voyage de Tahiti, 1926

Artwork Details

Materials

book

Collection Buffalo AKG Art Museum

Credit

James G. Forsyth Fund, 1973

Accession ID

1973:9

Object Classifications:

Information forms

Work Type:

Book

Information may change due to ongoing research. Glossary of Terms

Other Works by This Artist

  • Les Laveuses (The Washer Women) from the Volpini Suite, 1889

    Paul Gauguin

    Les Laveuses (The Washer Women) from the Volpini Suite
  • Le Christ jaune (The Yellow Christ), 1889

    Paul Gauguin

    Le Christ jaune (The Yellow Christ)
  • Carved "Coco de Mer", ca. 1901-1903

    Paul Gauguin

    Carved "Coco de Mer"
  • Les drames de la mer, Bretagne (Dramas of the Seas, Brittany) from the Volpini Suite, 1889

    Paul Gauguin

    Les drames de la mer, Bretagne (Dramas of the Seas, Brittany) from the Volpini Suite
  • Bretonnes à la barrière (Breton Women Beside a Fence) from the Volpini Suite, 1889

    Paul Gauguin

    Bretonnes à la barrière (Breton Women Beside a Fence) from the Volpini Suite
  • Hina, before 1893 (cast posthumously from wood original)

    Paul Gauguin

    Hina
  • Manaò tupapaú (Spirit of the Dead Watching), 1892

    Paul Gauguin

    Manaò tupapaú (Spirit of the Dead Watching)

Collection Highlights

All Collection Highlights
  • Boys cutting through a hedge, 2003

    Jeff Wall

    Just left of this image’s center, the small figures of two young men emerge from a gap in the largely dead hedge with patches of ivy growing around a chain-link fence that spans across the center of this image beneath an ominously clouded sky. The neatly trimmed grass, sunken headstones, and flower arrangements in the foreground suggest that these men are entering a cemetery.
  • Electric, 1963

    Edward Ruscha

    The word “electric” in all capital, italicized letters spans across the center of this almost square canvas. The letters are painted in a gradient from bright yellow at the top to rich orange at the bottom, standing out in stark contrast against the solid deep blue background.
  • Milkweed, 1955

    Lee Krasner

    This vertically oriented canvas seems to contain three layers. Softly defined rectangles in shades of mottled green, white, and cream form the background. Six large, amorphous black shapes with ragged edges rest on top. Finally, three cream-colored slivers extend vertically from the base of painting on its right side. Near the top and to the left of these forms, three small orange shapes peep out from background.
  • Nomad, 1963

    James Rosenquist

    What appears to be a collage of unrelated images from advertisements and everyday photographs fills the surface of this large-scale horizontally oriented painting. A massive bowl of spaghetti and meatballs in the bottom right, a gray picnic table slightly above center, and three ballerina legs paired with the words NEW and Oxy at bottom left. A paint-splatted plastic bag tied at the bottom is suspended from the top-left corner of the canvas; a pile of paint-splattered wood scraps lies on the floor below.
  • NIAGARA, 2012

    Robert Irwin

    NIAGARA
  • Reclining Figure, 1935-1936

    Henry Moore

    This wooden sculpture could abstractly resemble a reclining female body. The dark brown wood is polished to reveal the wood grain and knots throughout the form. The figure’s legs seem to be gently bent, and she appears to be resting on her elbows, with her head propped upright. The artist left the torso as an empty space, allowing viewers to see through the sculpture.
  • No title, 1970

    Eva Hesse

    [no title]
  • Soft Manhattan #1 (Postal Zones), 1966

    Claes Oldenburg

    The overall shape of this wall-mounted sculpture is similar to the outline of the island of Manhattan as it might appear on a map. The sculpture is made up of roughly thirty-five beige, tan, brown, and gray bags stacked together. These bags are shaped and positioned to mirror the outlines of the city’s postal zones.
  • Le Matin en Provence (Morning in Provence), ca. 1900-1906

    Paul Cézanne

    Similarly short, distinct brushstrokes primarily in cool shades of green and blue coalesce into a sketchily painted landscape; portions of the canvas are visible. A light green field fills much of the bottom third of the canvas, and the sky above, while largely blue, also includes some green areas. A slender, leafless tree rises from the left edge of the field and curves at its top toward the right and downward. A small, light brown house sits on the right edge of the field.

Related People

  • Paul Gauguin
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