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    • M&T FIRST FRIDAYS
    • Book Your Birthday Party
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    • After Hours

    Summer Sip & Shop

    Join us on Saturday, August 16, from 10 am to 4 pm in the Wilson Town Square for a Sip & Shop event where local vendors will gather under Common Sky with their handmade jewelry, home decor, and more!

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    Sherry Miller Hocking shares her story of a lifelong friendship with artist Steina Vasulka in an open letter, reflecting on their early days exploring video as a new art form. 

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  4. Noa Noa, Voyage de Tahiti

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  4. Noa Noa, Voyage de Tahiti

Paul Gauguin

French, 1848-1903

No image available,
but we're working on it

Noa Noa, Voyage de Tahiti, 1926

Artwork Details

Materials

book

Collection Buffalo AKG Art Museum

Credit

James G. Forsyth Fund, 1973

Accession ID

1973:9

Object Classifications:

Information forms

Work Type:

Book

Information may change due to ongoing research. Glossary of Terms

Other Works by This Artist

  • Les Laveuses (The Washer Women) from the Volpini Suite, 1889

    Paul Gauguin

    Les Laveuses (The Washer Women) from the Volpini Suite
  • Le Christ jaune (The Yellow Christ), 1889

    Paul Gauguin

    Le Christ jaune (The Yellow Christ)
  • Carved "Coco de Mer", ca. 1901-1903

    Paul Gauguin

    Carved "Coco de Mer"
  • Les drames de la mer, Bretagne (Dramas of the Seas, Brittany) from the Volpini Suite, 1889

    Paul Gauguin

    Les drames de la mer, Bretagne (Dramas of the Seas, Brittany) from the Volpini Suite
  • Bretonnes à la barrière (Breton Women Beside a Fence) from the Volpini Suite, 1889

    Paul Gauguin

    Bretonnes à la barrière (Breton Women Beside a Fence) from the Volpini Suite
  • Hina, before 1893 (cast posthumously from wood original)

    Paul Gauguin

    Hina
  • Manaò tupapaú (Spirit of the Dead Watching), 1892

    Paul Gauguin

    Manaò tupapaú (Spirit of the Dead Watching)

Collection Highlights

All Collection Highlights
  • Portrait de Mlle Rose Caron (Portrait of Rose Caron), ca. 1892

    Edgar Degas

    A woman wearing a low-cut pink evening dress and elbow-length gloves sits at the center of this horizontally oriented painting. What appears to be a multicolored furred or feathered garment rests on the back of her red chair. Her face, oriented left, is largely obscured by shadow. She clutches a folded fan in her right hand and adjusts the top of her left hand. The entire scene is loosely painted in a palette dominated by dark greens and yellows.
  • Frauenbildnis (Portrait of a Woman), 1911

    Ernst Ludwig Kirchner

    A black woman in a blue hat and coat of matching color over a brown skirt and white, high-necked blouse stands at the center of this painting. She appears to be standing up from a red-back chair, her left arm extended against an almost neon green form in the background. The bottom portion of a painting depicting nude figures in a landscape is visible behind her head, and the corner of a table covered with a light blue tablecloth fills the bottom right corner of the canvas.
  • The Messenger, 1996

    Bill Viola

    The first of three stills shows a nude man floating on his back in dark blue water, visible from the waist up. Light shines on his body from above, highlighting his face and part of his torso.
  • Music, 1904

    Thomas Eakins

    Music
  • Fields of Grain as Seen from Train, 1931

    Arthur Garfield Dove

    Geometric forms in different shades of red, green, and light brown shape this abstract landscape. A large green triangular shape stripped with seven black furrows, stretches from the middle of the top edge to the bottom-right corner and toward to the bottom-left corner. A dark red shape with a scalloped edge borders the right side of the triangle, and a light brown sphere patterned with five horizontal waves peeks out from behind the triangle’s left side.
  • Untitled (intern "Shape 7") (KG/O 2010_8031L), 2010

    Katharina Grosse

    This abstract sculpture appears overall like an oversized piece of paper with a V-shaped divot cut out of the right side and curling edges. It balances on the floor near its center. The underside of the plastic form is white, but bright patches of spray-painted yellow, blue, green, purple, orange, black, gray, and pink cover the top, overlapping and dripping onto one another.
  • Milkweed, 1955

    Lee Krasner

    This vertically oriented canvas seems to contain three layers. Softly defined rectangles in shades of mottled green, white, and cream form the background. Six large, amorphous black shapes with ragged edges rest on top. Finally, three cream-colored slivers extend vertically from the base of painting on its right side. Near the top and to the left of these forms, three small orange shapes peep out from background.
  • Cupid as Link Boy, 1774

    Joshua Reynolds

    Cupid as Link Boy
  • Kilroy, 1957

    Paul Terence Feeley

    Kilroy

Related People

  • Paul Gauguin
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