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    Cornelia

    The Buffalo AKG offers fast-casual and full-service dining experiences at Cornelia in the Knox Building. The menu at Cornelia places an artful spin on classic dishes. Enjoy morning pastries with tea, coffee, or espresso drinks; stop in for fresh lunch offerings; or make reservations for Friday night or Sunday brunch service.

     
  • Art

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    Let Us Gather in a Flourishing Way

    Through September 6, 2026
    Jeffrey E. Gundlach Building

  • Events

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    • Find an Event
    • M&T FIRST FRIDAYS
    • Music at the AKG
    • Public Tours
    • After Hours

    Rockin' at the AKG: DEVO

    Get ready to whip your summer into shape! On June 6, 2026, Rockin’ returns with the genre-defying sound of art-rock pioneers DEVO. Tickets are on sale now!


     

  • Learn & Create

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    Check out our ongoing Adult, Clay, and Kids' Classes! Students of all levels of experience are invited to get creative at the Buffalo AKG.

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    • Book Your Birthday Party
    • Book the Art Truck
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    • Catering at Cornelia

    Entertain at the AKG

    The Buffalo AKG Art Museum provides an unparalleled setting for your special event. With one of the foremost collections of modern and contemporary art in the world, the museum offers exclusive opportunities for you and your guests. 

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    • Travel with Us
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    “Lock in” Your Membership Price!

    Membership prices are increasing in July 2026, and now is your chance to renew and save! “Lock in” your membership at the current rate by renewing or upgrading for two full years before prices increase!

  • About

    About

    • Vision & Mission
    • Our Collections
    • Our Campus
    • Our History
    • Our Team
    • Annual Reports
    • 2016–2026 Strategic Plan
    • Building the Buffalo AKG Art Museum

    Campus History Timeline

    Trace the evolution of the museum’s campus, from groundbreaking for our first building in 1900 to the opening of the Buffalo AKG Art Museum in 2023.

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  4. Noa Noa, Voyage de Tahiti

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  4. Noa Noa, Voyage de Tahiti

Paul Gauguin

French, 1848-1903

No image available,
but we're working on it

Noa Noa, Voyage de Tahiti, 1926

Artwork Details

Materials

book

Collection Buffalo AKG Art Museum

Credit

James G. Forsyth Fund, 1973

Accession ID

1973:9

Object Classifications:

Information forms

Work Type:

Book

Information may change due to ongoing research. Glossary of Terms

Other Works by This Artist

  • Les Laveuses (The Washer Women) from the Volpini Suite, 1889

    Paul Gauguin

    Les Laveuses (The Washer Women) from the Volpini Suite
  • Le Christ jaune (The Yellow Christ), 1889

    Paul Gauguin

    Le Christ jaune (The Yellow Christ)
  • Carved "Coco de Mer", ca. 1901-1903

    Paul Gauguin

    Carved "Coco de Mer"
  • Les drames de la mer, Bretagne (Dramas of the Seas, Brittany) from the Volpini Suite, 1889

    Paul Gauguin

    Les drames de la mer, Bretagne (Dramas of the Seas, Brittany) from the Volpini Suite
  • Bretonnes à la barrière (Breton Women Beside a Fence) from the Volpini Suite, 1889

    Paul Gauguin

    Bretonnes à la barrière (Breton Women Beside a Fence) from the Volpini Suite
  • Hina, before 1893 (cast posthumously from wood original)

    Paul Gauguin

    Hina
  • Manaò tupapaú (Spirit of the Dead Watching), 1892

    Paul Gauguin

    Manaò tupapaú (Spirit of the Dead Watching)

Collection Highlights

All Collection Highlights
  • Venetian Bead Stringers, 1880 or 1882

    John Singer Sargent

    A standing woman approaches two seated women stringing beads over a shallow wooden bowl in the center right of this painting, which is set in a large, mostly empty room. An open doorway and windows at the back of the room provide limited light. At right, a bench is positioned against a wall. The two seated women wear dark dresses while their standing companion wears a white dress mostly covered with a dark shawl.
  • New York Waterfront, 1938

    Stuart Davis

    Abstract shapes filled with solid areas of red, blue, white, and black paint float in a loosely linked cluster in the middle of this small beige canvas. Many of the shapes loosely resemble buildings, including a red structure with blue windows and tall black smokestacks at center, which sits beneath a white rectangle featuring the letters L and R in blue. A white shape with red edges at bottom resembles at boat while a patch of blue at bottom left may suggest water.
  • No. 15, 1952

    Ad Reinhardt

    No. 15
  • Black Spot No. 3, 1919

    Georgia O'Keeffe

    Rounded biomorphic forms fill the majority of this painting. Those at upper left are blue, those in the bottom half are cream, those at the base and upper right are turquoise, and a sliver of lilac is wedged between dark blue and turquoise forms at top center. Two black diagonal stripes overlap in the center of the picture’s upper half and are held within a pistil-like, white form tinged rose that rises diagonally from the lower right.
  • Hotel Lobby, 1950

    Max Beckmann

    More than a dozen figures crowd this canvas. Four appear to be seated around a table in the center and the rest appear to be standing elsewhere in the room. The figures’ features are abstracted, exaggerated, and outlined with thick black lines filled with a range of shades of muted russet, turquoise, pink, and green. The black frame of what appears to be a French door interrupts the right third of the composition.
  • untitled (to Donna) 6, 1971

    Dan Flavin

    A square of fluorescent tube lights mounted in white aluminum fixtures sits on the floor in front of a corner of the gallery space. The lights that make up the top and the bottom of the frame shine bright blue light outward. The lights that make up the right and left of the frame cast yellow and pink light into the corner behind the sculpture.
  • Die Wölfe (Balkankrieg) [The Wolves (Balkan War)], 1913

    Franz Marc

    Die Wölfe (Balkankrieg) [The Wolves (Balkan War)]
  • George Went Swimming at Barnes Hole, but It Got Too Cold, 1957

    Joan Mitchell

    Large, energetic brushstrokes in green, brown, black, red, blue, and white cover portions of this abstract painting’s white background. These marks are primarily concentrated in two areas: in the top half of the canvas, especially in the center, and on its lower edge, especially in the center and toward the right corner.
  • Le Vociférant (The Loud One), 1973

    Jean Dubuffet

    A number of small, irregularly shaped metal fragments are adhered together at various angles to form the contours of a vaguely humanoid figure. Each of these white fragments is heavily edged in black, and most of their interiors are filled with thin blue or red stripes; a small number of fragments are solid white, red, or blue. shape like a hand with three fingers and a thumb sticks out to the left side, midway down.

Related People

  • Paul Gauguin
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