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    Cornelia

    The Buffalo AKG offers fast-casual and full-service dining experiences at Cornelia in the Knox Building. Enjoy morning pastries with tea, coffee, or espresso drinks; stop in for fresh lunch offerings; or make reservations for our Thursday and Friday dinner service or Sunday brunch service. 

     
  • Art

    Art

    • Exhibitions
    • Collection
    • Search the Collection
    • Public Art
    • Nordic Art and Culture Initiative
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    Made at the Museum

    Through Monday, October 20, 2025
    Seymour H. Knox Building

  • Events

    Events

    • Find an Event
    • M&T FIRST FRIDAYS
    • Thursday Night Live
    • Studio Art Classes
    • Public Tours
    • After Hours
    • Art of Jazz
    • Lipsey Summer Jazz at the AKG

    Summer Sip & Shop

    Join us on Saturday, August 16, from 10 am to 4 pm in the Wilson Town Square for a Sip & Shop event where local vendors will gather under Common Sky with their handmade jewelry, home decor, and more!

  • Learn & Create

    Learn & Create

    • Creative Commons
    • Blog
    • Art’scool: School Tours
    • Lesson Plans
    • Resources for Educators
    • At-Home Activities for Kids & Families
    • At-Home Art Activities for Adults

    Visit Creative Commons

    Located adjacent to the Wilson Town Square in the Knox Building, Creative Commons is a free, active space for ages five and up designed to help you create, share, and connect through fun and playful experiences with art! Admission to the Knox Building is always FREE. 

  • Community

    Community

    • Public Art
    • Museum Day Pass Donations
    • Community Resources and Feedback

    Hi-Vis: Ten Years of Public Art

    Check out Hi-Vis: Ten Years of Public Art—a documentary that features reflective interviews with AKG Curator of Public Art Aaron Ott and many of the artists who have worked with the Public Art Initiative over the past ten years. 

  • Support

    Support

    • Membership
    • Make a Donation
    • Corporate Support
    • Annual Fundraising Events
    • Entertain at the Buffalo AKG
    • Travel with Us
    • Volunteer
    • Our Supporters

    Not a member yet? Join today!

    Members get the best access to the AKG and special opportunities to create deeper connections with the collection. Enjoy unlimited free admission, guest passes, invitations to exclusive members’ previews and events, and more!

     

  • About

    About

    • Vision & Mission
    • Our Collections
    • Our Campus
    • Our History
    • Our Team
    • Annual Reports
    • 2016–2026 Strategic Plan
    • Building the Buffalo AKG Art Museum

    Campus History Timeline

    Trace the evolution of the museum’s campus, from groundbreaking for our first building in 1900 to the opening of the Buffalo AKG Art Museum in 2023.

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  4. View of the Pont Neuf

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  4. View of the Pont Neuf

Stefano Della Bella

Italian, 1610-1664

No image available,
but we're working on it

View of the Pont Neuf, 1646

Artwork Details

Materials

engraving

Measurements

sheet: 14 1/8 x 27 3/8 inches (35.88 x 69.53 cm)

Collection Buffalo AKG Art Museum

Credit

Gift of Willis O. Chapin, 1891

Accession ID

1891:4.66

Inscriptions:

signature / ste. Della Bella, Forentinus

Object Classifications:

Prints

Work Type:

Engraving (print)

Information may change due to ongoing research. Glossary of Terms

Other Works by This Artist

  • [Plate 10: Six Heads] from Livre pour apprendre à dessiner (The Book for Learning to Draw), ca. 1649

    Stefano Della Bella

    Six Heads
  • Jacob's Journey to Egypt, ca. 1647

    Stefano Della Bella

    Jacob's Journey to Egypt
  • Sea Fight Against the Turks, ca. 1638-1643

    Stefano Della Bella

    Sea Fight Against the Turks
  • Sea Fight Against the Turks, ca. 1638-1643

    Stefano Della Bella

    Sea Fight Against the Turks
  • Analysis of Milk, ca. 1634

    Stefano Della Bella probably after Jacques Callot

    Analysis of Milk

Collection Highlights

All Collection Highlights
  • Return of the Prodigal Son, 1967

    Romare Howard Bearden

    Fragments of printed images are collaged together and supplemented with areas of paint to shape the three figures that dominate this composition. The face of the left-most figure is the best defined; he stares back at the viewer, and his lips are twisted upward in a wry grin. With his left arm, he pulls the shorter figure at center toward him in an embrace. From the right edge of the canvas, a third figure appears in profile carrying a candle lamp.
  • Le Christ jaune (The Yellow Christ), 1889

    Paul Gauguin

    Le Christ jaune (The Yellow Christ)
  • New York Waterfront, 1938

    Stuart Davis

    Abstract shapes filled with solid areas of red, blue, white, and black paint float in a loosely linked cluster in the middle of this small beige canvas. Many of the shapes loosely resemble buildings, including a red structure with blue windows and tall black smokestacks at center, which sits beneath a white rectangle featuring the letters L and R in blue. A white shape with red edges at bottom resembles at boat while a patch of blue at bottom left may suggest water.
  • Head - Red and Yellow, 1962

    Roy Lichtenstein

    A woman’s head and neck, cleanly outlined like a classic comic book illustration, fills the majority of this large square canvas. This figure is painted in bright red and white against a solid yellow background. The woman looks toward the right and her large mouth is opened in a laugh. Shoulder length, loosely curled hair frames her face. Her skin is covered with a field of miniscule red dots in emulation of halftone printing.
  • Triptych with Footprints, 1970

    Antoni Tàpies

    Three vertical cream-colored panels are joined to form a long thin horizontal work. A series of footprints stretches across all three panels, slightly above their centers. On the left panel, gray cloudlike forms float at top and bottom, and a grouping of letters and lines stretch diagonally from the upper left-hand toward the center. A series of lines and waves fill the bottom half of the right panel.
  • Le Vociférant (The Loud One), 1973

    Jean Dubuffet

    A number of small, irregularly shaped metal fragments are adhered together at various angles to form the contours of a vaguely humanoid figure. Each of these white fragments is heavily edged in black, and most of their interiors are filled with thin blue or red stripes; a small number of fragments are solid white, red, or blue. shape like a hand with three fingers and a thumb sticks out to the left side, midway down.
  • The Holstein Manifesto, 2008

    Matthew Ritchie

    Black, vine-like tendrils cover much of a large white wall. These are interrupted to the left of center by a large painting featuring more of the tendrils overlaid with abstract washes of copper and taupe paint. On the right side, the tendrils coalesce in a large sphere encircled by the phrases “division of the heavens,” “division of the waters,” “division of the bodies,” and “M theory” in cursive. On the floor in front of the wall rests a long, tube of perforated aluminum surrounded by Tarot cards.
  • Untitled, 1998-2002

    Gregory Crewdson

    This large-scale color photograph captures a mysterious scene staged in a domestic bathroom, which is presented in cross-section. In the center of the frame, a white man, wearing only briefs, is bent over on the floor of a shower stall. His right arm reaches through the drain and is visible in the dark crawlspace below floor level where a pipe would normally be connected. The dim light filtering through a small window on the left evokes a sense of twilight.
  • Peaceable Kingdom, ca. 1848

    Edward Hicks

    Peaceable Kingdom

Related People

  • Stefano Della Bella
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