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    • M&T FIRST FRIDAYS
    • Book Your Birthday Party
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    Summer Sip & Shop

    Join us on Saturday, August 16, from 10 am to 4 pm in the Wilson Town Square for a Sip & Shop event where local vendors will gather under Common Sky with their handmade jewelry, home decor, and more!

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    Submit to Art Alive!

    Submit to the 29th annual Art Alive! This contest invites participants to create living representations of famous works of art at the AKG for great prizes. 

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    • Museum Day Pass Donations
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    Hi-Vis: Ten Years of Public Art

    Check out Hi-Vis: Ten Years of Public Art—a documentary that features reflective interviews with AKG Curator of Public Art Aaron Ott and many of the artists who have worked with the Public Art Initiative over the past ten years. 

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    Members get the best access to the AKG and special opportunities to create deeper connections with the collection. Enjoy unlimited free admission, guest passes, invitations to exclusive members’ previews and events, and more!

     

  • About

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  4. The Redeemer (Christ in Glory)

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  4. The Redeemer (Christ in Glory)

unknown after Correggio

unknown: nationality and dates unknown

Correggio: Italian, ca. 1489-1534

No image available,
but we're working on it

The Redeemer (Christ in Glory), not dated

Artwork Details

Materials

oil on canvas

Collection Buffalo AKG Art Museum

Credit

Bequest of Mrs. Millard Fillmore, 1881

Accession ID

1881:1.61

Object Classifications:

Paintings

Work Type:

Oil painting

Information may change due to ongoing research. Glossary of Terms

Other Works by This Artist

  • The Mystical Marriage of St. Catherine, not dated

    Louis-Pierre Henriquel-Dupont after Correggio

    The Mystical Marriage of St. Catherine
  • The Madonna and Angels with the Magdalen and Saint Jerome, 1771

    Robert Strange after Correggio

    The Madonna and Angels with the Magdalen and Saint Jerome
  • Madonna Della Scala, not dated

    Paolo Toschi after Correggio

    Madonna Della Scala
  • The Coronation of the Virgin, not dated

    Paolo Toschi after Correggio

    The Coronation of the Virgin
  • Diana in a Chariot Returning from the Chase, not dated

    Paolo Toschi after Correggio

    Diana in a Chariot Returning from the Chase
  • Magdalen Reading, 1809

    Giuseppe Longhi after Correggio

    Magdalen Reading

Collection Highlights

All Collection Highlights
  • Peaceable Kingdom, ca. 1848

    Edward Hicks

    Peaceable Kingdom
  • Man with Dog, 1953

    Francis Bacon

    A muscular white dog on a chain leash and the lower legs of its owner are visible beneath a dark blue trapezoid that fills the upper quarter of this vertically oriented canvas. The pair stand on sidewalk abutting a stretch of road perforated by a storm drain. The dog’s head and tail are lowered, and its front two legs extended as if caught in the moment springing forward. The artist’s palette of black, beige, and grey conveys a dark and tense atmosphere.
  • Still Life #20, 1962

    Tom Wesselmann

    Still Life #20
  • Yellow Movie 2/23-24/73, 1973

    Tony Conrad

    A large, white, horizontally oriented rectangle, edged by a thick, black outline, sits in the center of a sheet of dusty rose colored paper. The top and bottom edges of the paper are jagged, suggesting it was torn from a roll.
  • Die Wölfe (Balkankrieg) [The Wolves (Balkan War)], 1913

    Franz Marc

    Die Wölfe (Balkankrieg) [The Wolves (Balkan War)]
  • Elke-Akt 2, 1976

    Georg Baselitz

    An upside-down, loosely painted image of a seated woman fill this vertically oriented painting. The woman’s face, near the bottom center of the canvas, is quite legible, but her form progressively becomes more abstract toward her feet at the upper right of the canvas. The confident, gray strokes that define her outline are filled with white and occasional rose hues; the background is also predominately white.
  • Symphony Orchestra, 1916

    Man Ray

    Symphony Orchestra
  • Les Arbres (The Trees), ca. 1906

    André Derain

    A vibrantly colored landscape with several slim-trunked trees and mountains in the background fills this canvas. The sky is a light yellow while the ground is a slightly darker, sandy hue. The artist used cool blues with patches of crimson to depict the mountains, and warm reds, yellows, and oranges to emphasize tall, thin tree trunks in the foreground. Shadows fall diagonally from the trees toward the right hand corner of the painting where the artist’s small, blue signature rests.
  • Vega-Nor, 1969

    Victor Vasarely

    A brightly colored grid stands out in sharp contrast against the dark blue and green background of this large-scale square painting. At the center of the work, the artist distorted the grid to create the optical illusion of a large spherical shape bulging out of this flat surface.

Related People

  • Correggio
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