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  • Visit

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    • Plan Your Visit
    • Hours & Admission
    • Directions & Parking
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    • Group Experiences
    • Accessibility
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    BABEL-Inspired Tours

    In collaboration with Just Buffalo Literary Center, the AKG is offering sixty-minute, docent-led public tours based on themes from the acclaimed BABEL author talk series and the related books.

     
  • Art

    Art

    • Exhibitions
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    • Search the Collection
    • Public Art
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    Let Us Gather in a Flourishing Way

    Through September 6, 2026
    Jeffrey E. Gundlach Building

  • Events

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    • Find an Event
    • M&T FIRST FRIDAYS
    • Music at the AKG
    • Public Tours
    • After Hours

    Rockin' at the AKG: DEVO

    Get ready to whip your summer into shape! On June 6, 2026, Rockin’ returns with the genre-defying sound of art-rock pioneers DEVO. Tickets are on sale now!


     

  • Learn & Create

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    • Studio Art Classes
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    Studio Art Classes

    Check out our ongoing Adult, Clay, and Kids' Classes! Students of all levels of experience are invited to get creative at the Buffalo AKG.

  • Entertain

    Entertain

    • Entertain at the Buffalo AKG
    • Book Your Birthday Party
    • Book the Art Truck
    • Book a Photography Session
    • Catering at Cornelia

    Entertain at the AKG

    The Buffalo AKG Art Museum provides an unparalleled setting for your special event. With one of the foremost collections of modern and contemporary art in the world, the museum offers exclusive opportunities for you and your guests. 

  • Support

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    • Make a Donation
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    • Corporate Support
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    “Lock in” Your Membership Price!

    Membership prices are increasing in July 2026, and now is your chance to renew and save! “Lock in” your membership at the current rate by renewing or upgrading for two full years before prices increase!

  • About

    About

    • Vision & Mission
    • Our Collections
    • Our Campus
    • Our History
    • Our Team
    • Annual Reports
    • 2016–2026 Strategic Plan
    • Building the Buffalo AKG Art Museum

    Campus History Timeline

    Trace the evolution of the museum’s campus, from groundbreaking for our first building in 1900 to the opening of the Buffalo AKG Art Museum in 2023.

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  4. The Redeemer (Christ in Glory)

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  4. The Redeemer (Christ in Glory)

unknown after Correggio

unknown: nationality and dates unknown

Correggio: Italian, ca. 1489-1534

No image available,
but we're working on it

The Redeemer (Christ in Glory), not dated

Artwork Details

Materials

oil on canvas

Collection Buffalo AKG Art Museum

Credit

Bequest of Mrs. Millard Fillmore, 1881

Accession ID

1881:1.61

Object Classifications:

Paintings

Work Type:

Oil painting

Information may change due to ongoing research. Glossary of Terms

Other Works by This Artist

  • The Mystical Marriage of St. Catherine, not dated

    Louis-Pierre Henriquel-Dupont after Correggio

    The Mystical Marriage of St. Catherine
  • The Madonna and Angels with the Magdalen and Saint Jerome, 1771

    Robert Strange after Correggio

    The Madonna and Angels with the Magdalen and Saint Jerome
  • Madonna Della Scala, not dated

    Paolo Toschi after Correggio

    Madonna Della Scala
  • The Coronation of the Virgin, not dated

    Paolo Toschi after Correggio

    The Coronation of the Virgin
  • Diana in a Chariot Returning from the Chase, not dated

    Paolo Toschi after Correggio

    Diana in a Chariot Returning from the Chase
  • Magdalen Reading, 1809

    Giuseppe Longhi after Correggio

    Magdalen Reading

Collection Highlights

All Collection Highlights
  • The Coming Storm, 1878

    George Inness, Sr.

    The Coming Storm
  • L'Age d'Airain (Age of Bronze), 1875-1876 (cast executed 1911)

    Auguste Rodin

    This life-sized, muscular nude is captured as if in mid-stride, with his right hand raised to clasp his scalp and his left hand raised in a fist. His mouth is open, and his facial features contorted in what appears to be pain or anger.
  • Drift 2, 1966

    Bridget Riley

    Drift No. 2
  • Black Spot No. 3, 1919

    Georgia O'Keeffe

    Rounded biomorphic forms fill the majority of this painting. Those at upper left are blue, those in the bottom half are cream, those at the base and upper right are turquoise, and a sliver of lilac is wedged between dark blue and turquoise forms at top center. Two black diagonal stripes overlap in the center of the picture’s upper half and are held within a pistil-like, white form tinged rose that rises diagonally from the lower right.
  • Portrait (R. Eisch), 1999

    Thomas Ruff

    The head and shoulders of a white adult male with short brunette hair, blue eyes, and a reddish-brown goatee beard and moustache fill the majority of this large-scale color photograph. He wears a pale blue button-up shirt with a collar; the top-most button is left open. Minute details in the figure’s skin and shadows on the fabric are captured by the camera lens.
  • Die Knieende (Kneeling Woman), 1911

    Wilhelm Lehmbruck

    Die Knieende (Kneeling Woman)
  • Flood, 2007

    Barnaby Furnas

    Long, thick, horizontal strokes of paint ranging in hue from black to bright magenta span the pale blue background of this abstract painting. In the upper right corner, the background emerges behind a light spray and thin drips of red paint. A faint white vertical line, like a narrow beam of light, stretches from the center of the canvas’s top toward the bottom but is quickly subsumed under the horizontal strokes.
  • New York, N.Y., 1953

    Franz Kline

    An abstract arrangement of broad black brushstrokes appears against a mostly solid white background. One stroke extends from the top to bottom of the painting along its right edge and another two of similar length appear near the left edge. Other, shorter strokes extend horizontally and diagonally among these vertical elements. The black lines could resemble in outline the type of buildings and bridges that populate New York City’s skyline.
  • Electric, 1963

    Edward Ruscha

    The word “electric” in all capital, italicized letters spans across the center of this almost square canvas. The letters are painted in a gradient from bright yellow at the top to rich orange at the bottom, standing out in stark contrast against the solid deep blue background.

Related People

  • Correggio
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