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  • Visit

    Visit

    • Plan Your Visit
    • Hours & Admission
    • Directions & Parking
    • Codes of Conduct
    • Group Experiences
    • Accessibility
    • Shop
    • Dining
    • Frequently Asked Questions

    BABEL-Inspired Tours

    In collaboration with Just Buffalo Literary Center, the AKG is offering sixty-minute, docent-led public tours based on themes from the acclaimed BABEL author talk series and the related books.

     
  • Art

    Art

    • Exhibitions
    • Collection
    • Search the Collection
    • Public Art
    • Nordic Art and Culture Initiative
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    Let Us Gather in a Flourishing Way

    Through September 6, 2026
    Jeffrey E. Gundlach Building

  • Events

    Events

    • Find an Event
    • M&T FIRST FRIDAYS
    • Music at the AKG
    • Public Tours
    • After Hours

    Rockin' at the AKG: DEVO

    Get ready to whip your summer into shape! On June 6, 2026, Rockin’ returns with the genre-defying sound of art-rock pioneers DEVO. Tickets are on sale now!


     

  • Learn & Create

    Learn & Create

    • Studio Art Classes
    • Creative Commons
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    • Free Digital Guide
    • Art’scool: School Tours
    • Lesson Plans
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    Studio Art Classes

    Check out our ongoing Adult, Clay, and Kids' Classes! Students of all levels of experience are invited to get creative at the Buffalo AKG.

  • Entertain

    Entertain

    • Entertain at the Buffalo AKG
    • Book Your Birthday Party
    • Book the Art Truck
    • Book a Photography Session
    • Catering at Cornelia

    Entertain at the AKG

    The Buffalo AKG Art Museum provides an unparalleled setting for your special event. With one of the foremost collections of modern and contemporary art in the world, the museum offers exclusive opportunities for you and your guests. 

  • Support

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    • Make a Donation
    • Museum Day Pass Donations
    • Corporate Support
    • Annual Fundraising Events
    • Travel with Us
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    • Our Supporters

    “Lock in” Your Membership Price!

    Membership prices are increasing in July 2026, and now is your chance to renew and save! “Lock in” your membership at the current rate by renewing or upgrading for two full years before prices increase!

  • About

    About

    • Vision & Mission
    • Our Collections
    • Our Campus
    • Our History
    • Our Team
    • Annual Reports
    • 2016–2026 Strategic Plan
    • Building the Buffalo AKG Art Museum

    Campus History Timeline

    Trace the evolution of the museum’s campus, from groundbreaking for our first building in 1900 to the opening of the Buffalo AKG Art Museum in 2023.

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  4. The Redeemer (Christ in Glory)

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  4. The Redeemer (Christ in Glory)

unknown after Correggio

unknown: nationality and dates unknown

Correggio: Italian, ca. 1489-1534

No image available,
but we're working on it

The Redeemer (Christ in Glory), not dated

Artwork Details

Materials

oil on canvas

Collection Buffalo AKG Art Museum

Credit

Bequest of Mrs. Millard Fillmore, 1881

Accession ID

1881:1.61

Object Classifications:

Paintings

Work Type:

Oil painting

Information may change due to ongoing research. Glossary of Terms

Other Works by This Artist

  • The Mystical Marriage of St. Catherine, not dated

    Louis-Pierre Henriquel-Dupont after Correggio

    The Mystical Marriage of St. Catherine
  • The Madonna and Angels with the Magdalen and Saint Jerome, 1771

    Robert Strange after Correggio

    The Madonna and Angels with the Magdalen and Saint Jerome
  • Madonna Della Scala, not dated

    Paolo Toschi after Correggio

    Madonna Della Scala
  • The Coronation of the Virgin, not dated

    Paolo Toschi after Correggio

    The Coronation of the Virgin
  • Diana in a Chariot Returning from the Chase, not dated

    Paolo Toschi after Correggio

    Diana in a Chariot Returning from the Chase
  • Magdalen Reading, 1809

    Giuseppe Longhi after Correggio

    Magdalen Reading

Collection Highlights

All Collection Highlights
  • New York Waterfront, 1938

    Stuart Davis

    Abstract shapes filled with solid areas of red, blue, white, and black paint float in a loosely linked cluster in the middle of this small beige canvas. Many of the shapes loosely resemble buildings, including a red structure with blue windows and tall black smokestacks at center, which sits beneath a white rectangle featuring the letters L and R in blue. A white shape with red edges at bottom resembles at boat while a patch of blue at bottom left may suggest water.
  • Black Spot No. 3, 1919

    Georgia O'Keeffe

    Rounded biomorphic forms fill the majority of this painting. Those at upper left are blue, those in the bottom half are cream, those at the base and upper right are turquoise, and a sliver of lilac is wedged between dark blue and turquoise forms at top center. Two black diagonal stripes overlap in the center of the picture’s upper half and are held within a pistil-like, white form tinged rose that rises diagonally from the lower right.
  • Flood, 2007

    Barnaby Furnas

    Long, thick, horizontal strokes of paint ranging in hue from black to bright magenta span the pale blue background of this abstract painting. In the upper right corner, the background emerges behind a light spray and thin drips of red paint. A faint white vertical line, like a narrow beam of light, stretches from the center of the canvas’s top toward the bottom but is quickly subsumed under the horizontal strokes.
  • Sculpture classique (Classical Sculpture), 1964

    Jean (Hans) Arp

    The gently curving contours of this white marble sculpture suggest a head, shoulders, and hips. The slim vertical form stands on top of and is contiguous with a cylindrical base.
  • Karma, 2010

    Do Ho Suh

    Against the white marbled columned exterior of the museum, a life-size muscular male nude, his arms hanging down on either side of his body, stands upright on a metal base. Sitting on his shoulders are a series of identical male nudes squatting one on top of the another, each one smaller than the one below. Each figure holds his hands over the eyes of the figure beneath him.
  • Page Boy at Maxim's, ca. 1927

    Chaïm Soutine

    In this tall, narrow portrait, painted with loose, energetic brush strokes, a young man wearing a deep red uniform with matching cap stands in front of a dark burgundy, gray, green, and blue background. A row of gold buttons extends down the front of the boy’s jacket. His right hand is by his side, palm facing out, and his left hand is clenched in front of his waist. The figure’s dark eyes, hair, and moustache stand out again his pale skin.
  • Reclining Figure, 1935-1936

    Henry Moore

    This wooden sculpture could abstractly resemble a reclining female body. The dark brown wood is polished to reveal the wood grain and knots throughout the form. The figure’s legs seem to be gently bent, and she appears to be resting on her elbows, with her head propped upright. The artist left the torso as an empty space, allowing viewers to see through the sculpture.
  • The Inverted Sink, 1985

    Robert Gober

    A large white plaster sculpture that takes the form of a thick, inverted V hangs from a blue-gray wall. The apex of the V comes to a sharp point whereas the left and right corners are curved.
  • Cupid as Link Boy, 1774

    Joshua Reynolds

    Cupid as Link Boy

Related People

  • Correggio
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