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Manaò tupapaú (Spirit of the Dead Watching), 1892

Paul Gauguin

Difficult, 1942-1943

Kurt Schwitters

Sculpture classique (Classical Sculpture), 1964

Jean (Hans) Arp

The gently curving contours of this white marble sculpture suggest a head, shoulders, and hips. The slim vertical form stands on top of and is contiguous with a cylindrical base.

Peristyle: Five Lines, 1963-1964

George Rickey

Self-Portrait with Monkey, 1938

Frida Kahlo

La Maison de La Crau (The Old Mill), 1888

Vincent van Gogh

Loose thick brushstrokes in a vibrant palette define a rural scene beneath a turquoise green sky. On the right is a tall sandy colored building with a yellow roof and brownish-red chimney. Steps leads from the structure toward the left-hand side of the image, where, two people stand in front of a purple fence. Beyond the fence and toward the upper left of the image are green fields dotted with small houses and blue mountains in the far distance.

The Transparent Simulacrum of the Feigned Image, 1938

Salvador Dalí

Figure triste (Sad Figure), 1912

Francis Picabia

No image available,
but we’re working on it

Sky Cathedral, 1958

Louise Nevelson

Symphony Orchestra, 1916

Man Ray

Le Feu d'artifice (Fireworks), 1887

James Ensor

No image available,
but we’re working on it

untitled (to Donna) 6, 1971

Dan Flavin

A square of fluorescent tube lights mounted in white aluminum fixtures sits on the floor in front of a corner of the gallery space. The lights that make up the top and the bottom of the frame shine bright blue light outward. The lights that make up the right and left of the frame cast yellow and pink light into the corner behind the sculpture.

Untitled, 1969

Donald Judd

Ten identical boxes industrially fabricated out of galvanized iron and orange Plexiglas protrude seemingly weightlessly from the wall in a vertical stack. Each box is separated from the unit above and below by a space equal to its height. When lit from above, the sculpture casts a dramatic pattern of orange and gray shadows on the adjacent walls and floor.

Wild Indigo, 1967

Kenneth Noland

Twenty-eight stripes of different colors and widths run the width of this horizontally oriented painting. The very clearly defined bands are separated by pencil-thin stripes of unpainted canvas. While the colors used vary, they are mostly distinct hues of red, green, and blue.

Black Spot No. 3, 1919

Georgia O'Keeffe

Rounded biomorphic forms fill the majority of this painting. Those at upper left are blue, those in the bottom half are cream, those at the base and upper right are turquoise, and a sliver of lilac is wedged between dark blue and turquoise forms at top center. Two black diagonal stripes overlap in the center of the picture’s upper half and are held within a pistil-like, white form tinged rose that rises diagonally from the lower right.

D IV, 1922

László Moholy-Nagy

No image available,
but we’re working on it

La voix des airs (The Voice of Space), 1928

René Magritte

No image available,
but we’re working on it

Traits, plans, profondeur (Lines, Planes, Depth), ca. 1920-1922

František Kupka

No image available,
but we’re working on it

Two-Tone, 1975

Susan Rothenberg

Triptych with Footprints, 1970

Antoni Tàpies

Three vertical cream-colored panels are joined to form a long thin horizontal work. A series of footprints stretches across all three panels, slightly above their centers. On the left panel, gray cloudlike forms float at top and bottom, and a grouping of letters and lines stretch diagonally from the upper left-hand toward the center. A series of lines and waves fill the bottom half of the right panel.

Composition, ca. 1918-1920

Alexander Rodchenko

No image available,
but we’re working on it

No title, 1970

Eva Hesse

State, 1978

Robert Ryman

Abstraktes Bild (Abstract Painting), 1977

Gerhard Richter

Three light-colored abstract forms, resembling zoomed-in and blurry details of paint strokes, stand out against this painting’s dark brown and green background. One thin stripe extends the height of the canvas; it is white at top and gradually gradates to red at the bottom. A second, thicker stripe in gray topped with white extends from the center of the right edge and appears to overlap the vertical stripe. The end of a third stripe, similar in shape and color to the second stipe, appears in the upper-left

Le Panthéon et Saint-Étienne-du-Mont (The Pantheon and Saint-Étienne-du-Mont), ca. 1903-1906

Raoul Dufy

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Manaò tupapaú (Spirit of the Dead Watching), 1892

Difficult, 1942-1943

Sculpture classique (Classical Sculpture), 1964

Peristyle: Five Lines, 1963-1964

Self-Portrait with Monkey, 1938

La Maison de La Crau (The Old Mill), 1888

The Transparent Simulacrum of the Feigned Image, 1938

Figure triste (Sad Figure), 1912

Sky Cathedral, 1958

Symphony Orchestra, 1916

Le Feu d'artifice (Fireworks), 1887

untitled (to Donna) 6, 1971

Untitled, 1969

Wild Indigo, 1967

Black Spot No. 3, 1919

D IV, 1922

La voix des airs (The Voice of Space), 1928

Traits, plans, profondeur (Lines, Planes, Depth), ca. 1920-1922

Two-Tone, 1975

Triptych with Footprints, 1970

Composition, ca. 1918-1920

No title, 1970

State, 1978

Abstraktes Bild (Abstract Painting), 1977

Le Panthéon et Saint-Étienne-du-Mont (The Pantheon and Saint-Étienne-du-Mont), ca. 1903-1906

Search the Collection Text

Manaò tupapaú (Spirit of the Dead Watching), 1892

Difficult, 1942-1943

Sculpture classique (Classical Sculpture), 1964

Peristyle: Five Lines, 1963-1964

Self-Portrait with Monkey, 1938

La Maison de La Crau (The Old Mill), 1888

The Transparent Simulacrum of the Feigned Image, 1938

Figure triste (Sad Figure), 1912

Sky Cathedral, 1958

Symphony Orchestra, 1916

Le Feu d'artifice (Fireworks), 1887

untitled (to Donna) 6, 1971

Untitled, 1969

Wild Indigo, 1967

Black Spot No. 3, 1919

D IV, 1922

La voix des airs (The Voice of Space), 1928

Traits, plans, profondeur (Lines, Planes, Depth), ca. 1920-1922

Two-Tone, 1975

Triptych with Footprints, 1970

Composition, ca. 1918-1920

No title, 1970

State, 1978

Abstraktes Bild (Abstract Painting), 1977

Le Panthéon et Saint-Étienne-du-Mont (The Pantheon and Saint-Étienne-du-Mont), ca. 1903-1906