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    Cornelia

    The Buffalo AKG offers fast-casual and full-service dining experiences at Cornelia in the Knox Building. The menu at Cornelia places an artful spin on classic dishes. Enjoy morning pastries with tea, coffee, or espresso drinks; stop in for fresh lunch offerings; or make reservations for Friday night or Sunday brunch service.

     
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    • M&T FIRST FRIDAYS
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    Rockin' at the AKG: DEVO

    Get ready to whip your summer into shape! On June 6, 2026, Rockin’ returns with the genre-defying sound of art-rock pioneers DEVO. Tickets are on sale now!


     

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    “Lock in” Your Membership Price!

    Membership prices are increasing in July 2026, and now is your chance to renew and save! “Lock in” your membership at the current rate by renewing or upgrading for two full years before prices increase!

  • About

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    • Our Collections
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    • 2016–2026 Strategic Plan
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  4. Passages: East, West 1

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  4. Passages: East, West 1

Raymond Jennings Saunders

American, 1934-2025

No image available,
but we're working on it

Passages: East, West 1, 1987

Artwork Details

Recent Acquisition

Materials

acrylic, spray paint, chalk, collage, and mixed media on canvas

Measurements

support: 82 x 75 7/8 inches (208.28 x 192.72 cm)

Collection Buffalo AKG Art Museum

Credit

George B. and Jenny R. Mathews Fund, 2024

Accession ID

2024:42

Object Classifications:

Paintings

Information may change due to ongoing research. Glossary of Terms

Other Works by This Artist

  • America: the third century, 1975

    Allan D'Arcangelo, William Bailey, James Brooks, Christo, Roy Lichtenstein, Robert Andrew Parker, Robert Rauschenberg, James Rosenquist, Edward Ruscha, Raymond Jennings Saunders, Ben Schonzeit, Costantino Nivola, Velox Ward

    America: the third century
  • Duck Out of Water from the portfolio America: the third century, 1975

    Raymond Jennings Saunders

    Duck Out of Water from the portfolio America: the third century

Collection Highlights

All Collection Highlights
  • Peristyle: Five Lines, 1963-1964

    George Rickey

    Peristyle: Five Lines
  • Triptych with Footprints, 1970

    Antoni Tàpies

    Three vertical cream-colored panels are joined to form a long thin horizontal work. A series of footprints stretches across all three panels, slightly above their centers. On the left panel, gray cloudlike forms float at top and bottom, and a grouping of letters and lines stretch diagonally from the upper left-hand toward the center. A series of lines and waves fill the bottom half of the right panel.
  • The Whiteness of the Whale, 1957

    Sam Francis

    The Whiteness of the Whale
  • Fields of Grain as Seen from Train, 1931

    Arthur Garfield Dove

    Geometric forms in different shades of red, green, and light brown shape this abstract landscape. A large green triangular shape stripped with seven black furrows, stretches from the middle of the top edge to the bottom-right corner and toward to the bottom-left corner. A dark red shape with a scalloped edge borders the right side of the triangle, and a light brown sphere patterned with five horizontal waves peeks out from behind the triangle’s left side.
  • The Marvelous Sauce, ca. 1890

    Jehan Georges Vibert

    A corpulent older man wearing a long white apron over his scarlet cardinal’s robes stands with a copper sauce pan in his left hand and a spoon held aloft in triumph in his right while, to the left, a younger man in chef’s hat and coat with an apron partially covering his bright blue, knee-length trousers looks at the spoon held in his right hand with skepticism. A large stove with a massive stone hood appears behind the cardinal, and a table laden with produce and meat appears behind the chef.
  • Portrait (R. Eisch), 1999

    Thomas Ruff

    The head and shoulders of a white adult male with short brunette hair, blue eyes, and a reddish-brown goatee beard and moustache fill the majority of this large-scale color photograph. He wears a pale blue button-up shirt with a collar; the top-most button is left open. Minute details in the figure’s skin and shadows on the fabric are captured by the camera lens.
  • Untitled (take a giant step), 2001

    Lorna Simpson

    Untitled (take a giant step)
  • Wild Indigo, 1967

    Kenneth Noland

    Twenty-eight stripes of different colors and widths run the width of this horizontally oriented painting. The very clearly defined bands are separated by pencil-thin stripes of unpainted canvas. While the colors used vary, they are mostly distinct hues of red, green, and blue.
  • Venetian Bead Stringers, 1880 or 1882

    John Singer Sargent

    A standing woman approaches two seated women stringing beads over a shallow wooden bowl in the center right of this painting, which is set in a large, mostly empty room. An open doorway and windows at the back of the room provide limited light. At right, a bench is positioned against a wall. The two seated women wear dark dresses while their standing companion wears a white dress mostly covered with a dark shawl.

Related People

  • Raymond Jennings Saunders
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