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    Cornelia

    The Buffalo AKG offers fast-casual and full-service dining experiences at Cornelia in the Knox Building. Enjoy morning pastries with tea, coffee, or espresso drinks; stop in for fresh lunch offerings; or make reservations for our Thursday and Friday dinner service or Sunday brunch service. 

     
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    • M&T FIRST FRIDAYS
    • Thursday Night Live
    • Studio Art Classes
    • Drop-In Artmaking
    • Public Tours
    • After Hours
    • Art of Jazz
    • Lipsey Summer Jazz at the AKG

    Rockin' 2025

    Join us on Saturday, June 14, for a celebration of music, community, and our neighbors to the North, featuring The Beaches with special guests The Trews and Menno Versteeg of Hollerado. Purchase Tickets

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    • AKGo! FREE Audio Experience
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    Visit Creative Commons

    Located adjacent to the Wilson Town Square in the Knox Building, Creative Commons is a free, active space for ages five and up designed to help you create, share, and connect through fun and playful experiences with art! Admission to the Knox Building is always FREE. 

  • Community

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    • Public Art
    • Museum Day Pass Donations
    • Community Resources and Feedback

    Hi-Vis: Ten Years of Public Art

    Check out Hi-Vis: Ten Years of Public Art—a documentary that features reflective interviews with AKG Curator of Public Art Aaron Ott and many of the artists who have worked with the Public Art Initiative over the past ten years. 

  • Support

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    • Make a Donation
    • Corporate Support
    • Annual Fundraising Events
    • Entertain at the Buffalo AKG
    • Travel with Us
    • Volunteer
    • Our Supporters

    Not a member yet? Join today!

    Members get the best access to the AKG and special opportunities to create deeper connections with the collection. Enjoy unlimited free admission, guest passes, invitations to exclusive members’ previews and events, and more!

     

  • About

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    • Our History
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    • Annual Reports
    • 2016–2026 Strategic Plan
    • Building the Buffalo AKG Art Museum

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  4. Passages: East, West 1

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  4. Passages: East, West 1

Raymond Jennings Saunders

American, born 1934

No image available,
but we're working on it

Passages: East, West 1, 1987

Artwork Details

Recent Acquisition

Materials

acrylic, spray paint, chalk, collage, and mixed media on canvas

Measurements

support: 82 x 75 7/8 inches (208.28 x 192.72 cm)

Collection Buffalo AKG Art Museum

Credit

George B. and Jenny R. Mathews Fund, 2024

Accession ID

2024:42

Object Classifications:

Paintings

Information may change due to ongoing research. Glossary of Terms

Other Works by This Artist

  • America: the third century, 1975

    Allan D'Arcangelo, William Bailey, James Brooks, Christo, Roy Lichtenstein, Robert Andrew Parker, Robert Rauschenberg, James Rosenquist, Edward Ruscha, Raymond Jennings Saunders, Ben Schonzeit, Costantino Nivola, Velox Ward

    America: the third century
  • Duck Out of Water from the portfolio America: the third century, 1975

    Raymond Jennings Saunders

    Duck Out of Water from the portfolio America: the third century

Collection Highlights

All Collection Highlights
  • Les Arbres (The Trees), ca. 1906

    André Derain

    A vibrantly colored landscape with several slim-trunked trees and mountains in the background fills this canvas. The sky is a light yellow while the ground is a slightly darker, sandy hue. The artist used cool blues with patches of crimson to depict the mountains, and warm reds, yellows, and oranges to emphasize tall, thin tree trunks in the foreground. Shadows fall diagonally from the trees toward the right hand corner of the painting where the artist’s small, blue signature rests.
  • No. 15, 1952

    Ad Reinhardt

    No. 15
  • Rue de village à Marlotte (Village Street in Marlotte), 1866

    Alfred Sisley

    This horizontally oriented canvas features a loosely painted rural scene of several old stone houses and a dirt road running between them. Tall trees rise above behind the roofs. The grey and somber light that pervades the scene overall streams from a cloudy sky in the top quarter of the canvas. In the painting’s middle ground, a human figure wearing a blue shirt and light-colored trousers raises an axe above his head in order to chop a large branch at his feet.
  • Chemin de halage à Argenteuil (Towpath at Argenteuil, Winter), 1875-1876

    Claude Monet

    This wintery landscape features a path that follows a still gray river as it curves from the bottom right corner of the canvas and recede into the distance under an overcast sky. On the right side of the painting, smokestacks on a distant are reflected in the water. Four small figures summarily rendered in dark tones walk on the path, with one appearing to move toward the viewer. To the left is a patch of trees and grass that peeks out beneath melting snow.
  • Black Spot No. 3, 1919

    Georgia O'Keeffe

    Rounded biomorphic forms fill the majority of this painting. Those at upper left are blue, those in the bottom half are cream, those at the base and upper right are turquoise, and a sliver of lilac is wedged between dark blue and turquoise forms at top center. Two black diagonal stripes overlap in the center of the picture’s upper half and are held within a pistil-like, white form tinged rose that rises diagonally from the lower right.
  • Son, 1984

    Francesco Clemente

    This vertically oriented painting features portions of a dark tree trunk, branches, and leaves set against patches of light gray sky. Hanging from select branches are four large yellow orbs resembling suns or planets. T-shaped fasteners connect these hanging shapes to the tree.
  • 100 Cans, 1962

    Andy Warhol

    The front-facing, red, gold, and white labels of one hundred cans of Campbell’s Condensed Beef Noodle Soup fill this vertically oriented canvas. The cans are organized in a tight grid of ten rows and ten columns. The bottoms of the last row of cans are cut off so that only the upper halves of these cans are visible.
  • Buffalo Newsboy, 1853

    Thomas Le Clear

    Buffalo Newsboy
  • Le Bassin du Jas de Bouffan (The Pool at Jas de Bouffan), ca. 1878-1879

    Paul Cézanne

    Similarly short, distinct brushstrokes coalesce into the trees and shallow, walled pool that fill this landscape. A thin-trunked tree with light-dappled yellow-green foliage fills much of the left side of the canvas. Behind the tree, a low sandy colored wall contains a shallow, rectangular pool of water. Additional trees with darker green leaves line the right edge of the pool, extending to the upper edge of the canvas.

Related People

  • Raymond Jennings Saunders
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