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    In collaboration with Just Buffalo Literary Center, the AKG is offering sixty-minute, docent-led public tours based on themes from the acclaimed BABEL author talk series and the related books.

     
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    Get ready to whip your summer into shape! On June 6, 2026, Rockin’ returns with the genre-defying sound of art-rock pioneers DEVO. Tickets are on sale now!


     

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  4. Passages: East, West 1

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  4. Passages: East, West 1

Raymond Jennings Saunders

American, 1934-2025

No image available,
but we're working on it

Passages: East, West 1, 1987

Artwork Details

Recent Acquisition

Materials

acrylic, spray paint, chalk, collage, and mixed media on canvas

Measurements

support: 82 x 75 7/8 inches (208.28 x 192.72 cm)

Collection Buffalo AKG Art Museum

Credit

George B. and Jenny R. Mathews Fund, 2024

Accession ID

2024:42

Object Classifications:

Paintings

Information may change due to ongoing research. Glossary of Terms

Other Works by This Artist

  • America: the third century, 1975

    Allan D'Arcangelo, William Bailey, James Brooks, Christo, Roy Lichtenstein, Robert Andrew Parker, Robert Rauschenberg, James Rosenquist, Edward Ruscha, Raymond Jennings Saunders, Ben Schonzeit, Costantino Nivola, Velox Ward

    America: the third century
  • Duck Out of Water from the portfolio America: the third century, 1975

    Raymond Jennings Saunders

    Duck Out of Water from the portfolio America: the third century

Collection Highlights

All Collection Highlights
  • Buffalo Newsboy, 1853

    Thomas Le Clear

    Buffalo Newsboy
  • Sculpture classique (Classical Sculpture), 1964

    Jean (Hans) Arp

    The gently curving contours of this white marble sculpture suggest a head, shoulders, and hips. The slim vertical form stands on top of and is contiguous with a cylindrical base.
  • Secrets and Lies, 2009

    Gillian Wearing

    The three stills from this video work feature, from left to right: a figure wearing a mask with the features of a Caucasian woman, a shoulder-length blonde wig, and a denim shirt; a figure wearing a green-gray, gargoyle-like mask and a black tuxedo jacket and bowtie over a white shirt; and a figure wearing a mask with the features of an older Caucasian woman, a short brown wig, and a light blue, quarter-zip fleece.
  • Untitled (The Buffalo Installation), 1991

    Jenny Holzer

    Untitled (The Buffalo Installation)
  • L'Ambitieuse (Political Woman), 1883-1885

    James Tissot

    A woman in an elaborately ruffled pink dress with a large feathered fan enters an ornately decorated ballroom filled with party-goers on the arm of a much older gentleman. She looks left and outward beyond the viewer, while the attention of nearly all other male figures in the scene is directed at her. The textures of various surfaces and fabrics are painted with rich detail and texture, especially the pink dress ruffles gathered on a plush red ottoman at the bottom of the frame.
  • Abstraktes Bild (Abstract Painting), 1977

    Gerhard Richter

    Three light-colored abstract forms, resembling zoomed-in and blurry details of paint strokes, stand out against this painting’s dark brown and green background. One thin stripe extends the height of the canvas; it is white at top and gradually gradates to red at the bottom. A second, thicker stripe in gray topped with white extends from the center of the right edge and appears to overlap the vertical stripe. The end of a third stripe, similar in shape and color to the second stipe, appears in the upper-left
  • NIAGARA, 2012

    Robert Irwin

    NIAGARA
  • Portrait (R. Eisch), 1999

    Thomas Ruff

    The head and shoulders of a white adult male with short brunette hair, blue eyes, and a reddish-brown goatee beard and moustache fill the majority of this large-scale color photograph. He wears a pale blue button-up shirt with a collar; the top-most button is left open. Minute details in the figure’s skin and shadows on the fabric are captured by the camera lens.
  • Flood, 2007

    Barnaby Furnas

    Long, thick, horizontal strokes of paint ranging in hue from black to bright magenta span the pale blue background of this abstract painting. In the upper right corner, the background emerges behind a light spray and thin drips of red paint. A faint white vertical line, like a narrow beam of light, stretches from the center of the canvas’s top toward the bottom but is quickly subsumed under the horizontal strokes.

Related People

  • Raymond Jennings Saunders
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