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  • Visit

    Visit

    • Plan Your Visit
    • Hours & Admission
    • Directions & Parking
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    • Group Experiences
    • Accessibility
    • Shop
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    • Frequently Asked Questions

    BABEL-Inspired Tours

    In collaboration with Just Buffalo Literary Center, the AKG is offering sixty-minute, docent-led public tours based on themes from the acclaimed BABEL author talk series and the related books.

     
  • Art

    Art

    • Exhibitions
    • Collection
    • Search the Collection
    • Public Art
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    Let Us Gather in a Flourishing Way

    Through September 6, 2026
    Jeffrey E. Gundlach Building

  • Events

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    • Find an Event
    • M&T FIRST FRIDAYS
    • Music at the AKG
    • Public Tours
    • After Hours

    Rockin' at the AKG: DEVO

    Get ready to whip your summer into shape! On June 6, 2026, Rockin’ returns with the genre-defying sound of art-rock pioneers DEVO. Tickets are on sale now!


     

  • Learn & Create

    Learn & Create

    • Studio Art Classes
    • Creative Commons
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    Studio Art Classes

    Check out our ongoing Adult, Clay, and Kids' Classes! Students of all levels of experience are invited to get creative at the Buffalo AKG.

  • Entertain

    Entertain

    • Entertain at the Buffalo AKG
    • Book Your Birthday Party
    • Book the Art Truck
    • Book a Photography Session
    • Catering at Cornelia

    Entertain at the AKG

    The Buffalo AKG Art Museum provides an unparalleled setting for your special event. With one of the foremost collections of modern and contemporary art in the world, the museum offers exclusive opportunities for you and your guests. 

  • Support

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    • Make a Donation
    • Museum Day Pass Donations
    • Corporate Support
    • Annual Fundraising Events
    • Travel with Us
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    • Our Supporters

    “Lock in” Your Membership Price!

    Membership prices are increasing in July 2026, and now is your chance to renew and save! “Lock in” your membership at the current rate by renewing or upgrading for two full years before prices increase!

  • About

    About

    • Vision & Mission
    • Our Collections
    • Our Campus
    • Our History
    • Our Team
    • Annual Reports
    • 2016–2026 Strategic Plan
    • Building the Buffalo AKG Art Museum

    Campus History Timeline

    Trace the evolution of the museum’s campus, from groundbreaking for our first building in 1900 to the opening of the Buffalo AKG Art Museum in 2023.

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  4. The Redeemer (Christ in Glory)

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  4. The Redeemer (Christ in Glory)

unknown after Correggio

unknown: nationality and dates unknown

Correggio: Italian, ca. 1489-1534

No image available,
but we're working on it

The Redeemer (Christ in Glory), not dated

Artwork Details

Materials

oil on canvas

Collection Buffalo AKG Art Museum

Credit

Bequest of Mrs. Millard Fillmore, 1881

Accession ID

1881:1.61

Object Classifications:

Paintings

Work Type:

Oil painting

Information may change due to ongoing research. Glossary of Terms

Other Works by This Artist

  • The Mystical Marriage of St. Catherine, not dated

    Louis-Pierre Henriquel-Dupont after Correggio

    The Mystical Marriage of St. Catherine
  • The Madonna and Angels with the Magdalen and Saint Jerome, 1771

    Robert Strange after Correggio

    The Madonna and Angels with the Magdalen and Saint Jerome
  • Madonna Della Scala, not dated

    Paolo Toschi after Correggio

    Madonna Della Scala
  • The Coronation of the Virgin, not dated

    Paolo Toschi after Correggio

    The Coronation of the Virgin
  • Diana in a Chariot Returning from the Chase, not dated

    Paolo Toschi after Correggio

    Diana in a Chariot Returning from the Chase
  • Magdalen Reading, 1809

    Giuseppe Longhi after Correggio

    Magdalen Reading

Collection Highlights

All Collection Highlights
  • Flood, 2007

    Barnaby Furnas

    Long, thick, horizontal strokes of paint ranging in hue from black to bright magenta span the pale blue background of this abstract painting. In the upper right corner, the background emerges behind a light spray and thin drips of red paint. A faint white vertical line, like a narrow beam of light, stretches from the center of the canvas’s top toward the bottom but is quickly subsumed under the horizontal strokes.
  • Untitled (intern "Shape 7") (KG/O 2010_8031L), 2010

    Katharina Grosse

    This abstract sculpture appears overall like an oversized piece of paper with a V-shaped divot cut out of the right side and curling edges. It balances on the floor near its center. The underside of the plastic form is white, but bright patches of spray-painted yellow, blue, green, purple, orange, black, gray, and pink cover the top, overlapping and dripping onto one another.
  • La voix des airs (The Voice of Space), 1928

    René Magritte

    La voix des airs (The Voice of Space)
  • Divisibilité indéfinie (Indefinite Divisibility), 1942

    Yves Tanguy

    Two biomorphic forms sit side by side in the foreground of this abstract, dream-like landscape. The smaller form on the left includes a gray square with red sticks emerging from its left side. Narrow gray stalks support the blue and pink shapes that make up the taller form on the right, which casts a long shadow toward the top left corner of the painting. Nine small circular discs with white sides and blue surfaces appear scattered throughout the scene.
  • Janet, 1992

    Chuck Close

    This large-scale portrait is painted in grayscale with a nearly all black background. A grid pattern covers the entire surface, and diamonds, ovals, circles, and other geometric shapes fill each square. From a distance, these patterned coalesce into a woman’s face and upper shoulders; the effect is similar to a pixelated photograph. The woman has short hair, cat-eyed glasses, dangly earrings, and she wears a shirt with a rounded collar.
  • The Anguish of Departure, 1913-1914

    Giorgio de Chirico

    The Anguish of Departure
  • Jill, 1959

    Frank Stella

    A pattern of concentric, white diamond shapes fills this otherwise black canvas. The pattern extends from the paintings center at regular intervals of two and a half inches with the largest diamonds partially cut off at the work’s edges.
  • Reclining Figure, 1935-1936

    Henry Moore

    This wooden sculpture could abstractly resemble a reclining female body. The dark brown wood is polished to reveal the wood grain and knots throughout the form. The figure’s legs seem to be gently bent, and she appears to be resting on her elbows, with her head propped upright. The artist left the torso as an empty space, allowing viewers to see through the sculpture.
  • Still Life #20, 1962

    Tom Wesselmann

    Still Life #20

Related People

  • Correggio
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