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  • Visit

    Visit

    • Plan Your Visit
    • Hours & Admission
    • Directions & Parking
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    • Frequently Asked Questions

    Cornelia

    The Buffalo AKG offers fast-casual and full-service dining experiences at Cornelia in the Knox Building. The menu at Cornelia places an artful spin on classic dishes. Enjoy morning pastries with tea, coffee, or espresso drinks; stop in for fresh lunch offerings; or make reservations for Friday night or Sunday brunch service.

     
  • Art

    Art

    • Exhibitions
    • Collection
    • Search the Collection
    • Public Art
    • Nordic Art and Culture Initiative
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    Let Us Gather in a Flourishing Way

    Through September 6, 2026
    Jeffrey E. Gundlach Building

  • Events

    Events

    • Find an Event
    • M&T FIRST FRIDAYS
    • Music at the AKG
    • Public Tours
    • After Hours

    Submit to Art Alive!

    Join us for a very special Art Alive on Saturday, October 10, 2026, as we celebrate 30 years of one of the Buffalo AKG’s most beloved traditions! More than $4,000 in prizes will be awarded to the creators of the winning tableaux and edible art entries. Submissions close on September 10. 

  • Learn & Create

    Learn & Create

    • Studio Art Classes
    • Creative Commons
    • Blog
    • Free Digital Guide
    • Art’scool: School Tours
    • Lesson Plans
    • Resources for Educators

    Studio Art Classes

    Check out our ongoing Adult, Clay, and Kids' Classes! Students of all levels of experience are invited to get creative at the Buffalo AKG.

  • Entertain

    Entertain

    • Entertain at the Buffalo AKG
    • Book Your Birthday Party
    • Book the Art Truck
    • Book a Photography Session
    • Catering at Cornelia

    Entertain at the AKG

    The Buffalo AKG Art Museum provides an unparalleled setting for your special event. With one of the foremost collections of modern and contemporary art in the world, the museum offers exclusive opportunities for you and your guests. 

  • Support

    Support

    • Membership
    • Make a Donation
    • Museum Day Pass Donations
    • Corporate Support
    • Annual Fundraising Events
    • Travel with Us
    • Volunteer
    • Our Supporters

    Become a Member Today!

    Become a member at the Buffalo AKG and enjoy a year of unlimited free admission, exclusive invitations to exhibition previews and members-only events, discounts on dining, retail, classes, and so much more! 

  • About

    About

    • Vision & Mission
    • Our Collections
    • Our Campus
    • Our History
    • Our Team
    • Annual Reports
    • 2016–2026 Strategic Plan
    • Building the Buffalo AKG Art Museum

    Campus History Timeline

    Trace the evolution of the museum’s campus, from groundbreaking for our first building in 1900 to the opening of the Buffalo AKG Art Museum in 2023.

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  4. Sine Curve Man

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  4. Sine Curve Man

Charles Csuri

American, 1922-2022

Sine Curve Man

Image downloads are for educational use only. For all other purposes, please see our Obtaining and Using Images page.

Sine Curve Man, 1967

Artwork Details

Materials

plotter print on paper

Measurements

24 x 18 inches (60.96 x 45.72 cm)

Collection Buffalo AKG Art Museum

Credit

Gift of Mrs. George A. Forman, 2023

Accession ID

P2023:90

Object Classifications:

Prints

Information may change due to ongoing research. Glossary of Terms

Other Works by This Artist

  • Random War from the portfolio Cybernetic Serendipity, 1967/1968

    Charles Csuri

    Random War from the portfolio Cybernetic Serendipity

Collection Highlights

All Collection Highlights
  • Le Peintre Ker-Xavier Roussel et sa fille (The Painter Ker-Xavier Roussel and His Daughter), 1903

    Edouard Vuillard

    Sunlight streams into a living room from open floor to ceiling windows on the left-hand side of this painting. A man sits with his back to the window, facing a child who stands slightly to the right of the image’s center on the room’s red-and-white striped carpet. A table with a decorative urn, a patterned curtain behind the child, and the rest of the room’s furnishings are also largely in shades of white and red with blue accents. The entire scene is painted in rough, loose brushstrokes.
  • Le Canigou, 1921

    Juan Gris

    Le Canigou
  • No title, 1970

    Eva Hesse

    [no title]
  • Street in Meknes, 1832

    Eugène Delacroix

    Street in Meknes
  • 1957-D-No. 1, 1957

    Clyfford Still

    Yellow, jagged-edged forms tear through portions of this mostly matte black canvas. The largest of these forms runs the full height of the painting near its right edge. Each of the yellow streaks includes small areas of white, which most appear in the center of the form, flanked by larger areas of yellow. Three small patches of unpainted canvas are visible near the bottom-left corner.
  • Le Panthéon et Saint-Étienne-du-Mont (The Pantheon and Saint-Étienne-du-Mont), ca. 1903-1906

    Raoul Dufy

    A large building topped by a dome held aloft by classical pillars dominates this brightly lit city scene. The building extends from the right edge of the canvas. On the left, a clear blue skills fills the area above a church with a large bell tower and a section of yellow cobblestones partially filled by a number of pedestrians.
  • Portrait de Mlle Rose Caron (Portrait of Rose Caron), ca. 1892

    Edgar Degas

    A woman wearing a low-cut pink evening dress and elbow-length gloves sits at the center of this horizontally oriented painting. What appears to be a multicolored furred or feathered garment rests on the back of her red chair. Her face, oriented left, is largely obscured by shadow. She clutches a folded fan in her right hand and adjusts the top of her left hand. The entire scene is loosely painted in a palette dominated by dark greens and yellows.
  • Une Laveuse au Quai d'Anjou (Laundress on the Quai d'Anjou), ca. 1860

    Honoré Daumier

    Une Laveuse au Quai d'Anjou (Laundress on the Quai d'Anjou)
  • Return of the Prodigal Son, 1967

    Romare Howard Bearden

    Fragments of printed images are collaged together and supplemented with areas of paint to shape the three figures that dominate this composition. The face of the left-most figure is the best defined; he stares back at the viewer, and his lips are twisted upward in a wry grin. With his left arm, he pulls the shorter figure at center toward him in an embrace. From the right edge of the canvas, a third figure appears in profile carrying a candle lamp.

Related People

  • Charles Csuri
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