Around 2011, Deborah Roberts began experimenting with collage, pairing photographs and material from magazines with hand-drawn and painted additions to create her powerful portraits of African American girls—and, more recently, boys.
In works such as That One and The Front Lines, Roberts aims to share her subjects’ “vulnerability, strength, and beauty” in the face of the joys and challenges of growing up as a person of color in the United States today. “By putting together different faces as one face,” she has explained, “it forces the viewer to look at that one face. Once you find that face, you find the humanity” that connects us all.