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    Cornelia

    The Buffalo AKG offers fast-casual and full-service dining experiences at Cornelia in the Knox Building. The menu at Cornelia places an artful spin on classic dishes. Enjoy morning pastries with tea, coffee, or espresso drinks; stop in for fresh lunch offerings; or make reservations for Friday night or Sunday brunch service.

     
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    Join us for a very special Art Alive on Saturday, October 10, 2026, as we celebrate 30 years of one of the Buffalo AKG’s most beloved traditions! More than $4,000 in prizes will be awarded to the creators of the winning tableaux and edible art entries. Submissions close on September 10. 

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    Check out our ongoing Adult, Clay, and Kids' Classes! Students of all levels of experience are invited to get creative at the Buffalo AKG.

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  • Visit

    Visit

    • Plan Your Visit
    • Hours & Admission
    • Directions & Parking
    • Codes of Conduct
    • Group Experiences
    • Accessibility
    • Shop
    • Dining
    • Frequently Asked Questions

    Cornelia

    The Buffalo AKG offers fast-casual and full-service dining experiences at Cornelia in the Knox Building. The menu at Cornelia places an artful spin on classic dishes. Enjoy morning pastries with tea, coffee, or espresso drinks; stop in for fresh lunch offerings; or make reservations for Friday night or Sunday brunch service.

     
  • Art

    Art

    • Exhibitions
    • Collection
    • Search the Collection
    • Public Art
    • Nordic Art and Culture Initiative
    • Publications

    Let Us Gather in a Flourishing Way

    Through September 6, 2026
    Jeffrey E. Gundlach Building

  • Events

    Events

    • Find an Event
    • M&T FIRST FRIDAYS
    • Music at the AKG
    • Public Tours
    • After Hours

    Submit to Art Alive!

    Join us for a very special Art Alive on Saturday, October 10, 2026, as we celebrate 30 years of one of the Buffalo AKG’s most beloved traditions! More than $4,000 in prizes will be awarded to the creators of the winning tableaux and edible art entries. Submissions close on September 10. 

  • Learn & Create

    Learn & Create

    • Studio Art Classes
    • Creative Commons
    • Blog
    • Free Digital Guide
    • Art’scool: School Tours
    • Lesson Plans
    • Resources for Educators

    Studio Art Classes

    Check out our ongoing Adult, Clay, and Kids' Classes! Students of all levels of experience are invited to get creative at the Buffalo AKG.

  • Entertain

    Entertain

    • Entertain at the Buffalo AKG
    • Book Your Birthday Party
    • Book the Art Truck
    • Book a Photography Session
    • Catering at Cornelia

    Entertain at the AKG

    The Buffalo AKG Art Museum provides an unparalleled setting for your special event. With one of the foremost collections of modern and contemporary art in the world, the museum offers exclusive opportunities for you and your guests. 

  • Support

    Support

    • Membership
    • Make a Donation
    • Museum Day Pass Donations
    • Corporate Support
    • Annual Fundraising Events
    • Travel with Us
    • Volunteer
    • Our Supporters

    “Lock in” Your Membership Price!

    Membership prices are increasing in July 2026, and now is your chance to renew and save! “Lock in” your membership at the current rate by renewing or upgrading for two full years before prices increase!

  • About

    About

    • Vision & Mission
    • Our Collections
    • Our Campus
    • Our History
    • Our Team
    • Annual Reports
    • 2016–2026 Strategic Plan
    • Building the Buffalo AKG Art Museum

    Campus History Timeline

    Trace the evolution of the museum’s campus, from groundbreaking for our first building in 1900 to the opening of the Buffalo AKG Art Museum in 2023.

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  4. Art Gallery of Ontario poster

Breadcrumbs

  1. Home
  2. Art
    • Exhibitions
    • Collection
    • Search the Collection
    • Public Art
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  4. Art Gallery of Ontario poster

Henry Moore

British, 1898-1986

No image available,
but we're working on it

Art Gallery of Ontario poster, 1974

Artwork Details

Materials

exhibition poster

Collection Buffalo AKG Art Museum

Credit

Gift of Seymour H. Knox, Jr., 1976

Accession ID

UNNUMBERED-33

Object Classifications:

Information forms

Work Type:

Poster

Information may change due to ongoing research. Glossary of Terms

Other Works by This Artist

  • Reclining Figure with Pink Rocks, 1942

    Henry Moore

    Reclining Figure with Pink Rocks
  • Reclining Figure, 1935-1936

    Henry Moore

    This wooden sculpture could abstractly resemble a reclining female body. The dark brown wood is polished to reveal the wood grain and knots throughout the form. The figure’s legs seem to be gently bent, and she appears to be resting on her elbows, with her head propped upright. The artist left the torso as an empty space, allowing viewers to see through the sculpture.
  • Six Reclining Figures, 1963

    Henry Moore

    Six Reclining Figures
  • Two Figures, 1949

    Henry Moore

    Two Figures
  • Reclining Figure: Holes, 1975

    Henry Moore

    Reclining Figure: Holes
  • Maquette for "Hill Arches", 1972

    Henry Moore

    Maquette for Hill Arches
  • Two-Piece Reclining Figure No. 4, 1961

    Henry Moore

    Two-Piece Reclining Figure No. 4
  • Reclining Figure No. 1, 1959

    Henry Moore

    Reclining Figure No. 1
  • Internal and External Forms, 1953-1954

    Henry Moore

    Internal and External Forms
  • Mother and Child, 1959

    Henry Moore

    No image available,
    but we’re working on it

  • Oval with Points, 1968

    Henry Moore

    No image available,
    but we’re working on it

Collection Highlights

All Collection Highlights
  • Civil Tapestry 5, 2012

    Theaster Gates

    This large-scale wall-mounted sculpture features forty-one sections of fire hose of equal size laid vertically side-by-side. From left to right, the sections of fire hose progressively appear more worn. The dominant color of the fabric gradually transitions from yellow to tones of gray. Some sections of the fire hose are stamped with black letters spelling out the original manufacturer specifications.
  • Figure Study, 1911

    Max Weber

    Figure Study
  • Boys cutting through a hedge, 2003

    Jeff Wall

    Just left of this image’s center, the small figures of two young men emerge from a gap in the largely dead hedge with patches of ivy growing around a chain-link fence that spans across the center of this image beneath an ominously clouded sky. The neatly trimmed grass, sunken headstones, and flower arrangements in the foreground suggest that these men are entering a cemetery.
  • Infvitabile Fatvm, 1994

    Leon Golub

    Much of this canvas, especially the top portion, is covered in rough patches of thinly applied black and red paint. A white mark extending from the top of the canvas divides it roughly in half; the black paint appears on the left side and the red on the right. This white mark also bisects the work’s title as inscribed in white paint along the top edge. The torso of a man, who appears to be suspended by his upstretched arms, appears in the bottom left.
  • New York Waterfront, 1938

    Stuart Davis

    Abstract shapes filled with solid areas of red, blue, white, and black paint float in a loosely linked cluster in the middle of this small beige canvas. Many of the shapes loosely resemble buildings, including a red structure with blue windows and tall black smokestacks at center, which sits beneath a white rectangle featuring the letters L and R in blue. A white shape with red edges at bottom resembles at boat while a patch of blue at bottom left may suggest water.
  • Corazón de roca con sangre (Heart of Rock with Blood), 1975

    Ana Mendieta

    First of two images. Still from a video of the artist naked on the banks of a river, which is just visible in the upper-right corner of the image. She kneels on the leaf-covered ground, staring at the silhouette of a female figure dug into the earth in shallow relief.
  • Painting No. 46, 1914-1915

    Marsden Hartley

    Diverse abstract patterns layer atop one another and a black background to fill much of this painting. Slightly below the center of the painting is a circle with a red center with white and black rings. Above this curves a red arc with two parallel, irregular white lines that spans nearly the entire width of the painting. Behind these elements are smaller sections of checked and ribbon-like patterns.
  • Portrait (R. Eisch), 1999

    Thomas Ruff

    The head and shoulders of a white adult male with short brunette hair, blue eyes, and a reddish-brown goatee beard and moustache fill the majority of this large-scale color photograph. He wears a pale blue button-up shirt with a collar; the top-most button is left open. Minute details in the figure’s skin and shadows on the fabric are captured by the camera lens.
  • Dream Displacement, 1976

    Paul Sharits

    Dream Displacement

Related People

  • Henry Moore
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