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    Cornelia

    The Buffalo AKG offers fast-casual and full-service dining experiences at Cornelia in the Knox Building. The menu at Cornelia places an artful spin on classic dishes. Enjoy morning pastries with tea, coffee, or espresso drinks; stop in for fresh lunch offerings; or make reservations for Friday night or Sunday brunch service.

     
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    Drag Brunch for Dinner

    Celebrate Pride month at the Buffalo AKG with Drag Brunch for Dinner on Saturday, June 27, from 6:30 to 11 pm! Tickets will include a star-studded show featuring local drag performers, a delicious brunch buffet, and a free first mimosa.


     

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    Check out our ongoing Adult, Clay, and Kids' Classes! Students of all levels of experience are invited to get creative at the Buffalo AKG.

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Home
  • Visit

    Visit

    • Plan Your Visit
    • Hours & Admission
    • Directions & Parking
    • Codes of Conduct
    • Group Experiences
    • Accessibility
    • Shop
    • Dining
    • Frequently Asked Questions

    Cornelia

    The Buffalo AKG offers fast-casual and full-service dining experiences at Cornelia in the Knox Building. The menu at Cornelia places an artful spin on classic dishes. Enjoy morning pastries with tea, coffee, or espresso drinks; stop in for fresh lunch offerings; or make reservations for Friday night or Sunday brunch service.

     
  • Art

    Art

    • Exhibitions
    • Collection
    • Search the Collection
    • Public Art
    • Nordic Art and Culture Initiative
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    Let Us Gather in a Flourishing Way

    Through September 6, 2026
    Jeffrey E. Gundlach Building

  • Events

    Events

    • Find an Event
    • M&T FIRST FRIDAYS
    • Music at the AKG
    • Public Tours
    • After Hours

    Drag Brunch for Dinner

    Celebrate Pride month at the Buffalo AKG with Drag Brunch for Dinner on Saturday, June 27, from 6:30 to 11 pm! Tickets will include a star-studded show featuring local drag performers, a delicious brunch buffet, and a free first mimosa.


     

  • Learn & Create

    Learn & Create

    • Studio Art Classes
    • Creative Commons
    • Blog
    • Free Digital Guide
    • Art’scool: School Tours
    • Lesson Plans
    • Resources for Educators

    Studio Art Classes

    Check out our ongoing Adult, Clay, and Kids' Classes! Students of all levels of experience are invited to get creative at the Buffalo AKG.

  • Entertain

    Entertain

    • Entertain at the Buffalo AKG
    • Book Your Birthday Party
    • Book the Art Truck
    • Book a Photography Session
    • Catering at Cornelia

    Entertain at the AKG

    The Buffalo AKG Art Museum provides an unparalleled setting for your special event. With one of the foremost collections of modern and contemporary art in the world, the museum offers exclusive opportunities for you and your guests. 

  • Support

    Support

    • Membership
    • Make a Donation
    • Museum Day Pass Donations
    • Corporate Support
    • Annual Fundraising Events
    • Travel with Us
    • Volunteer
    • Our Supporters

    “Lock in” Your Membership Price!

    Membership prices are increasing in July 2026, and now is your chance to renew and save! “Lock in” your membership at the current rate by renewing or upgrading for two full years before prices increase!

  • About

    About

    • Vision & Mission
    • Our Collections
    • Our Campus
    • Our History
    • Our Team
    • Annual Reports
    • 2016–2026 Strategic Plan
    • Building the Buffalo AKG Art Museum

    Campus History Timeline

    Trace the evolution of the museum’s campus, from groundbreaking for our first building in 1900 to the opening of the Buffalo AKG Art Museum in 2023.

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  4. Art Gallery of Ontario poster

Breadcrumbs

  1. Home
  2. Art
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    • Search the Collection
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  4. Art Gallery of Ontario poster

Henry Moore

British, 1898-1986

No image available,
but we're working on it

Art Gallery of Ontario poster, 1974

Artwork Details

Materials

exhibition poster

Collection Buffalo AKG Art Museum

Credit

Gift of Seymour H. Knox, Jr., 1976

Accession ID

UNNUMBERED-33

Object Classifications:

Information forms

Work Type:

Poster

Information may change due to ongoing research. Glossary of Terms

Other Works by This Artist

  • Reclining Figure with Pink Rocks, 1942

    Henry Moore

    Reclining Figure with Pink Rocks
  • Reclining Figure, 1935-1936

    Henry Moore

    This wooden sculpture could abstractly resemble a reclining female body. The dark brown wood is polished to reveal the wood grain and knots throughout the form. The figure’s legs seem to be gently bent, and she appears to be resting on her elbows, with her head propped upright. The artist left the torso as an empty space, allowing viewers to see through the sculpture.
  • Six Reclining Figures, 1963

    Henry Moore

    Six Reclining Figures
  • Two Figures, 1949

    Henry Moore

    Two Figures
  • Reclining Figure: Holes, 1975

    Henry Moore

    Reclining Figure: Holes
  • Maquette for "Hill Arches", 1972

    Henry Moore

    Maquette for Hill Arches
  • Two-Piece Reclining Figure No. 4, 1961

    Henry Moore

    Two-Piece Reclining Figure No. 4
  • Reclining Figure No. 1, 1959

    Henry Moore

    Reclining Figure No. 1
  • Internal and External Forms, 1953-1954

    Henry Moore

    Internal and External Forms
  • Oval with Points, 1968

    Henry Moore

    No image available,
    but we’re working on it

  • Mother and Child, 1959

    Henry Moore

    No image available,
    but we’re working on it

Collection Highlights

All Collection Highlights
  • The Marina Piccola, Capri, 1859

    Albert Bierstadt

    The Marina Piccola, Capri
  • Untitled, 1986

    Olivier Mosset

    This large, horizontally oriented abstract painting is visually divided into two square portions. On the left, alternating red and purple stripes of the same width span the height of the canvas. On the right, stripes of the same color and size run horizontally from the right edge to the painting’s overall center. The lines formed by the stripes are very straight and even.
  • Dialogue I, 1960

    Adolph Gottlieb

    A rectangular white canvas sits horizontally. In the top-right corner, there is a large black circle; a large red circle of roughly equal size is adjacent to the black dot, toward the center of the canvas. Beneath these dots are energetic and erratic swirls of black paint with splatter and drips on their edges.
  • Wild Indigo, 1967

    Kenneth Noland

    Twenty-eight stripes of different colors and widths run the width of this horizontally oriented painting. The very clearly defined bands are separated by pencil-thin stripes of unpainted canvas. While the colors used vary, they are mostly distinct hues of red, green, and blue.
  • Synchromy in Orange: To Form, 1913-1914

    Morgan Russell

    A vibrant array of colorful geometric forms abut and overlap one another in the abstract kaleidoscopic patterning that covers this large, vertically oriented canvas. The colors range from red, blue, green, and orange, to pink, black, maroon, and white. A thin red painted line separates the bulk of the composition from a border of red, yellow, blue, and green rectangles alternating with white.
  • Orange and Yellow, 1956

    Mark Rothko

    Two hazily painted rectangles, one yellow and the second a burnt orange, float against an orange creamsicle colored background, which is visible along the margins of the canvas and in a strip separating the two rectangles. The yellow rectangle is smaller, extending about a third of the way down from the top of the canvas. The burnt orange rectangle fills much of the bottom two thirds of the canvas.
  • Convergence, 1952

    Jackson Pollock

    Artist Jackson Pollock dripped, poured, and splattered black, white, red, yellow, and blue oil paint across the entire surface of this large-scale, horizontally oriented canvas. The colors are visible as separate, overlapping and convey a sense of motion and energy; no single color dominates.
  • State, 1978

    Robert Ryman

    State
  • Flood, 2007

    Barnaby Furnas

    Long, thick, horizontal strokes of paint ranging in hue from black to bright magenta span the pale blue background of this abstract painting. In the upper right corner, the background emerges behind a light spray and thin drips of red paint. A faint white vertical line, like a narrow beam of light, stretches from the center of the canvas’s top toward the bottom but is quickly subsumed under the horizontal strokes.

Related People

  • Henry Moore
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