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    Cornelia

    The Buffalo AKG offers fast-casual and full-service dining experiences at Cornelia in the Knox Building. The menu at Cornelia places an artful spin on classic dishes. Enjoy morning pastries with tea, coffee, or espresso drinks; stop in for fresh lunch offerings; or make reservations for Friday night or Sunday brunch service.

     
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    Members' Preview of "Ragnar Kjartansson: Politics of the Obvious"

    Join us for the Members' Preview of Ragnar Kjartansson: Politics of the Obvious on Thursday, September 3, 2026, from 4 to 7 pm, in the Gundlach Building! 

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    Check out our ongoing Adult, Clay, and Kids' Classes! Students of all levels of experience are invited to get creative at the Buffalo AKG.

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    The Buffalo AKG Art Museum provides an unparalleled setting for your special event. With one of the foremost collections of modern and contemporary art in the world, the museum offers exclusive opportunities for you and your guests. 

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Home
  • Visit

    Visit

    • Plan Your Visit
    • Hours & Admission
    • Directions & Parking
    • Codes of Conduct
    • Group Experiences
    • Accessibility
    • Shop
    • Dining
    • Frequently Asked Questions

    Cornelia

    The Buffalo AKG offers fast-casual and full-service dining experiences at Cornelia in the Knox Building. The menu at Cornelia places an artful spin on classic dishes. Enjoy morning pastries with tea, coffee, or espresso drinks; stop in for fresh lunch offerings; or make reservations for Friday night or Sunday brunch service.

     
  • Art

    Art

    • Exhibitions
    • Collection
    • Search the Collection
    • Public Art
    • Nordic Art and Culture Initiative
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    Let Us Gather in a Flourishing Way

    Through September 6, 2026
    Jeffrey E. Gundlach Building

  • Events

    Events

    • Find an Event
    • M&T FIRST FRIDAYS
    • Music at the AKG
    • Public Tours
    • After Hours

    Members' Preview of "Ragnar Kjartansson: Politics of the Obvious"

    Join us for the Members' Preview of Ragnar Kjartansson: Politics of the Obvious on Thursday, September 3, 2026, from 4 to 7 pm, in the Gundlach Building! 

  • Learn & Create

    Learn & Create

    • Studio Art Classes
    • Creative Commons
    • Blog
    • Free Digital Guide
    • Art’scool: School Tours
    • Lesson Plans
    • Resources for Educators

    Studio Art Classes

    Check out our ongoing Adult, Clay, and Kids' Classes! Students of all levels of experience are invited to get creative at the Buffalo AKG.

  • Entertain

    Entertain

    • Entertain at the Buffalo AKG
    • Book Your Birthday Party
    • Book the Art Truck
    • Book a Photography Session
    • Catering at Cornelia

    Entertain at the AKG

    The Buffalo AKG Art Museum provides an unparalleled setting for your special event. With one of the foremost collections of modern and contemporary art in the world, the museum offers exclusive opportunities for you and your guests. 

  • Support

    Support

    • Membership
    • Make a Donation
    • Museum Day Pass Donations
    • Corporate Support
    • Annual Fundraising Events
    • Travel with Us
    • Volunteer
    • Our Supporters

    Become a Member Today!

    Become a member at the Buffalo AKG and enjoy a year of unlimited free admission, exclusive invitations to exhibition previews and members-only events, discounts on dining, retail, classes, and so much more! 

  • About

    About

    • Vision & Mission
    • Our Collections
    • Our Campus
    • Our History
    • Our Team
    • Annual Reports
    • 2016–2026 Strategic Plan
    • Building the Buffalo AKG Art Museum

    Campus History Timeline

    Trace the evolution of the museum’s campus, from groundbreaking for our first building in 1900 to the opening of the Buffalo AKG Art Museum in 2023.

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  4. Art Gallery of Ontario poster

Breadcrumbs

  1. Home
  2. Art
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    • Search the Collection
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  3. Collection
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  4. Art Gallery of Ontario poster

Henry Moore

British, 1898-1986

No image available,
but we're working on it

Art Gallery of Ontario poster, 1974

Artwork Details

Materials

exhibition poster

Collection Buffalo AKG Art Museum

Credit

Gift of Seymour H. Knox, Jr., 1976

Accession ID

UNNUMBERED-33

Object Classifications:

Information forms

Work Type:

Poster

Information may change due to ongoing research. Glossary of Terms

Other Works by This Artist

  • Reclining Figure with Pink Rocks, 1942

    Henry Moore

    Reclining Figure with Pink Rocks
  • Reclining Figure, 1935-1936

    Henry Moore

    This wooden sculpture could abstractly resemble a reclining female body. The dark brown wood is polished to reveal the wood grain and knots throughout the form. The figure’s legs seem to be gently bent, and she appears to be resting on her elbows, with her head propped upright. The artist left the torso as an empty space, allowing viewers to see through the sculpture.
  • Six Reclining Figures, 1963

    Henry Moore

    Six Reclining Figures
  • Two Figures, 1949

    Henry Moore

    Two Figures
  • Reclining Figure: Holes, 1975

    Henry Moore

    Reclining Figure: Holes
  • Maquette for "Hill Arches", 1972

    Henry Moore

    Maquette for Hill Arches
  • Two-Piece Reclining Figure No. 4, 1961

    Henry Moore

    Two-Piece Reclining Figure No. 4
  • Reclining Figure No. 1, 1959

    Henry Moore

    Reclining Figure No. 1
  • Internal and External Forms, 1953-1954

    Henry Moore

    Internal and External Forms
  • Oval with Points, 1968

    Henry Moore

    No image available,
    but we’re working on it

  • Mother and Child, 1959

    Henry Moore

    No image available,
    but we’re working on it

Collection Highlights

All Collection Highlights
  • Baby Girl, 1963

    Marisol

    Baby Girl
  • Milkweed, 1955

    Lee Krasner

    This vertically oriented canvas seems to contain three layers. Softly defined rectangles in shades of mottled green, white, and cream form the background. Six large, amorphous black shapes with ragged edges rest on top. Finally, three cream-colored slivers extend vertically from the base of painting on its right side. Near the top and to the left of these forms, three small orange shapes peep out from background.
  • Composition No. 11, 1940-42--LONDON, with Blue, Red and Yellow, 1940-1942

    Piet Mondrian

    Composition No. 11, 1940-42--LONDON, with Blue, Red and Yellow
  • Still Life #20, 1962

    Tom Wesselmann

    Still Life #20
  • Ace, 1962

    Robert Rauschenberg

    Ace
  • 100 Cans, 1962

    Andy Warhol

    The front-facing, red, gold, and white labels of one hundred cans of Campbell’s Condensed Beef Noodle Soup fill this vertically oriented canvas. The cans are organized in a tight grid of ten rows and ten columns. The bottoms of the last row of cans are cut off so that only the upper halves of these cans are visible.
  • New York, N.Y., 1953

    Franz Kline

    An abstract arrangement of broad black brushstrokes appears against a mostly solid white background. One stroke extends from the top to bottom of the painting along its right edge and another two of similar length appear near the left edge. Other, shorter strokes extend horizontally and diagonally among these vertical elements. The black lines could resemble in outline the type of buildings and bridges that populate New York City’s skyline.
  • Portrait de Mlle Rose Caron (Portrait of Rose Caron), ca. 1892

    Edgar Degas

    A woman wearing a low-cut pink evening dress and elbow-length gloves sits at the center of this horizontally oriented painting. What appears to be a multicolored furred or feathered garment rests on the back of her red chair. Her face, oriented left, is largely obscured by shadow. She clutches a folded fan in her right hand and adjusts the top of her left hand. The entire scene is loosely painted in a palette dominated by dark greens and yellows.
  • Karma, 2010

    Do Ho Suh

    Against the white marbled columned exterior of the museum, a life-size muscular male nude, his arms hanging down on either side of his body, stands upright on a metal base. Sitting on his shoulders are a series of identical male nudes squatting one on top of the another, each one smaller than the one below. Each figure holds his hands over the eyes of the figure beneath him.

Related People

  • Henry Moore
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