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    BABEL-Inspired Tours

    In collaboration with Just Buffalo Literary Center, the AKG is offering sixty-minute, docent-led public tours based on themes from the acclaimed BABEL author talk series and the related books.

     
  • Art

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    Let Us Gather in a Flourishing Way

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    • M&T FIRST FRIDAYS
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    Rockin' at the AKG: DEVO

    Get ready to whip your summer into shape! On June 6, 2026, Rockin’ returns with the genre-defying sound of art-rock pioneers DEVO. Tickets are on sale now!


     

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    • Book Your Birthday Party
    • Book the Art Truck
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    Entertain at the AKG

    The Buffalo AKG Art Museum provides an unparalleled setting for your special event. With one of the foremost collections of modern and contemporary art in the world, the museum offers exclusive opportunities for you and your guests. 

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    Membership prices are increasing in July 2026, and now is your chance to renew and save! “Lock in” your membership at the current rate by renewing or upgrading for two full years before prices increase!

  • About

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    Trace the evolution of the museum’s campus, from groundbreaking for our first building in 1900 to the opening of the Buffalo AKG Art Museum in 2023.

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  4. Art Gallery of Ontario poster

Breadcrumbs

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  2. Art
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  4. Art Gallery of Ontario poster

Henry Moore

British, 1898-1986

No image available,
but we're working on it

Art Gallery of Ontario poster, 1974

Artwork Details

Materials

exhibition poster

Collection Buffalo AKG Art Museum

Credit

Gift of Seymour H. Knox, Jr., 1976

Accession ID

UNNUMBERED-33

Object Classifications:

Information forms

Work Type:

Poster

Information may change due to ongoing research. Glossary of Terms

Other Works by This Artist

  • Reclining Figure with Pink Rocks, 1942

    Henry Moore

    Reclining Figure with Pink Rocks
  • Reclining Figure, 1935-1936

    Henry Moore

    This wooden sculpture could abstractly resemble a reclining female body. The dark brown wood is polished to reveal the wood grain and knots throughout the form. The figure’s legs seem to be gently bent, and she appears to be resting on her elbows, with her head propped upright. The artist left the torso as an empty space, allowing viewers to see through the sculpture.
  • Six Reclining Figures, 1963

    Henry Moore

    Six Reclining Figures
  • Two Figures, 1949

    Henry Moore

    Two Figures
  • Reclining Figure: Holes, 1975

    Henry Moore

    Reclining Figure: Holes
  • Maquette for "Hill Arches", 1972

    Henry Moore

    Maquette for Hill Arches
  • Two-Piece Reclining Figure No. 4, 1961

    Henry Moore

    Two-Piece Reclining Figure No. 4
  • Reclining Figure No. 1, 1959

    Henry Moore

    Reclining Figure No. 1
  • Internal and External Forms, 1953-1954

    Henry Moore

    Internal and External Forms
  • Mother and Child, 1959

    Henry Moore

    No image available,
    but we’re working on it

  • Oval with Points, 1968

    Henry Moore

    No image available,
    but we’re working on it

Collection Highlights

All Collection Highlights
  • Return of the Prodigal Son, 1967

    Romare Howard Bearden

    Fragments of printed images are collaged together and supplemented with areas of paint to shape the three figures that dominate this composition. The face of the left-most figure is the best defined; he stares back at the viewer, and his lips are twisted upward in a wry grin. With his left arm, he pulls the shorter figure at center toward him in an embrace. From the right edge of the canvas, a third figure appears in profile carrying a candle lamp.
  • Kitty Hawk, 1983

    Richard Serra

    Kitty Hawk
  • Secrets and Lies, 2009

    Gillian Wearing

    The three stills from this video work feature, from left to right: a figure wearing a mask with the features of a Caucasian woman, a shoulder-length blonde wig, and a denim shirt; a figure wearing a green-gray, gargoyle-like mask and a black tuxedo jacket and bowtie over a white shirt; and a figure wearing a mask with the features of an older Caucasian woman, a short brown wig, and a light blue, quarter-zip fleece.
  • Ace, 1962

    Robert Rauschenberg

    Ace
  • Nomad, 1963

    James Rosenquist

    What appears to be a collage of unrelated images from advertisements and everyday photographs fills the surface of this large-scale horizontally oriented painting. A massive bowl of spaghetti and meatballs in the bottom right, a gray picnic table slightly above center, and three ballerina legs paired with the words NEW and Oxy at bottom left. A paint-splatted plastic bag tied at the bottom is suspended from the top-left corner of the canvas; a pile of paint-splattered wood scraps lies on the floor below.
  • Corazón de roca con sangre (Heart of Rock with Blood), 1975

    Ana Mendieta

    First of two images. Still from a video of the artist naked on the banks of a river, which is just visible in the upper-right corner of the image. She kneels on the leaf-covered ground, staring at the silhouette of a female figure dug into the earth in shallow relief.
  • Limit of the Twilight, 1991

    Roni Horn

    The phrase “49 MILES” in yellow block letters, tilted slightly as if set in italics, fills the polished aluminum surface of this sculpture facing the viewer. Additional stripes of yellow extend from where these numbers and letters touch the left and top edges of the sculpture’s front surface across its left and top surfaces. Overall, the sculpture takes the form of a rectangular cube whose depth and width are equal to one another and considerably smaller than its length. It is shown installed on the floor.
  • Abstraktes Bild (Abstract Painting), 1977

    Gerhard Richter

    Three light-colored abstract forms, resembling zoomed-in and blurry details of paint strokes, stand out against this painting’s dark brown and green background. One thin stripe extends the height of the canvas; it is white at top and gradually gradates to red at the bottom. A second, thicker stripe in gray topped with white extends from the center of the right edge and appears to overlap the vertical stripe. The end of a third stripe, similar in shape and color to the second stipe, appears in the upper-left
  • Dialogue I, 1960

    Adolph Gottlieb

    A rectangular white canvas sits horizontally. In the top-right corner, there is a large black circle; a large red circle of roughly equal size is adjacent to the black dot, toward the center of the canvas. Beneath these dots are energetic and erratic swirls of black paint with splatter and drips on their edges.

Related People

  • Henry Moore
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