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    Cornelia

    The Buffalo AKG offers fast-casual and full-service dining experiences at Cornelia in the Knox Building. The menu at Cornelia places an artful spin on classic dishes. Enjoy morning pastries with tea, coffee, or espresso drinks; stop in for fresh lunch offerings; or make reservations for Friday night or Sunday brunch service.

     
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    Drag Brunch for Dinner

    Celebrate Pride month at the Buffalo AKG with Drag Brunch for Dinner on Saturday, June 27, from 6:30 to 11 pm! Tickets will include a star-studded show featuring local drag performers, a delicious brunch buffet, and a free first mimosa.


     

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    Check out our ongoing Adult, Clay, and Kids' Classes! Students of all levels of experience are invited to get creative at the Buffalo AKG.

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    The Buffalo AKG Art Museum provides an unparalleled setting for your special event. With one of the foremost collections of modern and contemporary art in the world, the museum offers exclusive opportunities for you and your guests. 

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Home
  • Visit

    Visit

    • Plan Your Visit
    • Hours & Admission
    • Directions & Parking
    • Codes of Conduct
    • Group Experiences
    • Accessibility
    • Shop
    • Dining
    • Frequently Asked Questions

    Cornelia

    The Buffalo AKG offers fast-casual and full-service dining experiences at Cornelia in the Knox Building. The menu at Cornelia places an artful spin on classic dishes. Enjoy morning pastries with tea, coffee, or espresso drinks; stop in for fresh lunch offerings; or make reservations for Friday night or Sunday brunch service.

     
  • Art

    Art

    • Exhibitions
    • Collection
    • Search the Collection
    • Public Art
    • Nordic Art and Culture Initiative
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    Let Us Gather in a Flourishing Way

    Through September 6, 2026
    Jeffrey E. Gundlach Building

  • Events

    Events

    • Find an Event
    • M&T FIRST FRIDAYS
    • Music at the AKG
    • Public Tours
    • After Hours

    Drag Brunch for Dinner

    Celebrate Pride month at the Buffalo AKG with Drag Brunch for Dinner on Saturday, June 27, from 6:30 to 11 pm! Tickets will include a star-studded show featuring local drag performers, a delicious brunch buffet, and a free first mimosa.


     

  • Learn & Create

    Learn & Create

    • Studio Art Classes
    • Creative Commons
    • Blog
    • Free Digital Guide
    • Art’scool: School Tours
    • Lesson Plans
    • Resources for Educators

    Studio Art Classes

    Check out our ongoing Adult, Clay, and Kids' Classes! Students of all levels of experience are invited to get creative at the Buffalo AKG.

  • Entertain

    Entertain

    • Entertain at the Buffalo AKG
    • Book Your Birthday Party
    • Book the Art Truck
    • Book a Photography Session
    • Catering at Cornelia

    Entertain at the AKG

    The Buffalo AKG Art Museum provides an unparalleled setting for your special event. With one of the foremost collections of modern and contemporary art in the world, the museum offers exclusive opportunities for you and your guests. 

  • Support

    Support

    • Membership
    • Make a Donation
    • Museum Day Pass Donations
    • Corporate Support
    • Annual Fundraising Events
    • Travel with Us
    • Volunteer
    • Our Supporters

    “Lock in” Your Membership Price!

    Membership prices are increasing in July 2026, and now is your chance to renew and save! “Lock in” your membership at the current rate by renewing or upgrading for two full years before prices increase!

  • About

    About

    • Vision & Mission
    • Our Collections
    • Our Campus
    • Our History
    • Our Team
    • Annual Reports
    • 2016–2026 Strategic Plan
    • Building the Buffalo AKG Art Museum

    Campus History Timeline

    Trace the evolution of the museum’s campus, from groundbreaking for our first building in 1900 to the opening of the Buffalo AKG Art Museum in 2023.

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  4. Art Gallery of Ontario poster

Breadcrumbs

  1. Home
  2. Art
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    • Collection
    • Search the Collection
    • Public Art
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    • Publications
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  4. Art Gallery of Ontario poster

Henry Moore

British, 1898-1986

No image available,
but we're working on it

Art Gallery of Ontario poster, 1974

Artwork Details

Materials

exhibition poster

Collection Buffalo AKG Art Museum

Credit

Gift of Seymour H. Knox, Jr., 1976

Accession ID

UNNUMBERED-33

Object Classifications:

Information forms

Work Type:

Poster

Information may change due to ongoing research. Glossary of Terms

Other Works by This Artist

  • Reclining Figure with Pink Rocks, 1942

    Henry Moore

    Reclining Figure with Pink Rocks
  • Reclining Figure, 1935-1936

    Henry Moore

    This wooden sculpture could abstractly resemble a reclining female body. The dark brown wood is polished to reveal the wood grain and knots throughout the form. The figure’s legs seem to be gently bent, and she appears to be resting on her elbows, with her head propped upright. The artist left the torso as an empty space, allowing viewers to see through the sculpture.
  • Six Reclining Figures, 1963

    Henry Moore

    Six Reclining Figures
  • Two Figures, 1949

    Henry Moore

    Two Figures
  • Reclining Figure: Holes, 1975

    Henry Moore

    Reclining Figure: Holes
  • Maquette for "Hill Arches", 1972

    Henry Moore

    Maquette for Hill Arches
  • Two-Piece Reclining Figure No. 4, 1961

    Henry Moore

    Two-Piece Reclining Figure No. 4
  • Reclining Figure No. 1, 1959

    Henry Moore

    Reclining Figure No. 1
  • Internal and External Forms, 1953-1954

    Henry Moore

    Internal and External Forms
  • Oval with Points, 1968

    Henry Moore

    No image available,
    but we’re working on it

  • Mother and Child, 1959

    Henry Moore

    No image available,
    but we’re working on it

Collection Highlights

All Collection Highlights
  • Two-Tone, 1975

    Susan Rothenberg

    Two-Tone
  • Elke-Akt 2, 1976

    Georg Baselitz

    An upside-down, loosely painted image of a seated woman fill this vertically oriented painting. The woman’s face, near the bottom center of the canvas, is quite legible, but her form progressively becomes more abstract toward her feet at the upper right of the canvas. The confident, gray strokes that define her outline are filled with white and occasional rose hues; the background is also predominately white.
  • No. 15, 1952

    Ad Reinhardt

    No. 15
  • Saw and Sawed, 1969

    Neil Jenney

    A chainsaw with a long, gray rounded blade and yellow motor marked with the letter M just above its handle rests in a field of dark green brushstrokes evocative of thick grass between a section of newly cut tree trunk is lying on its side on the left and a short, brown tree stump on the right. A black border runs around the image, and the words SAW AND SAWED appear in white capital letters at bottom center.
  • Music, 1904

    Thomas Eakins

    Music
  • Les Falaises de Gréville (The Cliffs of Gréville), 1871-1872

    Jean-François Millet

    Beneath a looming mass of clouds that fills the top third of this painting, rocky cliffs extend into a calm sea painted in tones of grayish blue and green. A cluster of large gray rocks fills the foreground, and the remainder of the cliffs, dotted with additional clusters of boulders amid pale green grass, extend to fill much of the left half of the canvas. A thin line of white traces where the sea meets irregular, meandering path of the coast.
  • Jill, 1959

    Frank Stella

    A pattern of concentric, white diamond shapes fills this otherwise black canvas. The pattern extends from the paintings center at regular intervals of two and a half inches with the largest diamonds partially cut off at the work’s edges.
  • Le Vociférant (The Loud One), 1973

    Jean Dubuffet

    A number of small, irregularly shaped metal fragments are adhered together at various angles to form the contours of a vaguely humanoid figure. Each of these white fragments is heavily edged in black, and most of their interiors are filled with thin blue or red stripes; a small number of fragments are solid white, red, or blue. shape like a hand with three fingers and a thumb sticks out to the left side, midway down.
  • Light Matrix, 2005

    Leo Villareal

    Small white dots of varying brightness speckle a wall of ten panels of dark-colored glass as seen from the outside. These dots seem to fit into a matrix of horizontal and vertical rows but without a discernable pattern. This wall of windows only fills the bottom half of the image, and a sky filled with ominously dark clouds is visible above.

Related People

  • Henry Moore
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