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    Cornelia

    The Buffalo AKG offers fast-casual and full-service dining experiences at Cornelia in the Knox Building. The menu at Cornelia places an artful spin on classic dishes. Enjoy morning pastries with tea, coffee, or espresso drinks; stop in for fresh lunch offerings; or make reservations for Friday night or Sunday brunch service.

     
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    Ragnar Kjartansson: Politics of the Obvious

    Through Sunday, January 31, 2027
    Jeffrey E. Gundlach Building

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    Bewitched: Somebody’s Watching You (21+)

    Your favorite Convergence Council event at the AKG is back, and bigger than ever! Get ready to party ‘til you perish with an evening of spooky good fun at the most creative Halloween costume extravaganza in Buffalo on Saturday, October 24, 2026, from 7:30 to 11 pm! 

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    Check out our ongoing Adult, Clay, and Kids' Classes! Students of all levels of experience are invited to get creative at the Buffalo AKG.

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    The Buffalo AKG Art Museum provides an unparalleled setting for your special event. With one of the foremost collections of modern and contemporary art in the world, the museum offers exclusive opportunities for you and your guests. 

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  • Visit

    Visit

    • Plan Your Visit
    • Hours & Admission
    • Directions & Parking
    • Codes of Conduct
    • Group Experiences
    • Accessibility
    • Shop
    • Dining
    • Frequently Asked Questions

    Cornelia

    The Buffalo AKG offers fast-casual and full-service dining experiences at Cornelia in the Knox Building. The menu at Cornelia places an artful spin on classic dishes. Enjoy morning pastries with tea, coffee, or espresso drinks; stop in for fresh lunch offerings; or make reservations for Friday night or Sunday brunch service.

     
  • Art

    Art

    • Exhibitions
    • Collection
    • Search the Collection
    • Public Art
    • Nordic Art and Culture Initiative
    • Publications

    Ragnar Kjartansson: Politics of the Obvious

    Through Sunday, January 31, 2027
    Jeffrey E. Gundlach Building

  • Events

    Events

    • Find an Event
    • M&T FIRST FRIDAYS
    • Music at the AKG
    • Public Tours
    • After Hours

    Bewitched: Somebody’s Watching You (21+)

    Your favorite Convergence Council event at the AKG is back, and bigger than ever! Get ready to party ‘til you perish with an evening of spooky good fun at the most creative Halloween costume extravaganza in Buffalo on Saturday, October 24, 2026, from 7:30 to 11 pm! 

  • Learn & Create

    Learn & Create

    • Studio Art Classes
    • Creative Commons
    • Blog
    • Free Digital Guide
    • Art’scool: School Tours
    • Lesson Plans
    • Resources for Educators

    Studio Art Classes

    Check out our ongoing Adult, Clay, and Kids' Classes! Students of all levels of experience are invited to get creative at the Buffalo AKG.

  • Entertain

    Entertain

    • Entertain at the Buffalo AKG
    • Book Your Birthday Party
    • Book the Art Truck
    • Book a Photography Session
    • Catering at Cornelia

    Entertain at the AKG

    The Buffalo AKG Art Museum provides an unparalleled setting for your special event. With one of the foremost collections of modern and contemporary art in the world, the museum offers exclusive opportunities for you and your guests. 

  • Support

    Support

    • Membership
    • Make a Donation
    • Museum Day Pass Donations
    • Corporate Support
    • Annual Fundraising Events
    • Travel with Us
    • Volunteer
    • Our Supporters

    Become a Member Today!

    Become a member at the Buffalo AKG and enjoy a year of unlimited free admission, exclusive invitations to exhibition previews and members-only events, discounts on dining, retail, classes, and so much more! 

  • About

    About

    • Vision & Mission
    • Our Collections
    • Our Campus
    • Our History
    • Our Team
    • Annual Reports
    • 2016–2026 Strategic Plan
    • Building the Buffalo AKG Art Museum

    Campus History Timeline

    Trace the evolution of the museum’s campus, from groundbreaking for our first building in 1900 to the opening of the Buffalo AKG Art Museum in 2023.

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  4. Art Gallery of Ontario poster

Breadcrumbs

  1. Home
  2. Art
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    • Collection
    • Search the Collection
    • Public Art
    • Nordic Art and Culture Initiative
    • Publications
  3. Collection
    • About the Collection
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  4. Art Gallery of Ontario poster

Henry Moore

British, 1898-1986

No image available,
but we're working on it

Art Gallery of Ontario poster, 1974

Artwork Details

Materials

exhibition poster

Collection Buffalo AKG Art Museum

Credit

Gift of Seymour H. Knox, Jr., 1976

Accession ID

UNNUMBERED-33

Object Classifications:

Information forms

Work Type:

Poster

Information may change due to ongoing research. Glossary of Terms

Other Works by This Artist

  • Reclining Figure with Pink Rocks, 1942

    Henry Moore

    Reclining Figure with Pink Rocks
  • Reclining Figure, 1935-1936

    Henry Moore

    This wooden sculpture could abstractly resemble a reclining female body. The dark brown wood is polished to reveal the wood grain and knots throughout the form. The figure’s legs seem to be gently bent, and she appears to be resting on her elbows, with her head propped upright. The artist left the torso as an empty space, allowing viewers to see through the sculpture.
  • Six Reclining Figures, 1963

    Henry Moore

    Six Reclining Figures
  • Two Figures, 1949

    Henry Moore

    Two Figures
  • Reclining Figure: Holes, 1975

    Henry Moore

    Reclining Figure: Holes
  • Maquette for "Hill Arches", 1972

    Henry Moore

    Maquette for Hill Arches
  • Two-Piece Reclining Figure No. 4, 1961

    Henry Moore

    Two-Piece Reclining Figure No. 4
  • Reclining Figure No. 1, 1959

    Henry Moore

    Reclining Figure No. 1
  • Internal and External Forms, 1953-1954

    Henry Moore

    Internal and External Forms
  • Mother and Child, 1959

    Henry Moore

    No image available,
    but we’re working on it

  • Oval with Points, 1968

    Henry Moore

    No image available,
    but we’re working on it

Collection Highlights

All Collection Highlights
  • London, Large Thames View I, 1926

    Oskar Kokoschka

    London, Large Thames View I
  • Die Knieende (Kneeling Woman), 1911

    Wilhelm Lehmbruck

    Die Knieende (Kneeling Woman)
  • Year of Meteors, 1961

    Robert Indiana

    At the center of the painting is a blue, eight-pointed star against a green background within two concentric circles of stenciled, all-capitalized text on white. The circle within the smaller of these rings is green, and the background visible outside the larger of these rings is blue. The text in the smaller of these rings is blue and the text in the larger of these rings is green.
  • Untitled, 1960

    Lee Bontecou

    Untitled
  • Ocean Park No. 66, 1973

    Richard Diebenkorn

    Ocean Park No. 66
  • Child's Blue Wall, 1962

    Jim Dine

    A field of hand-painted white stars alternating with dark blue dots fills the light blue background of this nearly square canvas. Attached to the bottom-right corner is a what appears to be the base of a child’s table lamp, complete with a blocky castle and toy soldier painted in solid shades of white, blue, and red beneath a shadeless, illuminated bulb. Midway up the left edge of painting is a light switch with a blue plate and worn white switch.
  • Corazón de roca con sangre (Heart of Rock with Blood), 1975

    Ana Mendieta

    First of two images. Still from a video of the artist naked on the banks of a river, which is just visible in the upper-right corner of the image. She kneels on the leaf-covered ground, staring at the silhouette of a female figure dug into the earth in shallow relief.
  • Born, 2002

    Kiki Smith

    A life-sized nude female figure emerges head-first from the rear of a standing deer. Only her feet remain inside the animal, and the rest of her body is angled toward the floor, with her left shoulder making contact. She cranes her neck slightly to gaze back toward the deer, who has large ears and small antler nubs. The bronze surface of the sculpture is smooth and has a dark uniform patina, making it appear black.
  • Return of the Prodigal Son, 1967

    Romare Howard Bearden

    Fragments of printed images are collaged together and supplemented with areas of paint to shape the three figures that dominate this composition. The face of the left-most figure is the best defined; he stares back at the viewer, and his lips are twisted upward in a wry grin. With his left arm, he pulls the shorter figure at center toward him in an embrace. From the right edge of the canvas, a third figure appears in profile carrying a candle lamp.

Related People

  • Henry Moore
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