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    • Plan Your Visit
    • Hours & Admission
    • Directions & Parking
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    • Frequently Asked Questions

    BABEL-Inspired Tours

    In collaboration with Just Buffalo Literary Center, the AKG is offering sixty-minute, docent-led public tours based on themes from the acclaimed BABEL author talk series and the related books.

     
  • Art

    Art

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    • Search the Collection
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    Let Us Gather in a Flourishing Way

    Through September 6, 2026
    Jeffrey E. Gundlach Building

  • Events

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    • Find an Event
    • M&T FIRST FRIDAYS
    • Music at the AKG
    • Public Tours
    • After Hours

    Rockin' at the AKG: DEVO

    Get ready to whip your summer into shape! On June 6, 2026, Rockin’ returns with the genre-defying sound of art-rock pioneers DEVO. Tickets are on sale now!


     

  • Learn & Create

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    Check out our ongoing Adult, Clay, and Kids' Classes! Students of all levels of experience are invited to get creative at the Buffalo AKG.

  • Entertain

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    • Entertain at the Buffalo AKG
    • Book Your Birthday Party
    • Book the Art Truck
    • Book a Photography Session
    • Catering at Cornelia

    Entertain at the AKG

    The Buffalo AKG Art Museum provides an unparalleled setting for your special event. With one of the foremost collections of modern and contemporary art in the world, the museum offers exclusive opportunities for you and your guests. 

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    “Lock in” Your Membership Price!

    Membership prices are increasing in July 2026, and now is your chance to renew and save! “Lock in” your membership at the current rate by renewing or upgrading for two full years before prices increase!

  • About

    About

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    • Our Collections
    • Our Campus
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    • Annual Reports
    • 2016–2026 Strategic Plan
    • Building the Buffalo AKG Art Museum

    Campus History Timeline

    Trace the evolution of the museum’s campus, from groundbreaking for our first building in 1900 to the opening of the Buffalo AKG Art Museum in 2023.

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  4. Art Gallery of Ontario poster

Breadcrumbs

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  2. Art
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  4. Art Gallery of Ontario poster

Henry Moore

British, 1898-1986

No image available,
but we're working on it

Art Gallery of Ontario poster, 1974

Artwork Details

Materials

exhibition poster

Collection Buffalo AKG Art Museum

Credit

Gift of Seymour H. Knox, Jr., 1976

Accession ID

UNNUMBERED-33

Object Classifications:

Information forms

Work Type:

Poster

Information may change due to ongoing research. Glossary of Terms

Other Works by This Artist

  • Reclining Figure with Pink Rocks, 1942

    Henry Moore

    Reclining Figure with Pink Rocks
  • Reclining Figure, 1935-1936

    Henry Moore

    This wooden sculpture could abstractly resemble a reclining female body. The dark brown wood is polished to reveal the wood grain and knots throughout the form. The figure’s legs seem to be gently bent, and she appears to be resting on her elbows, with her head propped upright. The artist left the torso as an empty space, allowing viewers to see through the sculpture.
  • Six Reclining Figures, 1963

    Henry Moore

    Six Reclining Figures
  • Two Figures, 1949

    Henry Moore

    Two Figures
  • Reclining Figure: Holes, 1975

    Henry Moore

    Reclining Figure: Holes
  • Maquette for "Hill Arches", 1972

    Henry Moore

    Maquette for Hill Arches
  • Two-Piece Reclining Figure No. 4, 1961

    Henry Moore

    Two-Piece Reclining Figure No. 4
  • Reclining Figure No. 1, 1959

    Henry Moore

    Reclining Figure No. 1
  • Internal and External Forms, 1953-1954

    Henry Moore

    Internal and External Forms
  • Mother and Child, 1959

    Henry Moore

    No image available,
    but we’re working on it

  • Oval with Points, 1968

    Henry Moore

    No image available,
    but we’re working on it

Collection Highlights

All Collection Highlights
  • Elke-Akt 2, 1976

    Georg Baselitz

    An upside-down, loosely painted image of a seated woman fill this vertically oriented painting. The woman’s face, near the bottom center of the canvas, is quite legible, but her form progressively becomes more abstract toward her feet at the upper right of the canvas. The confident, gray strokes that define her outline are filled with white and occasional rose hues; the background is also predominately white.
  • Music, 1904

    Thomas Eakins

    Music
  • Round Trip, 1957

    Helen Frankenthaler

    Round Trip
  • Over the Edge, 1992

    Peter Halley

    A light gray-green square sits slightly above center and fills much of this square canvas. L shapes of varying widths in cream, burnt orange, black, and mustard yellow extend from the square into the taupe-colored margins above and to the left and right of the square. Two additional brighter yellow L shapes, one dramatically thicker than the other, extend from the square into the burgundy-colored margin below the square.
  • Civil Tapestry 5, 2012

    Theaster Gates

    This large-scale wall-mounted sculpture features forty-one sections of fire hose of equal size laid vertically side-by-side. From left to right, the sections of fire hose progressively appear more worn. The dominant color of the fabric gradually transitions from yellow to tones of gray. Some sections of the fire hose are stamped with black letters spelling out the original manufacturer specifications.
  • The Street, Fifth Avenue, 1900-1901 (printed 1903-1904)

    Alfred Stieglitz

    The Street, Fifth Avenue
  • Hotel Lobby, 1950

    Max Beckmann

    More than a dozen figures crowd this canvas. Four appear to be seated around a table in the center and the rest appear to be standing elsewhere in the room. The figures’ features are abstracted, exaggerated, and outlined with thick black lines filled with a range of shades of muted russet, turquoise, pink, and green. The black frame of what appears to be a French door interrupts the right third of the composition.
  • Other Faces, 2011

    William Kentridge

    Other Faces
  • Divisibilité indéfinie (Indefinite Divisibility), 1942

    Yves Tanguy

    Two biomorphic forms sit side by side in the foreground of this abstract, dream-like landscape. The smaller form on the left includes a gray square with red sticks emerging from its left side. Narrow gray stalks support the blue and pink shapes that make up the taller form on the right, which casts a long shadow toward the top left corner of the painting. Nine small circular discs with white sides and blue surfaces appear scattered throughout the scene.

Related People

  • Henry Moore
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