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Camille Henrot's October 2015 Horoscope is part of an ongoing series of kinetic sculptures that look at the tendency of humans to become dependent on everything from vices such as drugs, cigarettes, and alcohol to apparent virtues like bodybuilding and exercise.

Using her simple trademark linework—black ink on white surfaces—Shantell Martin transforms everything from walls to found objects, ceramics, toys, sneakers, and even the faces and bodies of participants and passersby into a signature visual narrative.

This exhibition of a work in progress by Tamar Guimarães and Kasper Akhøj focuses on the artists’ research in Palmelo, a small town in Brazil where half of the town’s inhabitants see themselves as spiritual mediums while also holding day jobs as civil servants.

For his first solo museum exhibition in the United States, Jacob Kassay presents new works dispersed through the museum's galleries and transitional spaces that draw attention to the way we rationalize, navigate, and narrate our own movement through space.

Eric N. Mack’s paintings and sculptures interweave found materials, soft sculpture, wearable fashion, display devices, and expanding notions of beauty. In his first solo museum exhibition Mack presents new works that abut, but do not resolve, resplendent forms with improbable functions.

For her first solo museum exhibition, Willa Nasatir presents new photographs that capture her unique process of staging, photographing, editing, and rephotographing within elaborate sculptural landscapes of her own creation. 

In Menagerie: Animals on View, creatures—furred and feathered—are featured as agents of storytelling, humorous personifications, and echoes of the human spirit.

This exhibition features works from the collection in which artists deploy parody, wit, sarcasm, or even surrealist humor, sometimes including us and sometimes having a laugh at our expense.

Featuring works by Pablo Picasso from the Albright-Knox's collection alongside iconic paintings on loan, Picasso: The Artist and His Models explores the career of this protean artist between 1906 and the mid-1960s.

For his first one-person museum exhibition, Matt Hoyt has designed an installation of more than 100 objects and discrete sculptural groups that have been in development for the past six years.

This installation marks the first time Claudia Joskowicz's Every Building on Avenida Alfonso Ugarte—After Ruscha has been shown in a museum in the United States.

This historic and long-overdue monographic exhibition celebrates Rosalyn Drexler’s multidisciplinary artistic practice and acknowledges her important contribution to Pop art.