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This spotlight exhibition will present all twenty illustrated plates from Henri Matisse's Jazz alongside a small selection of additional works by the artist from the Albright-Knox's collection. 

For her first solo museum exhibition, B. Ingrid Olson has taken over the Albright-Knox’s Gallery for Small Sculpture with a site-specific installation.

This special exhibition is the first retrospective of the art of this pioneering musician, filmmaker, and University at Buffalo educator.

Focusing on the work of black women artists, We Wanted a Revolution: Black Radical Women, 1965–85 examines the political, social, cultural, and aesthetic priorities of women of color from the mid-1960s to the mid-1980s.

Window to Wall: Art from Architecture features works from the Albright-Knox's collection by twentieth-century artists alongside more recent compositions, illuminating art’s enduring and complex relationship with its sister discipline.

Burak Delier’s Crisis & Control probes the relationship between what we do, who we aspire to be, and how we relate to others.

This monumental series of panel paintings, one of the most ambitious Takashi Murakami has ever created, is debuting for the first time in its entirety at the Albright-Knox in the artist's first installation in Western New York.

Out of Sight! Art of the Senses brings together contemporary works of art that actively engage with how our bodies meet the wider world through the five basic senses.

Amy Sillman's "animated drawing" After Metamorphoses transforms the Roman poet Ovid’s fifteen-book epic Metamorphoses into a series of abstract drawings layered beneath animated sketches.

With an emphasis on works created within the last 30 years, Drawing: The Beginning of Everything is the first Albright-Knox exhibition to highlight this area of the museum’s collection.

This exhibition explores the wide array of Casey Riordan's many depictions of Shark Girl, including works on paper, paintings, sculptures, and installations.

The first large-scale museum exhibition in North America devoted to the work of Joe Bradley, this exhibition highlights the complexity and richness of Bradley’s unique approach to language, abstraction, and the evolutions of style.