Join us for Happy Hours at Cornelia on Thursdays, Fridays, and Saturdays!
Through January 12, 2026Jeffrey E. Gundlach Building
Join us on Saturday, August 16, from 10 am to 4 pm in the Wilson Town Square for a Sip & Shop event where local vendors will gather under Common Sky with their handmade jewelry, home decor, and more!
Sherry Miller Hocking shares her story of a lifelong friendship with artist Steina Vasulka in an open letter, reflecting on their early days exploring video as a new art form.
Check out Hi-Vis: Ten Years of Public Art—a documentary that features reflective interviews with AKG Curator of Public Art Aaron Ott and many of the artists who have worked with the Public Art Initiative over the past ten years.
Members get the best access to the AKG and special opportunities to create deeper connections with the collection. Enjoy unlimited free admission, guest passes, invitations to exclusive members’ previews and events, and more!
Trace the evolution of the museum’s campus, from groundbreaking for our first building in 1900 to the opening of the Buffalo AKG Art Museum in 2023.
Do you want to search the collection?
January 31, 2019
As part of We the People: New Art from the Collection, the Albright-Knox asked members of the community for their thoughts on works in the exhibition. Morgan Law chose Dan Halter’s Rifugiato Mappa del Mondo (Refugee Map of the World).
January 16, 2019
Karima Amin, storyteller and founder/director of Prisoners Are People Too, Inc., reflects on Hank Willis Thomas’s We The People.
January 2, 2019
Yuji Agematsu’s zip: 01.01.06 . . . 06.30.06 is an unconventional portrait of a very specific time and place: January 1 through June 30, 2006, in New York.
December 18, 2018
Educator Ebony Pope reflects on Njideka Akunyili Crosby’s “The Beautyful Ones” Series #5.
November 19, 2018
Sopheap Pich's Cycle, on view as part of We the People: New Art from the Collection, traces the connections between the human and natural worlds.
November 5, 2018
Subodh Gupta's This is not a fountain combines used pots and pans and working faucets to speak to the transformation of family and community in contemporary India.
