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    One with Eternity: Yayoi Kusama

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    Jeffrey E. Gundlach Building

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    • Find an Event
    • M&T FIRST FRIDAYS
    • Music at the AKG
    • Public Tours
    • After Hours

    Indigenous Peoples' Day Celebration

    Join us in celebrating Indigenous Peoples' Day on Monday, October 13, with an array of special offerings at the museum!

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    • Free Digital Guide
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    Studio Art Classes

    Check out our ongoing Adult, Clay, and Kids' Classes! Students of all levels of experience are invited to get creative at the Buffalo AKG.

  • Entertain

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    • Entertain at the Buffalo AKG
    • Book Your Birthday Party
    • Book the Art Truck

    Entertain at the AKG

    The Buffalo AKG Art Museum provides an unparalleled setting for your special event. With one of the foremost collections of modern and contemporary art in the world, the museum offers exclusive opportunities for you and your guests. 

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    • Make a Donation
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    • Travel with Us
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    • Our Supporters

    Membership

    Buffalo AKG members receive an array of benefits throughout the run of One with Eternity: Yayoi Kusama, including exclusive early access to online reservations and invitations to special events and programming. Additionally, the special exhibition admission fee will be waived for members at the Associate level and above.

  • About

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    • Our Collections
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    • Annual Reports
    • 2016–2026 Strategic Plan
    • Building the Buffalo AKG Art Museum

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  4. Remember?

Niki de Saint Phalle

French, 1930-2002

No image available,
but we're working on it

Remember?, not dated

Artwork Details

Materials

serigraph

Measurements

sheet: 22 x 29 11/16 inches (55.88 x 75.41 cm); overall: 24 x 32 inches (60.96 x 81.28 cm)

Collection Buffalo AKG Art Museum

Credit

Gift of Wade Stevenson, 1983

Accession ID

P1983:42.3

Object Classifications:

Prints

Work Type:

Screen print

Information may change due to ongoing research. Glossary of Terms

Other Works by This Artist

  • [first drawing for a poster to commemorate the exhibition "Paradis fantastique"], 1967

    Jean Tinguely, Niki de Saint Phalle

    [first drawing for a poster to commemorate the exhibition "Paradis fantastique"]
  • [final drawing for a poster to commemorate the exhibition "Paradis fantastique"], 1967

    Jean Tinguely, Niki de Saint Phalle

    [final drawing for a poster to commemorate the exhibition "Paradis fantastique"]
  • Samuela II/Nana, ca. 1965

    Niki de Saint Phalle

    Nana
  • [drawing for "Le Paradis fantastique"], 1967

    Jean Tinguely, Niki de Saint Phalle

    [drawing for "Le Paradis fantastique"]

Collection Highlights

All Collection Highlights
  • June 4-52 (tableform), 1952

    Ben Nicholson

    A series of roughly rectangular shapes of pale blue, green, yellow, and white layer over and under each other across the surface of this portrait-oriented oil painting. A loose geometric patterning in thin black pencil overlays some of the shapes near the bottom center. A small, bright red triangle pops out from near the bottom left corner.
  • Carcass of Beef, ca. 1925

    Chaïm Soutine

    Carcass of Beef
  • L'Ambitieuse (Political Woman), 1883-1885

    James Tissot

    A woman in an elaborately ruffled pink dress with a large feathered fan enters an ornately decorated ballroom filled with party-goers on the arm of a much older gentleman. She looks left and outward beyond the viewer, while the attention of nearly all other male figures in the scene is directed at her. The textures of various surfaces and fabrics are painted with rich detail and texture, especially the pink dress ruffles gathered on a plush red ottoman at the bottom of the frame.
  • Sentinel, 1978

    Anne Truitt

    The body of this tall, thin, rectangular wooden pillar is almost entirely white. Light gray stripes run along the length of each of its four corners, and the base of the sculpture is marked with a thin black band with a thin red line running through its center. The work sits directly on the floor.
  • Convergence, 1952

    Jackson Pollock

    Artist Jackson Pollock dripped, poured, and splattered black, white, red, yellow, and blue oil paint across the entire surface of this large-scale, horizontally oriented canvas. The colors are visible as separate, overlapping and convey a sense of motion and energy; no single color dominates.
  • Attic Series VIII, 1990

    Robert Mangold

    Attic Series VIII
  • Wild Indigo, 1967

    Kenneth Noland

    Twenty-eight stripes of different colors and widths run the width of this horizontally oriented painting. The very clearly defined bands are separated by pencil-thin stripes of unpainted canvas. While the colors used vary, they are mostly distinct hues of red, green, and blue.
  • Painting No. 46, 1914-1915

    Marsden Hartley

    Diverse abstract patterns layer atop one another and a black background to fill much of this painting. Slightly below the center of the painting is a circle with a red center with white and black rings. Above this curves a red arc with two parallel, irregular white lines that spans nearly the entire width of the painting. Behind these elements are smaller sections of checked and ribbon-like patterns.
  • Chatham XI: Blue Yellow, 1971

    Ellsworth Kelly

    This artwork is made up of two separate, rectangular panels installed adjacent to one another at a right angle. The top panel is horizontally oriented and a solid dark blue color. Aligned underneath the left side of this panel is a second, smaller panel that is vertically oriented and a solid yellow color.

Related People

  • Niki de Saint Phalle
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