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    • Hours & Admission
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    Public Tours

    Led by our incredible docents, public tours take visitors through the museum’s collection and special exhibitions. More of a guided conversation in the galleries than a traditional lecture, our interactive tours share surprising stories and fun facts and encourage visitors to form personal connections with the art on view and each other.

     
  • Art

    Art

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    • Search the Collection
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    One with Eternity: Yayoi Kusama

    Through March 2, 2026
    Jeffrey E. Gundlach Building

  • Events

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    • Find an Event
    • M&T FIRST FRIDAYS
    • Music at the AKG
    • Public Tours
    • After Hours

    Palentine’s Day and Valentine’s Day at the AKG

    Whether you’re nursing a broken heart, celebrating a new or enduring love, or just looking for a fun place to hang out with friends, there’s a treat for you at the AKG this February!

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    Check out our ongoing Adult, Clay, and Kids' Classes! Students of all levels of experience are invited to get creative at the Buffalo AKG.

  • Entertain

    Entertain

    • Entertain at the Buffalo AKG
    • Book Your Birthday Party
    • Book the Art Truck
    • Book a Photography Session

    Entertain at the AKG

    The Buffalo AKG Art Museum provides an unparalleled setting for your special event. With one of the foremost collections of modern and contemporary art in the world, the museum offers exclusive opportunities for you and your guests. 

  • Support

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    • Membership
    • Make a Donation
    • Corporate Support
    • Annual Fundraising Events
    • Travel with Us
    • Volunteer
    • Our Supporters

    Membership

    Buffalo AKG members receive an array of benefits throughout the run of One with Eternity: Yayoi Kusama, including exclusive early access to online reservations and invitations to special events and programming. Additionally, the special exhibition admission fee will be waived for members at the Associate level and above.

  • About

    About

    • Vision & Mission
    • Our Collections
    • Our Campus
    • Our History
    • Our Team
    • Annual Reports
    • 2016–2026 Strategic Plan
    • Building the Buffalo AKG Art Museum

    Campus History Timeline

    Trace the evolution of the museum’s campus, from groundbreaking for our first building in 1900 to the opening of the Buffalo AKG Art Museum in 2023.

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  4. Remember?

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  4. Remember?

Niki de Saint Phalle

French, 1930-2002

No image available,
but we're working on it

Remember?, not dated

Artwork Details

Materials

serigraph

Measurements

sheet: 22 x 29 11/16 inches (55.88 x 75.41 cm); overall: 24 x 32 inches (60.96 x 81.28 cm)

Collection Buffalo AKG Art Museum

Credit

Gift of Wade Stevenson, 1983

Accession ID

P1983:42.3

Object Classifications:

Prints

Work Type:

Screen print

Information may change due to ongoing research. Glossary of Terms

Other Works by This Artist

  • [first drawing for a poster to commemorate the exhibition "Paradis fantastique"], 1967

    Jean Tinguely, Niki de Saint Phalle

    [first drawing for a poster to commemorate the exhibition "Paradis fantastique"]
  • [final drawing for a poster to commemorate the exhibition "Paradis fantastique"], 1967

    Jean Tinguely, Niki de Saint Phalle

    [final drawing for a poster to commemorate the exhibition "Paradis fantastique"]
  • Samuela II/Nana, ca. 1965

    Niki de Saint Phalle

    Nana
  • [drawing for "Le Paradis fantastique"], 1967

    Jean Tinguely, Niki de Saint Phalle

    [drawing for "Le Paradis fantastique"]

Collection Highlights

All Collection Highlights
  • Hotel Lobby, 1950

    Max Beckmann

    More than a dozen figures crowd this canvas. Four appear to be seated around a table in the center and the rest appear to be standing elsewhere in the room. The figures’ features are abstracted, exaggerated, and outlined with thick black lines filled with a range of shades of muted russet, turquoise, pink, and green. The black frame of what appears to be a French door interrupts the right third of the composition.
  • New York, N.Y., 1953

    Franz Kline

    An abstract arrangement of broad black brushstrokes appears against a mostly solid white background. One stroke extends from the top to bottom of the painting along its right edge and another two of similar length appear near the left edge. Other, shorter strokes extend horizontally and diagonally among these vertical elements. The black lines could resemble in outline the type of buildings and bridges that populate New York City’s skyline.
  • Croquet Players, 1865

    Winslow Homer

    Croquet Players
  • Traits, plans, profondeur (Lines, Planes, Depth), ca. 1920-1922

    František Kupka

    Traits, plans, profondeur (Lines, Planes, Depth)
  • Elegy to the Spanish Republic XXXIV, 1953-1954

    Robert Motherwell

    Elegy to the Spanish Republic XXXIV
  • Man with Dog, 1953

    Francis Bacon

    A muscular white dog on a chain leash and the lower legs of its owner are visible beneath a dark blue trapezoid that fills the upper quarter of this vertically oriented canvas. The pair stand on sidewalk abutting a stretch of road perforated by a storm drain. The dog’s head and tail are lowered, and its front two legs extended as if caught in the moment springing forward. The artist’s palette of black, beige, and grey conveys a dark and tense atmosphere.
  • Monochrome I, Built to Live Anywhere, at Home Here, 2010-2011

    Nancy Rubins

    Monochrome I, Built to Live Anywhere, at Home Here
  • Petit nu bleu (Little Blue Nude), ca. 1878-1879

    Pierre-Auguste Renoir

    A young white-skinned woman, nude to the waist, sits on the grassy bank of a body of water in the center of this vertically oriented painting. A blue cloth or portion of a garment with white edges loosely covers her lap. She grasps her left ankle, which rests on her right knee, with both hands, and she gazes toward the bottom left of the canvas. The paint was applied quickly and loosely with visible brushstrokes.
  • Head - Red and Yellow, 1962

    Roy Lichtenstein

    A woman’s head and neck, cleanly outlined like a classic comic book illustration, fills the majority of this large square canvas. This figure is painted in bright red and white against a solid yellow background. The woman looks toward the right and her large mouth is opened in a laugh. Shoulder length, loosely curled hair frames her face. Her skin is covered with a field of miniscule red dots in emulation of halftone printing.

Related People

  • Niki de Saint Phalle
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