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    • Plan Your Visit
    • Hours & Admission
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    • Frequently Asked Questions

    Public Tours

    Led by our incredible docents, public tours take visitors through the museum’s collection and special exhibitions. More of a guided conversation in the galleries than a traditional lecture, our interactive tours share surprising stories and fun facts and encourage visitors to form personal connections with the art on view and each other.

     
  • Art

    Art

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    • Search the Collection
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    One with Eternity: Yayoi Kusama

    Through March 2, 2026
    Jeffrey E. Gundlach Building

  • Events

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    • Find an Event
    • M&T FIRST FRIDAYS
    • Music at the AKG
    • Public Tours
    • After Hours

    Palentine’s Day and Valentine’s Day at the AKG

    Whether you’re nursing a broken heart, celebrating a new or enduring love, or just looking for a fun place to hang out with friends, there’s a treat for you at the AKG this February!

  • Learn & Create

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    Studio Art Classes

    Check out our ongoing Adult, Clay, and Kids' Classes! Students of all levels of experience are invited to get creative at the Buffalo AKG.

  • Entertain

    Entertain

    • Entertain at the Buffalo AKG
    • Book Your Birthday Party
    • Book the Art Truck
    • Book a Photography Session

    Entertain at the AKG

    The Buffalo AKG Art Museum provides an unparalleled setting for your special event. With one of the foremost collections of modern and contemporary art in the world, the museum offers exclusive opportunities for you and your guests. 

  • Support

    Support

    • Membership
    • Make a Donation
    • Museum Day Pass Donations
    • Corporate Support
    • Annual Fundraising Events
    • Travel with Us
    • Volunteer
    • Our Supporters

    Membership

    Buffalo AKG members receive an array of benefits throughout the run of One with Eternity: Yayoi Kusama, including exclusive early access to online reservations and invitations to special events and programming. Additionally, the special exhibition admission fee will be waived for members at the Associate level and above.

  • About

    About

    • Vision & Mission
    • Our Collections
    • Our Campus
    • Our History
    • Our Team
    • Annual Reports
    • 2016–2026 Strategic Plan
    • Building the Buffalo AKG Art Museum

    Campus History Timeline

    Trace the evolution of the museum’s campus, from groundbreaking for our first building in 1900 to the opening of the Buffalo AKG Art Museum in 2023.

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  4. Remember?

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  4. Remember?

Niki de Saint Phalle

French, 1930-2002

No image available,
but we're working on it

Remember?, not dated

Artwork Details

Materials

serigraph

Measurements

sheet: 22 x 29 11/16 inches (55.88 x 75.41 cm); overall: 24 x 32 inches (60.96 x 81.28 cm)

Collection Buffalo AKG Art Museum

Credit

Gift of Wade Stevenson, 1983

Accession ID

P1983:42.3

Object Classifications:

Prints

Work Type:

Screen print

Information may change due to ongoing research. Glossary of Terms

Other Works by This Artist

  • [first drawing for a poster to commemorate the exhibition "Paradis fantastique"], 1967

    Jean Tinguely, Niki de Saint Phalle

    [first drawing for a poster to commemorate the exhibition "Paradis fantastique"]
  • [final drawing for a poster to commemorate the exhibition "Paradis fantastique"], 1967

    Jean Tinguely, Niki de Saint Phalle

    [final drawing for a poster to commemorate the exhibition "Paradis fantastique"]
  • Samuela II/Nana, ca. 1965

    Niki de Saint Phalle

    Nana
  • [drawing for "Le Paradis fantastique"], 1967

    Jean Tinguely, Niki de Saint Phalle

    [drawing for "Le Paradis fantastique"]

Collection Highlights

All Collection Highlights
  • Over the Edge, 1992

    Peter Halley

    A light gray-green square sits slightly above center and fills much of this square canvas. L shapes of varying widths in cream, burnt orange, black, and mustard yellow extend from the square into the taupe-colored margins above and to the left and right of the square. Two additional brighter yellow L shapes, one dramatically thicker than the other, extend from the square into the burgundy-colored margin below the square.
  • Croquet Players, 1865

    Winslow Homer

    Croquet Players
  • June 4-52 (tableform), 1952

    Ben Nicholson

    A series of roughly rectangular shapes of pale blue, green, yellow, and white layer over and under each other across the surface of this portrait-oriented oil painting. A loose geometric patterning in thin black pencil overlays some of the shapes near the bottom center. A small, bright red triangle pops out from near the bottom left corner.
  • Dinamismo di un cane al guinzaglio (Dynamism of a Dog on a Leash), 1912

    Giacomo Balla

    Dinamismo di un cane al guinzaglio (Dynamism of a Dog on a Leash)
  • Les Falaises de Gréville (The Cliffs of Gréville), 1871-1872

    Jean-François Millet

    Beneath a looming mass of clouds that fills the top third of this painting, rocky cliffs extend into a calm sea painted in tones of grayish blue and green. A cluster of large gray rocks fills the foreground, and the remainder of the cliffs, dotted with additional clusters of boulders amid pale green grass, extend to fill much of the left half of the canvas. A thin line of white traces where the sea meets irregular, meandering path of the coast.
  • Orange Crush, 1963

    Larry Poons

    Light blue polka dots randomly pepper the solidly orange-colored surface of this large square canvas. Neat rows of six or seven dots line the painting’s edges. The contrast between the vibrant orange and pale blue creates an optical effect that makes it appear as if the blue dots are vibrating.
  • Buffalo Newsboy, 1853

    Thomas Le Clear

    Buffalo Newsboy
  • Infvitabile Fatvm, 1994

    Leon Golub

    Much of this canvas, especially the top portion, is covered in rough patches of thinly applied black and red paint. A white mark extending from the top of the canvas divides it roughly in half; the black paint appears on the left side and the red on the right. This white mark also bisects the work’s title as inscribed in white paint along the top edge. The torso of a man, who appears to be suspended by his upstretched arms, appears in the bottom left.
  • L'Age d'Airain (Age of Bronze), 1875-1876 (cast executed 1911)

    Auguste Rodin

    This life-sized, muscular nude is captured as if in mid-stride, with his right hand raised to clasp his scalp and his left hand raised in a fist. His mouth is open, and his facial features contorted in what appears to be pain or anger.

Related People

  • Niki de Saint Phalle
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