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    BABEL-Inspired Tours

    In collaboration with Just Buffalo Literary Center, the AKG is offering sixty-minute, docent-led public tours based on themes from the acclaimed BABEL author talk series and the related books.

     
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    Rockin' at the AKG: DEVO

    Get ready to whip your summer into shape! On June 6, 2026, Rockin’ returns with the genre-defying sound of art-rock pioneers DEVO. Tickets are on sale now!


     

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    The Buffalo AKG Art Museum provides an unparalleled setting for your special event. With one of the foremost collections of modern and contemporary art in the world, the museum offers exclusive opportunities for you and your guests. 

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    Membership prices are increasing in July 2026, and now is your chance to renew and save! “Lock in” your membership at the current rate by renewing or upgrading for two full years before prices increase!

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  4. Remember?

Niki de Saint Phalle

French, 1930-2002

No image available,
but we're working on it

Remember?, not dated

Artwork Details

Materials

serigraph

Measurements

sheet: 22 x 29 11/16 inches (55.88 x 75.41 cm); overall: 24 x 32 inches (60.96 x 81.28 cm)

Collection Buffalo AKG Art Museum

Credit

Gift of Wade Stevenson, 1983

Accession ID

P1983:42.3

Object Classifications:

Prints

Work Type:

Screen print

Information may change due to ongoing research. Glossary of Terms

Other Works by This Artist

  • [first drawing for a poster to commemorate the exhibition "Paradis fantastique"], 1967

    Jean Tinguely, Niki de Saint Phalle

    [first drawing for a poster to commemorate the exhibition "Paradis fantastique"]
  • [final drawing for a poster to commemorate the exhibition "Paradis fantastique"], 1967

    Jean Tinguely, Niki de Saint Phalle

    [final drawing for a poster to commemorate the exhibition "Paradis fantastique"]
  • Samuela II/Nana, ca. 1965

    Niki de Saint Phalle

    Nana
  • [drawing for "Le Paradis fantastique"], 1967

    Jean Tinguely, Niki de Saint Phalle

    [drawing for "Le Paradis fantastique"]

Collection Highlights

All Collection Highlights
  • Fragment 2 for Composition VII, 1913

    Vassily Kandinsky

    Fragment 2 for Composition VII
  • Round Trip, 1957

    Helen Frankenthaler

    Round Trip
  • Abstraktes Bild (Abstract Painting), 1977

    Gerhard Richter

    Three light-colored abstract forms, resembling zoomed-in and blurry details of paint strokes, stand out against this painting’s dark brown and green background. One thin stripe extends the height of the canvas; it is white at top and gradually gradates to red at the bottom. A second, thicker stripe in gray topped with white extends from the center of the right edge and appears to overlap the vertical stripe. The end of a third stripe, similar in shape and color to the second stipe, appears in the upper-left
  • La Maison de La Crau (The Old Mill), 1888

    Vincent van Gogh

    Loose thick brushstrokes in a vibrant palette define a rural scene beneath a turquoise green sky. On the right is a tall sandy colored building with a yellow roof and brownish-red chimney. Steps leads from the structure toward the left-hand side of the image, where, two people stand in front of a purple fence. Beyond the fence and toward the upper left of the image are green fields dotted with small houses and blue mountains in the far distance.
  • Only God Knows I'm Good, 2009 (produced 2011)

    Tracey Emin

    The phrase “Only God Knows I’m Good” in cursive English script is fabricated in snow white neon, which is mounted on a wall.
  • Fields of Grain as Seen from Train, 1931

    Arthur Garfield Dove

    Geometric forms in different shades of red, green, and light brown shape this abstract landscape. A large green triangular shape stripped with seven black furrows, stretches from the middle of the top edge to the bottom-right corner and toward to the bottom-left corner. A dark red shape with a scalloped edge borders the right side of the triangle, and a light brown sphere patterned with five horizontal waves peeks out from behind the triangle’s left side.
  • Exuberance, 1955

    Hans Hofmann

    Multidirectional, abstract brushstrokes animate the surface of this vertically oriented canvas. Dark blues, greens, and blacks contrast with passages of pale yellow and red. Two areas of red at top right and toward the bottom of the lower edge of the canvas seem to pulsate forward. At top left, a dark brown arc that looks like the letter C is surrounded with a dark rectangular outline.
  • No. 15, 1952

    Ad Reinhardt

    No. 15
  • George Went Swimming at Barnes Hole, but It Got Too Cold, 1957

    Joan Mitchell

    Large, energetic brushstrokes in green, brown, black, red, blue, and white cover portions of this abstract painting’s white background. These marks are primarily concentrated in two areas: in the top half of the canvas, especially in the center, and on its lower edge, especially in the center and toward the right corner.

Related People

  • Niki de Saint Phalle
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