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    BABEL-Inspired Tours

    In collaboration with Just Buffalo Literary Center, the AKG is offering sixty-minute, docent-led public tours based on themes from the acclaimed BABEL author talk series and the related books.

     
  • Art

    Art

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    • Search the Collection
    • Public Art
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    Let Us Gather in a Flourishing Way

    Through September 6, 2026
    Jeffrey E. Gundlach Building

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    • Find an Event
    • M&T FIRST FRIDAYS
    • Music at the AKG
    • Public Tours
    • After Hours

    Rockin' at the AKG: DEVO

    Get ready to whip your summer into shape! On June 6, 2026, Rockin’ returns with the genre-defying sound of art-rock pioneers DEVO. Tickets are on sale now!


     

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    Check out our ongoing Adult, Clay, and Kids' Classes! Students of all levels of experience are invited to get creative at the Buffalo AKG.

  • Entertain

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    • Entertain at the Buffalo AKG
    • Book Your Birthday Party
    • Book the Art Truck
    • Book a Photography Session
    • Catering at Cornelia

    Entertain at the AKG

    The Buffalo AKG Art Museum provides an unparalleled setting for your special event. With one of the foremost collections of modern and contemporary art in the world, the museum offers exclusive opportunities for you and your guests. 

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    • Make a Donation
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    “Lock in” Your Membership Price!

    Membership prices are increasing in July 2026, and now is your chance to renew and save! “Lock in” your membership at the current rate by renewing or upgrading for two full years before prices increase!

  • About

    About

    • Vision & Mission
    • Our Collections
    • Our Campus
    • Our History
    • Our Team
    • Annual Reports
    • 2016–2026 Strategic Plan
    • Building the Buffalo AKG Art Museum

    Campus History Timeline

    Trace the evolution of the museum’s campus, from groundbreaking for our first building in 1900 to the opening of the Buffalo AKG Art Museum in 2023.

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  4. Remember?

Niki de Saint Phalle

French, 1930-2002

No image available,
but we're working on it

Remember?, not dated

Artwork Details

Materials

serigraph

Measurements

sheet: 22 x 29 11/16 inches (55.88 x 75.41 cm); overall: 24 x 32 inches (60.96 x 81.28 cm)

Collection Buffalo AKG Art Museum

Credit

Gift of Wade Stevenson, 1983

Accession ID

P1983:42.3

Object Classifications:

Prints

Work Type:

Screen print

Information may change due to ongoing research. Glossary of Terms

Other Works by This Artist

  • [first drawing for a poster to commemorate the exhibition "Paradis fantastique"], 1967

    Jean Tinguely, Niki de Saint Phalle

    [first drawing for a poster to commemorate the exhibition "Paradis fantastique"]
  • [final drawing for a poster to commemorate the exhibition "Paradis fantastique"], 1967

    Jean Tinguely, Niki de Saint Phalle

    [final drawing for a poster to commemorate the exhibition "Paradis fantastique"]
  • Samuela II/Nana, ca. 1965

    Niki de Saint Phalle

    Nana
  • [drawing for "Le Paradis fantastique"], 1967

    Jean Tinguely, Niki de Saint Phalle

    [drawing for "Le Paradis fantastique"]

Collection Highlights

All Collection Highlights
  • Flowers in a Vase, 1909

    Henri Rousseau

    Flowers in a Vase
  • The Cone, 1960

    Alexander Calder

    A large playful sculpture made of thin sheets of black metal forming a partially open cone that stands on its circular base. A thin metal rod is balanced across the cone’s pointed top. Numerous interconnected wires and rods, each of which ends in a small white metal circle, hang from one side of the rod. The weight of the many wires and circles on one side of the central rod is counterbalanced and held in equilibrium by a single red circle on the rod’s other end.
  • The Lady's Last Stake, 1759

    William Hogarth

    The Lady's Last Stake
  • Over the Edge, 1992

    Peter Halley

    A light gray-green square sits slightly above center and fills much of this square canvas. L shapes of varying widths in cream, burnt orange, black, and mustard yellow extend from the square into the taupe-colored margins above and to the left and right of the square. Two additional brighter yellow L shapes, one dramatically thicker than the other, extend from the square into the burgundy-colored margin below the square.
  • Convergence, 1952

    Jackson Pollock

    Artist Jackson Pollock dripped, poured, and splattered black, white, red, yellow, and blue oil paint across the entire surface of this large-scale, horizontally oriented canvas. The colors are visible as separate, overlapping and convey a sense of motion and energy; no single color dominates.
  • Limit of the Twilight, 1991

    Roni Horn

    The phrase “49 MILES” in yellow block letters, tilted slightly as if set in italics, fills the polished aluminum surface of this sculpture facing the viewer. Additional stripes of yellow extend from where these numbers and letters touch the left and top edges of the sculpture’s front surface across its left and top surfaces. Overall, the sculpture takes the form of a rectangular cube whose depth and width are equal to one another and considerably smaller than its length. It is shown installed on the floor.
  • Corazón de roca con sangre (Heart of Rock with Blood), 1975

    Ana Mendieta

    First of two images. Still from a video of the artist naked on the banks of a river, which is just visible in the upper-right corner of the image. She kneels on the leaf-covered ground, staring at the silhouette of a female figure dug into the earth in shallow relief.
  • Femme cousant (Woman Sewing), ca. 1879

    Berthe Morisot

    The profile of a young woman bent intensely over the sewing work she holds in her hands fills the foreground of this portrait-oriented painting. Her caramel-colored hair is pulled back from her face in a bun, and she wears a dark green dress topped with a white lace shawl. In the background, a white urn and a wooden box open to reveal its red interior sit on top of a table covered in a cream colored and floral patterned cloth.
  • New York, N.Y., 1953

    Franz Kline

    An abstract arrangement of broad black brushstrokes appears against a mostly solid white background. One stroke extends from the top to bottom of the painting along its right edge and another two of similar length appear near the left edge. Other, shorter strokes extend horizontally and diagonally among these vertical elements. The black lines could resemble in outline the type of buildings and bridges that populate New York City’s skyline.

Related People

  • Niki de Saint Phalle
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