Visit the Shop in the Seymour H. Knox Building for all things AKG! From exclusive exhibition merchandise to collaborations with local businesses, there is something for everyone.
Through Monday, January 27, 2025Jeffrey E. Gundlach Building
Join us for a FREE lecture that discusses the history of Western New York and the Senecas, presented by Melissa Parker Leonard, Seneca, educator and advocate, on Friday, November 29, from 5 to 7 pm.
The free AKGo! app is more than just your standard museum audio guide. Listen to more than 150 minutes of multi-layered sound design and narration by AKG staff, artists, and some unexpected guest voices as you explore the campus and special exhibitions!
Join us for Drop-In Artmaking workshops led by artist Amanda Browder! Your assistance will contribute to her newest artwork installation, which will be part of the upcoming Hi-Vis exhibition.
Members get the best access to the AKG and special opportunities to create deeper connections with the collection. Enjoy unlimited free admission, guest passes, invitations to exclusive members’ previews and events, and more!
Trace the evolution of the museum’s campus, from groundbreaking for our first building in 1900 to building the future Buffalo AKG Art Museum today.
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May 22, 2017
In the 1960s, the Albright-Knox wrote to a selection of artists to ask for statements about their works. Victor Pasmore responded with thoughts about his 1960 painting Abstract in Red, No. 3.
May 2, 2017
In the 1960s, the Albright-Knox wrote to a selection of artists to ask for statements about their works. Grace Hartigan responded with thoughts about her 1957 painting New England, October.
April 11, 2017
In the 1960s, the Albright-Knox wrote to a selection of artists to ask for statements about their works. Beverly Pepper responded with thoughts about her sculpture Zig-Zag.
March 21, 2017
In the 1960s, the Albright-Knox wrote to a selection of artists to ask for statements about their works. Len Lye responded with thoughts about his sculpture Grass.
March 6, 2017
In the 1960s, the Albright-Knox wrote to a selection of artists to ask for statements about their works. David Hare responded with thoughts about his sculpture Sunrise.
