Visit the Shop in the Seymour H. Knox Building for all things AKG! From exclusive exhibition merchandise to collaborations with local businesses, there is something for everyone.
Through Monday, January 27, 2025Jeffrey E. Gundlach Building
Think you know Marisol? Discover the many worlds surrounding the life and career of the artist and her historic bequest in this second installment of two evenings dedicated to the stories behind the works on view in Marisol: A Retrospective on Thursday, November 21, 2024.
The free AKGo! app is more than just your standard museum audio guide. Listen to more than 150 minutes of multi-layered sound design and narration by AKG staff, artists, and some unexpected guest voices as you explore the campus and special exhibitions!
Browse all Public Art Initiative projects, including temporary past projects and those that are still on view.
Members get the best access to the AKG and special opportunities to create deeper connections with the collection. Enjoy unlimited free admission, guest passes, invitations to exclusive members’ previews and events, and more!
Trace the evolution of the museum’s campus, from groundbreaking for our first building in 1900 to building the future Buffalo AKG Art Museum today.
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May 22, 2017
In the 1960s, the Albright-Knox wrote to a selection of artists to ask for statements about their works. Victor Pasmore responded with thoughts about his 1960 painting Abstract in Red, No. 3.
May 2, 2017
In the 1960s, the Albright-Knox wrote to a selection of artists to ask for statements about their works. Grace Hartigan responded with thoughts about her 1957 painting New England, October.
April 11, 2017
In the 1960s, the Albright-Knox wrote to a selection of artists to ask for statements about their works. Beverly Pepper responded with thoughts about her sculpture Zig-Zag.
March 21, 2017
In the 1960s, the Albright-Knox wrote to a selection of artists to ask for statements about their works. Len Lye responded with thoughts about his sculpture Grass.
March 6, 2017
In the 1960s, the Albright-Knox wrote to a selection of artists to ask for statements about their works. David Hare responded with thoughts about his sculpture Sunrise.
