The Buffalo AKG Art Museum announced that Steina: Playback, the first solo exhibition of Steina’s work in more than a decade, will open at the museum on March 14 and will remain on view through June 30, 2025.

Steina: Playback surveys the work of pathbreaking media artist Steina Vasulka (Icelandic, active in the United States, born 1940) whose career traverses video, performance, and installation. Since cofounding The Kitchen in New York City in 1971, Steina has created works shaped by her experimental approach to electronic processing tools, persistent explorations of what she called “machine vision,” and an enduring ethos of play. A classically trained violinist, Steina took up video in 1970, bringing to her new instrument—initially a Sony Portapak—a musician’s attention to the “majestic flow of time.” Unlike many of her peers working in video in its early decades, the Iceland-born artist did not consider television culture in the United States as a central force against which her video activity was defined. Instead, human perception was a key site of confrontation as she sought the exuberant and even utopian possibilities of an “intelligent, yet not human vision.”

Steina also shaped the avant-garde media arts environment that characterized Buffalo in the 1970s. Steina: Playback represents a homecoming for the artist, who taught at the Center for Media Study, SUNY at Buffalo for the majority of that decade, and exhibited at the 1978 Albright-Knox Art Gallery exhibition, The VASULKAS / Steina: Machine Vision, Woody: Descriptions.

With more than a dozen single-channel works and multi-channel environments, this focused retrospective surveys Steina’s fearless DIY approach to new media and her pioneering synthesis of the electronic and the natural. While Steina’s early collaborative works with her life partner Woody Vasulka centered largely around the pair’s obsession with video’s signal and the custom-designed hardware that could distort and manipulate it, her independent works from 1975 onward probe the limits of human perspective and pursue non-anthropocentric modes of visualizing the natural world.

“This exhibition not only offers a revolutionary new view of Steina’s work, but it serves as a compelling reminder of the depth and richness of the media arts environment in Buffalo more broadly,” said Helga Christoffersen, Curator-at-Large and Curator of the Nordic Art and Culture Initiative at the Buffalo AKG Art Museum. “Steina was a key figure in the arts community in Buffalo in the 1970s and the breadth of her influence is evident in this immersive, evocative exhibition.”

Throughout her career, her works were continually shaped by her shifting environments: from downtown New York’s avant-garde and Buffalo’s experimental media arts scene of the 1970s, to the vast landscapes of New Mexico and Iceland. In her works from the 1990s onward, new projection technologies allowed her video environments to become even more immersive: flows of river, waves, light, and wind spatialize what the human eye cannot see and seem to offer analogues to the electronic flow of video and audio signals. With her distinctive translation of musical modes, like polyphony, into the visual realm and her effort to exceed human perception, Steina reveals an electronic sublime and attunes us to the vibrant, invisible energies inherent to both video and natural phenomena.

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About the Catalogue

Accompanying the exhibition at MIT List Visual Arts Center and the Buffalo AKG Art Museum is the new monograph, Steina, which brings renewed recognition to the artist, tracing her oeuvre from early collaborative works with her partner Woody Vasulka to her independent explorations of optics and a liberated, non-anthropocentric subjectivity. The book is the first comprehensive monograph on the pioneering video artist in more than a decade. Contributors include scholars Gloria Sutton, Joey Heinen, and Ina Blom, who consider how Steina's generative sense of play gave way to methods of processing and computation; contextualize Steina alongside a group of her peers who shared an obsession with the electronic signal; and argue for her interest in video as a proto-virtual space. 

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About Steina

Steina, born Steinunn Briem Bjarnadottir, in Iceland in 1940, lives in Santa Fe, New Mexico. She trained as a violinist in Reykjavik and Prague, and she emigrated to New York City in 1965 with her life partner Woody Vasulka. Initially working as a freelance musician, she began to focus on video in 1970 and, in 1971, cofounded The Electronic Kitchen (later The Kitchen), the legendary alternative art space in New York City. After moving to Buffalo in 1973, Steina helped develop the production lab at the Center for Media Study at SUNY Buffalo. She moved to Santa Fe, New Mexico in 1980 where she has lived and worked ever since. Steina has exhibited at leading institutions internationally, including the Centre Georges Pompidou, Paris; Museum of Art, Carnegie Institute, Pittsburgh (now the Carnegie Museum of Art); San Francisco Museum of Modern Art; and the Whitney Museum of American Art, New York, among others. Important collections with her work include the Museum of Modern Art, New York; the Smithsonian American Art Museum; the San Francisco Museum of Modern Art; the Julia Stoschek Foundation; Tate, London; Thyssen-Bornemisza Art Contemporary; and ZKM | Center for Art and Media Karlsruhe. Awards and grants include: Rockefeller Foundation and NEA grants (1982); the Maya Deren Award (1992); the Siemens Media Arts Prize from ZKM | Center for Art and Media Karlsruhe, Germany (1995); as well as an honorary doctorate from the San Francisco Art Institute (1998).

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Steina: Playback is organized by MIT List Visual Arts Center in collaboration with the Buffalo AKG Art Museum and is curated by Natalie Bell, Curator, MIT List Visual Arts Center and Helga Christoffersen Curator-at-Large and Curator, Nordic Art and Culture Initiative, Buffalo AKG Art Museum. 

This exhibition is generously supported by The Seymour H. Knox Foundation, Inc. 

The Nordic Art and Culture Initiative is made possible by the leadership support of the Nordic Founding Patrons group. For more information on the Buffalo AKG Art Museum Nordic Art and Culture Initiative, click here.

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About the Buffalo AKG Art Museum

Founded in 1862, the Buffalo AKG Art Museum is the sixth-oldest public art institution in the United States. For more than 160 years, the Buffalo AKG has collected, conserved, and exhibited the art of its time, often working directly with living artists. This tradition has given rise to one of the world’s most extraordinary collections of modern and contemporary art.

In June 2023, following the completion of the most significant campus development and expansion project in its history, the Buffalo AKG opened anew to the public. The project was funded by a $230 million capital campaign, the largest such campaign for a cultural institution in the history of Western New York, including $195 million raised for construction and $35 million in additional operating endowment funds. 

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