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  • Visit

    Visit

    • Plan Your Visit
    • Hours & Admission
    • Directions & Parking
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    • Shop
    • Dining
    • Frequently Asked Questions

    Cornelia

    The Buffalo AKG offers fast-casual and full-service dining experiences at Cornelia in the Knox Building. Enjoy morning pastries with tea, coffee, or espresso drinks; stop in for fresh lunch offerings; or make reservations for our Thursday and Friday dinner service or Sunday brunch service. 

     
  • Art

    Art

    • Exhibitions
    • Collection
    • Search the Collection
    • Public Art
    • Nordic Art and Culture Initiative
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    Steina: Playback

    Through Monday, June 30, 2025
    Jeffrey E. Gundlach Building

  • Events

    Events

    • Find an Event
    • M&T FIRST FRIDAYS
    • Thursday Night Live
    • Studio Art Classes
    • Drop-In Artmaking
    • Public Tours
    • After Hours
    • Art of Jazz
    • Lipsey Summer Jazz at the AKG

    Rockin' 2025

    Join us on Saturday, June 14, for a celebration of music, community, and our neighbors to the North, featuring The Beaches with special guests The Trews and Menno Versteeg of Hollerado. Purchase Tickets

  • Learn & Create

    Learn & Create

    • Creative Commons
    • AKGo! FREE Audio Experience
    • Blog
    • Art’scool: School Tours
    • Lesson Plans
    • Resources for Educators
    • At-Home Activities for Kids & Families
    • At-Home Art Activities for Adults

    Visit Creative Commons

    Located adjacent to the Wilson Town Square in the Knox Building, Creative Commons is a free, active space for ages five and up designed to help you create, share, and connect through fun and playful experiences with art! Admission to the Knox Building is always FREE. 

  • Community

    Community

    • Public Art
    • Museum Day Pass Donations
    • Community Resources and Feedback

    Hi-Vis: Ten Years of Public Art

    Check out Hi-Vis: Ten Years of Public Art—a documentary that features reflective interviews with AKG Curator of Public Art Aaron Ott and many of the artists who have worked with the Public Art Initiative over the past ten years. 

  • Support

    Support

    • Membership
    • Make a Donation
    • Corporate Support
    • Annual Fundraising Events
    • Entertain at the Buffalo AKG
    • Travel with Us
    • Volunteer
    • Our Supporters

    Not a member yet? Join today!

    Members get the best access to the AKG and special opportunities to create deeper connections with the collection. Enjoy unlimited free admission, guest passes, invitations to exclusive members’ previews and events, and more!

     

  • About

    About

    • Vision & Mission
    • Our Collections
    • Our Campus
    • Our History
    • Our Team
    • Annual Reports
    • 2016–2026 Strategic Plan
    • Building the Buffalo AKG Art Museum

    Campus History Timeline

    Trace the evolution of the museum’s campus, from groundbreaking for our first building in 1900 to the opening of the Buffalo AKG Art Museum in 2023.

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  4. Noa Noa, Voyage de Tahiti

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  4. Noa Noa, Voyage de Tahiti

Paul Gauguin

French, 1848-1903

No image available,
but we're working on it

Noa Noa, Voyage de Tahiti, 1926

Artwork Details

Materials

book

Collection Buffalo AKG Art Museum

Credit

James G. Forsyth Fund, 1973

Accession ID

1973:9

Object Classifications:

Information forms

Work Type:

Book

Information may change due to ongoing research. Glossary of Terms

Other Works by This Artist

  • Les Laveuses (The Washer Women) from the Volpini Suite, 1889

    Paul Gauguin

    Les Laveuses (The Washer Women) from the Volpini Suite
  • Le Christ jaune (The Yellow Christ), 1889

    Paul Gauguin

    Le Christ jaune (The Yellow Christ)
  • Carved "Coco de Mer", ca. 1901-1903

    Paul Gauguin

    Carved "Coco de Mer"
  • Les drames de la mer, Bretagne (Dramas of the Seas, Brittany) from the Volpini Suite, 1889

    Paul Gauguin

    Les drames de la mer, Bretagne (Dramas of the Seas, Brittany) from the Volpini Suite
  • Bretonnes à la barrière (Breton Women Beside a Fence) from the Volpini Suite, 1889

    Paul Gauguin

    Bretonnes à la barrière (Breton Women Beside a Fence) from the Volpini Suite
  • Hina, before 1893 (cast posthumously from wood original)

    Paul Gauguin

    Hina
  • Manaò tupapaú (Spirit of the Dead Watching), 1892

    Paul Gauguin

    Manaò tupapaú (Spirit of the Dead Watching)

Collection Highlights

All Collection Highlights
  • Women of Tehuantepec, 1939

    Rufino Tamayo

    Two solemn-looking women, one carrying a basket of fruit on her head, stand in center of this colorful, horizontally oriented canvas. Behind them and to the left are three large containers filled with tropical fruit, some of which is also scattered on the ground. Behind them and to the right are two more women walking toward a long, low building in the background. A young boy in the right corner extends with his left hand a bunch of flowers toward the two central women.
  • Sky Cathedral, 1958

    Louise Nevelson

    Sky Cathedral
  • Nomad, 1963

    James Rosenquist

    What appears to be a collage of unrelated images from advertisements and everyday photographs fills the surface of this large-scale horizontally oriented painting. A massive bowl of spaghetti and meatballs in the bottom right, a gray picnic table slightly above center, and three ballerina legs paired with the words NEW and Oxy at bottom left. A paint-splatted plastic bag tied at the bottom is suspended from the top-left corner of the canvas; a pile of paint-splattered wood scraps lies on the floor below.
  • La Vie paysanne (Peasant Life), 1925

    Marc Chagall

    La Vie paysanne (Peasant Life)
  • Untitled, 1997

    Martin Puryear

    Untitled
  • Two-Tone, 1975

    Susan Rothenberg

    Two-Tone
  • Only God Knows I'm Good, 2009 (produced 2011)

    Tracey Emin

    The phrase “Only God Knows I’m Good” in cursive English script is fabricated in snow white neon, which is mounted on a wall.
  • Couple II, 1996

    Louise Bourgeois

    Couple II
  • Untitled, 1969

    Donald Judd

    Ten identical boxes industrially fabricated out of galvanized iron and orange Plexiglas protrude seemingly weightlessly from the wall in a vertical stack. Each box is separated from the unit above and below by a space equal to its height. When lit from above, the sculpture casts a dramatic pattern of orange and gray shadows on the adjacent walls and floor.

Related People

  • Paul Gauguin
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