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Hi-Vis: Ten Years of Public Art

Check out Hi-Vis: Ten Years of Public Art—a documentary that features reflective interviews with AKG Curator of Public Art Aaron Ott and many of the artists who have worked with the Public Art Initiative over the past ten years.
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Campus History Timeline

Trace the evolution of the museum’s campus, from groundbreaking for our first building in 1900 to the opening of the Buffalo AKG Art Museum in 2023.

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Visit
Visit
Shop

Visit the Shop in the Seymour H. Knox Building for all things AKG! From exclusive exhibition merchandise to collaborations with local businesses, there is something for everyone.
Art
Art
Hi-Vis

Through Monday, June 9, 2025
Jeffrey E. Gundlach Building
Events
Events
Whiskey Pairing Dinner

Join us on Saturday, March 29, from 6 to 9:30 pm for a Whiskey Pairing Dinner! Enjoy a five-course dinner prepared by Chef Jessica Arends with Whiskey and Bourbon cocktails curated by AKG Front of House Manager Kevin Donohue, featuring Bardstown Bourbon and Green River Bourbon.
Learn & Create
Learn & Create
Visit Creative Commons

Located adjacent to the Wilson Town Square in the Knox Building, Creative Commons is a free, active space for ages five and up designed to help you create, share, and connect through fun and playful experiences with art! Admission to the Knox Building is always FREE.
Community
Community
Hi-Vis: Ten Years of Public Art

Check out Hi-Vis: Ten Years of Public Art—a documentary that features reflective interviews with AKG Curator of Public Art Aaron Ott and many of the artists who have worked with the Public Art Initiative over the past ten years.
Support
Support
Not a member yet? Join today!

Members get the best access to the AKG and special opportunities to create deeper connections with the collection. Enjoy unlimited free admission, guest passes, invitations to exclusive members’ previews and events, and more!
About
About
Campus History Timeline

Trace the evolution of the museum’s campus, from groundbreaking for our first building in 1900 to the opening of the Buffalo AKG Art Museum in 2023.

Tickets
Membership

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Exhibitions
Expressionism, 1900–1955

Breadcrumbs

Home
Art
Exhibitions
Expressionism, 1900–1955

Expressionism, 1900–1955

Friday, November 16, 1956–Sunday, December 30, 1956

Installation view of Expressionism, 1900–1955. Image courtesy of the Albright-Knox Art Gallery Digital Assets Collection and Archives, Buffalo, New York.

This exhibition surveyed the twentieth-century development of Expressionism in Europe and America.

Related Artworks

Vendedores de frutas (Fruit Vendors), 1952

Rufino Tamayo

Vendedores de frutas (Fruit Vendors)

Man with Dog, 1953

Francis Bacon

A muscular white dog on a chain leash and the lower legs of its owner are visible beneath a dark blue trapezoid that fills the upper quarter of this vertically oriented canvas. The pair stand on sidewalk abutting a stretch of road perforated by a storm drain. The dog’s head and tail are lowered, and its front two legs extended as if caught in the moment springing forward. The artist’s palette of black, beige, and grey conveys a dark and tense atmosphere.

Reclining Figure, 1935-1936

Henry Moore

This wooden sculpture could abstractly resemble a reclining female body. The dark brown wood is polished to reveal the wood grain and knots throughout the form. The figure’s legs seem to be gently bent, and she appears to be resting on her elbows, with her head propped upright. The artist left the torso as an empty space, allowing viewers to see through the sculpture.

London, Large Thames View I, 1926

Oskar Kokoschka

London, Large Thames View I

La Vie paysanne (Peasant Life), 1925

Marc Chagall

La Vie paysanne (Peasant Life)

Nu couché I (Aurore) [Reclining Nude I (Aurora)], 1907 (cast executed ca. 1912)

Henri Matisse

Nu couché I (Aurore) [Reclining Nude I (Aurora)]

Fragment 2 for Composition VII, 1913

Vassily Kandinsky

Fragment 2 for Composition VII

The Flying Fish, 1948

Marc Chagall

The Flying Fish

Hotel Lobby, 1950

Max Beckmann

More than a dozen figures crowd this canvas. Four appear to be seated around a table in the center and the rest appear to be standing elsewhere in the room. The figures’ features are abstracted, exaggerated, and outlined with thick black lines filled with a range of shades of muted russet, turquoise, pink, and green. The black frame of what appears to be a French door interrupts the right third of the composition.

Die Wölfe (Balkankrieg) [The Wolves (Balkan War)], 1913

Franz Marc

Die Wölfe (Balkankrieg) [The Wolves (Balkan War)]

Monsieur X, 1911

Georges Rouault

Monsieur X

Page Boy at Maxim's, ca. 1927

Chaïm Soutine

In this tall, narrow portrait, painted with loose, energetic brush strokes, a young man wearing a deep red uniform with matching cap stands in front of a dark burgundy, gray, green, and blue background. A row of gold buttons extends down the front of the boy’s jacket. His right hand is by his side, palm facing out, and his left hand is clenched in front of his waist. The figure’s dark eyes, hair, and moustache stand out again his pale skin.

Two Dancing Figures, 1954

Lynn Russell Chadwick

Two Dancing Figures

Sunrise, 1954-1955

David Hare

Four short oxidized steel legs elevate a small, taupe-colored rock a couple inches off the ground. Additional lengths of oxidized steel extend either vertically or in a trapezoidal shape above the rock. Several additional abstract steel elements are attached to this framework, including one that looks like an origami crane and another at the very top of the sculpture that looks like a bird in flight with its head pointed toward the ground.

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