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  • Visit

    Visit

    • Plan Your Visit
    • Hours & Admission
    • Directions & Parking
    • Codes of Conduct
    • Group Experiences
    • Accessibility
    • Shop
    • Dining
    • Frequently Asked Questions

    Public Tours

    Led by our incredible docents, public tours take visitors through the museum’s collection and special exhibitions. More of a guided conversation in the galleries than a traditional lecture, our interactive tours share surprising stories and fun facts and encourage visitors to form personal connections with the art on view and each other.

     
  • Art

    Art

    • Exhibitions
    • Collection
    • Search the Collection
    • Public Art
    • Nordic Art and Culture Initiative
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    Let Us Gather in a Flourishing Way

    Through September 6, 2026
    Jeffrey E. Gundlach Building

  • Events

    Events

    • Find an Event
    • M&T FIRST FRIDAYS
    • Music at the AKG
    • Public Tours
    • After Hours

    Rockin' at the AKG: DEVO

    Get ready to whip your summer into shape! On June 6, 2026, Rockin’ returns with the genre-defying sound of art-rock pioneers DEVO. Tickets are on sale now!


     

  • Learn & Create

    Learn & Create

    • Studio Art Classes
    • Creative Commons
    • Blog
    • Free Digital Guide
    • Art’scool: School Tours
    • Lesson Plans
    • Resources for Educators

    Studio Art Classes

    Check out our ongoing Adult, Clay, and Kids' Classes! Students of all levels of experience are invited to get creative at the Buffalo AKG.

  • Entertain

    Entertain

    • Entertain at the Buffalo AKG
    • Book Your Birthday Party
    • Book the Art Truck
    • Book a Photography Session

    Entertain at the AKG

    The Buffalo AKG Art Museum provides an unparalleled setting for your special event. With one of the foremost collections of modern and contemporary art in the world, the museum offers exclusive opportunities for you and your guests. 

  • Support

    Support

    • Membership
    • Make a Donation
    • Museum Day Pass Donations
    • Corporate Support
    • Annual Fundraising Events
    • Travel with Us
    • Volunteer
    • Our Supporters

    Membership

    Buffalo AKG members receive an array of benefits throughout the run of One with Eternity: Yayoi Kusama, including exclusive early access to online reservations and invitations to special events and programming. Additionally, the special exhibition admission fee will be waived for members at the Associate level and above.

  • About

    About

    • Vision & Mission
    • Our Collections
    • Our Campus
    • Our History
    • Our Team
    • Annual Reports
    • 2016–2026 Strategic Plan
    • Building the Buffalo AKG Art Museum

    Campus History Timeline

    Trace the evolution of the museum’s campus, from groundbreaking for our first building in 1900 to the opening of the Buffalo AKG Art Museum in 2023.

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  4. Lioness and Whelps

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  4. Lioness and Whelps

Richard Earlom

British, 1743-1822

No image available,
but we're working on it

Lioness and Whelps, 1793

Artwork Details

Materials

mezzotint

Measurements

sheet: 18 5/8 x 23 3/4 inches (47.31 x 60.32 cm)

Collection Buffalo AKG Art Museum

Credit

Given in memory of Samuel D. Magavern by Gertrude L. Magavern and Family, 1992

Accession ID

P1992:6.24

Object Classifications:

Prints

Work Type:

Mezzotint (print)

Information may change due to ongoing research. Glossary of Terms

Other Works by This Artist

  • Landscape at Sunset, 1774

    Richard Earlom after Claude Lorrain

    Landscape at Sunset
  • No. 17 from Liber Veritatis Vol. III, 1802

    Richard Earlom after Claude Lorrain

    No. 17 from Liber Veritatis Vol. III
  • A Flower Piece, 1778

    Richard Earlom after Jan van Huysum

    A Flower Piece

Collection Highlights

All Collection Highlights
  • Street Music, 1950

    Norman Wilfred Lewis

    Street Music
  • The Whiteness of the Whale, 1957

    Sam Francis

    The Whiteness of the Whale
  • Untitled, 1969

    Donald Judd

    Ten identical boxes industrially fabricated out of galvanized iron and orange Plexiglas protrude seemingly weightlessly from the wall in a vertical stack. Each box is separated from the unit above and below by a space equal to its height. When lit from above, the sculpture casts a dramatic pattern of orange and gray shadows on the adjacent walls and floor.
  • Dinamismo di un cane al guinzaglio (Dynamism of a Dog on a Leash), 1912

    Giacomo Balla

    Dinamismo di un cane al guinzaglio (Dynamism of a Dog on a Leash)
  • Monochrome I, Built to Live Anywhere, at Home Here, 2010-2011

    Nancy Rubins

    Monochrome I, Built to Live Anywhere, at Home Here
  • Le Matin en Provence (Morning in Provence), ca. 1900-1906

    Paul Cézanne

    Similarly short, distinct brushstrokes primarily in cool shades of green and blue coalesce into a sketchily painted landscape; portions of the canvas are visible. A light green field fills much of the bottom third of the canvas, and the sky above, while largely blue, also includes some green areas. A slender, leafless tree rises from the left edge of the field and curves at its top toward the right and downward. A small, light brown house sits on the right edge of the field.
  • Corazón de roca con sangre (Heart of Rock with Blood), 1975

    Ana Mendieta

    First of two images. Still from a video of the artist naked on the banks of a river, which is just visible in the upper-right corner of the image. She kneels on the leaf-covered ground, staring at the silhouette of a female figure dug into the earth in shallow relief.
  • Portrait de Mlle Rose Caron (Portrait of Rose Caron), ca. 1892

    Edgar Degas

    A woman wearing a low-cut pink evening dress and elbow-length gloves sits at the center of this horizontally oriented painting. What appears to be a multicolored furred or feathered garment rests on the back of her red chair. Her face, oriented left, is largely obscured by shadow. She clutches a folded fan in her right hand and adjusts the top of her left hand. The entire scene is loosely painted in a palette dominated by dark greens and yellows.
  • Divisibilité indéfinie (Indefinite Divisibility), 1942

    Yves Tanguy

    Two biomorphic forms sit side by side in the foreground of this abstract, dream-like landscape. The smaller form on the left includes a gray square with red sticks emerging from its left side. Narrow gray stalks support the blue and pink shapes that make up the taller form on the right, which casts a long shadow toward the top left corner of the painting. Nine small circular discs with white sides and blue surfaces appear scattered throughout the scene.

Related People

  • Richard Earlom
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