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  • Visit

    Visit

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    Cornelia

    The Buffalo AKG offers fast-casual and full-service dining experiences at Cornelia in the Knox Building. The menu at Cornelia places an artful spin on classic dishes. Enjoy morning pastries with tea, coffee, or espresso drinks; stop in for fresh lunch offerings; or make reservations for Friday night or Sunday brunch service.

     
  • Art

    Art

    • Exhibitions
    • Collection
    • Search the Collection
    • Public Art
    • Nordic Art and Culture Initiative
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    Let Us Gather in a Flourishing Way

    Through September 6, 2026
    Jeffrey E. Gundlach Building

  • Events

    Events

    • Find an Event
    • M&T FIRST FRIDAYS
    • Music at the AKG
    • Public Tours
    • After Hours

    Submit to Art Alive!

    Join us for a very special Art Alive on Saturday, October 10, 2026, as we celebrate 30 years of one of the Buffalo AKG’s most beloved traditions! More than $4,000 in prizes will be awarded to the creators of the winning tableaux and edible art entries. Submissions close on September 10. 

  • Learn & Create

    Learn & Create

    • Studio Art Classes
    • Creative Commons
    • Blog
    • Free Digital Guide
    • Art’scool: School Tours
    • Lesson Plans
    • Resources for Educators

    Studio Art Classes

    Check out our ongoing Adult, Clay, and Kids' Classes! Students of all levels of experience are invited to get creative at the Buffalo AKG.

  • Entertain

    Entertain

    • Entertain at the Buffalo AKG
    • Book Your Birthday Party
    • Book the Art Truck
    • Book a Photography Session
    • Catering at Cornelia

    Entertain at the AKG

    The Buffalo AKG Art Museum provides an unparalleled setting for your special event. With one of the foremost collections of modern and contemporary art in the world, the museum offers exclusive opportunities for you and your guests. 

  • Support

    Support

    • Membership
    • Make a Donation
    • Museum Day Pass Donations
    • Corporate Support
    • Annual Fundraising Events
    • Travel with Us
    • Volunteer
    • Our Supporters

    Become a Member Today!

    Become a member at the Buffalo AKG and enjoy a year of unlimited free admission, exclusive invitations to exhibition previews and members-only events, discounts on dining, retail, classes, and so much more! 

  • About

    About

    • Vision & Mission
    • Our Collections
    • Our Campus
    • Our History
    • Our Team
    • Annual Reports
    • 2016–2026 Strategic Plan
    • Building the Buffalo AKG Art Museum

    Campus History Timeline

    Trace the evolution of the museum’s campus, from groundbreaking for our first building in 1900 to the opening of the Buffalo AKG Art Museum in 2023.

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  4. Hunter

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  4. Hunter

Peter Phillips

British, 1939-2025

No image available,
but we're working on it

Hunter, 1975

Artwork Details

Materials

screen print on paper

Edition:

39/75

Measurements

sheet: 40 1/4 x 28 3/4 inches (102.24 x 73.02 cm)

Collection Buffalo AKG Art Museum

Credit

Gift of Eddie Green, 1980

Accession ID

P1980:43.1B

Object Classifications:

Prints

Work Type:

Screen print

Information may change due to ongoing research. Glossary of Terms

Other Works by This Artist

  • Olympic Art Poster 1972, 1971

    Peter Phillips

    Olympic Art Poster 1972
  • War/Game, 1961

    Peter Phillips

    War/Game
  • Collection, 1974

    Peter Phillips

    Collection
  • Gravy for the Navy, 1968-1975

    Peter Phillips

    Gravy for the Navy
  • 11 Pop Artists, Volume III, 1965 (published 1966)

    Allan D'Arcangelo, Jim Dine, Allen Jones, Gerald Laing, Roy Lichtenstein, Peter Phillips, Mel Ramos, James Rosenquist, Andy Warhol, John Wesley, Tom Wesselmann

    11 Pop Artists, Volume III
  • Custom Print III from the portfolio 11 Pop Artists, Volume III, 1965 (published 1966)

    Peter Phillips

    Custom Print III from the portfolio 11 Pop Artists, Volume III
  • Six Times Eight, Dreaming, 1974

    Peter Phillips

    Six Times Eight, Dreaming

Collection Highlights

All Collection Highlights
  • Portrait of Jacques-François Desmaisons, 1782

    Jacques-Louis David

    Portrait of Jacques-François Desmaisons
  • Chatham XI: Blue Yellow, 1971

    Ellsworth Kelly

    This artwork is made up of two separate, rectangular panels installed adjacent to one another at a right angle. The top panel is horizontally oriented and a solid dark blue color. Aligned underneath the left side of this panel is a second, smaller panel that is vertically oriented and a solid yellow color.
  • Orange Crush, 1963

    Larry Poons

    Light blue polka dots randomly pepper the solidly orange-colored surface of this large square canvas. Neat rows of six or seven dots line the painting’s edges. The contrast between the vibrant orange and pale blue creates an optical effect that makes it appear as if the blue dots are vibrating.
  • Hotel Lobby, 1950

    Max Beckmann

    More than a dozen figures crowd this canvas. Four appear to be seated around a table in the center and the rest appear to be standing elsewhere in the room. The figures’ features are abstracted, exaggerated, and outlined with thick black lines filled with a range of shades of muted russet, turquoise, pink, and green. The black frame of what appears to be a French door interrupts the right third of the composition.
  • Kilroy, 1957

    Paul Terence Feeley

    Kilroy
  • Vega-Nor, 1969

    Victor Vasarely

    A brightly colored grid stands out in sharp contrast against the dark blue and green background of this large-scale square painting. At the center of the work, the artist distorted the grid to create the optical illusion of a large spherical shape bulging out of this flat surface.
  • La Maison de La Crau (The Old Mill), 1888

    Vincent van Gogh

    Loose thick brushstrokes in a vibrant palette define a rural scene beneath a turquoise green sky. On the right is a tall sandy colored building with a yellow roof and brownish-red chimney. Steps leads from the structure toward the left-hand side of the image, where, two people stand in front of a purple fence. Beyond the fence and toward the upper left of the image are green fields dotted with small houses and blue mountains in the far distance.
  • New York Waterfront, 1938

    Stuart Davis

    Abstract shapes filled with solid areas of red, blue, white, and black paint float in a loosely linked cluster in the middle of this small beige canvas. Many of the shapes loosely resemble buildings, including a red structure with blue windows and tall black smokestacks at center, which sits beneath a white rectangle featuring the letters L and R in blue. A white shape with red edges at bottom resembles at boat while a patch of blue at bottom left may suggest water.
  • Flood, 2007

    Barnaby Furnas

    Long, thick, horizontal strokes of paint ranging in hue from black to bright magenta span the pale blue background of this abstract painting. In the upper right corner, the background emerges behind a light spray and thin drips of red paint. A faint white vertical line, like a narrow beam of light, stretches from the center of the canvas’s top toward the bottom but is quickly subsumed under the horizontal strokes.

Related People

  • Peter Phillips
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