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  4. Number Nine

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  4. Number Nine

Antoni Tàpies

Spanish, 1923-2012

No image available,
but we're working on it

Number Nine, 1959

Artwork Details

Materials

lithograph

Edition:

46/50

Measurements

sheet: 41 1/2 x 29 5/8 inches (105.41 x 75.25 cm); mat: 45 x 30 1/2 inches (114.3 x 77.47 cm)

Collection Buffalo AKG Art Museum

Credit

Charles W. Goodyear Fund, 1960

Accession ID

P1960:3

Inscriptions:

signature / lower right

Object Classifications:

Prints

Work Type:

Lithograph

Information may change due to ongoing research. Glossary of Terms

Other Works by This Artist

  • Rouleau de grillage au chiffon rouge (Roll of Chicken Wire with Red Rag), 1970

    Antoni Tàpies

    Rouleau de grillage au chiffon rouge (Roll of Chicken Wire with Red Rag)
  • Triptych with Footprints, 1970

    Antoni Tàpies

    Three vertical cream-colored panels are joined to form a long thin horizontal work. A series of footprints stretches across all three panels, slightly above their centers. On the left panel, gray cloudlike forms float at top and bottom, and a grouping of letters and lines stretch diagonally from the upper left-hand toward the center. A series of lines and waves fill the bottom half of the right panel.
  • Relief over Black Space, 1958

    Antoni Tàpies

    The majority of this portrait-oriented canvas is an uninterrupted expanse of matte black. In the bottom third of the canvas, a mixed-media element in shallow relief extends from the left edge. This element appears to have a bumpy, ridged texture in places. There are roughly defined and thinly applied patches of dark yellow-brown paint that appear to overlay the relief element.
  • Constructions of Shah Abbas, 1950

    Antoni Tàpies

    Constructions of Shah Abbas
  • Untitled No. 9 (study for "Grey with Two Black Spots"), 1959

    Antoni Tàpies

    Untitled No. 9 (study for "Grey with Two Black Spots")
  • Grey with Two Black Spots, 1959

    Antoni Tàpies

    Grey with Two Black Spots
  • A Martha Jackson, heureux 1969!, 1968

    Antoni Tàpies

    A Martha Jackson, heureux 1969!
  • Painting, 1955

    Antoni Tàpies

    Painting

Collection Highlights

All Collection Highlights
  • State, 1978

    Robert Ryman

    State
  • Round Trip, 1957

    Helen Frankenthaler

    Round Trip
  • Page Boy at Maxim's, ca. 1927

    Chaïm Soutine

    In this tall, narrow portrait, painted with loose, energetic brush strokes, a young man wearing a deep red uniform with matching cap stands in front of a dark burgundy, gray, green, and blue background. A row of gold buttons extends down the front of the boy’s jacket. His right hand is by his side, palm facing out, and his left hand is clenched in front of his waist. The figure’s dark eyes, hair, and moustache stand out again his pale skin.
  • Les Arbres (The Trees), ca. 1906

    André Derain

    A vibrantly colored landscape with several slim-trunked trees and mountains in the background fills this canvas. The sky is a light yellow while the ground is a slightly darker, sandy hue. The artist used cool blues with patches of crimson to depict the mountains, and warm reds, yellows, and oranges to emphasize tall, thin tree trunks in the foreground. Shadows fall diagonally from the trees toward the right hand corner of the painting where the artist’s small, blue signature rests.
  • The Coming Storm, 1878

    George Inness, Sr.

    The Coming Storm
  • Portrait of Jacques-François Desmaisons, 1782

    Jacques-Louis David

    Portrait of Jacques-François Desmaisons
  • Buffalo Newsboy, 1853

    Thomas Le Clear

    Buffalo Newsboy
  • Women of Tehuantepec, 1939

    Rufino Tamayo

    Two solemn-looking women, one carrying a basket of fruit on her head, stand in center of this colorful, horizontally oriented canvas. Behind them and to the left are three large containers filled with tropical fruit, some of which is also scattered on the ground. Behind them and to the right are two more women walking toward a long, low building in the background. A young boy in the right corner extends with his left hand a bunch of flowers toward the two central women.
  • Untitled, 1998-2002

    Gregory Crewdson

    This large-scale color photograph captures a mysterious scene staged in a domestic bathroom, which is presented in cross-section. In the center of the frame, a white man, wearing only briefs, is bent over on the floor of a shower stall. His right arm reaches through the drain and is visible in the dark crawlspace below floor level where a pipe would normally be connected. The dim light filtering through a small window on the left evokes a sense of twilight.

Related People

  • Antoni Tàpies
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