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    Cornelia

    The Buffalo AKG offers fast-casual and full-service dining experiences at Cornelia in the Knox Building. The menu at Cornelia places an artful spin on classic dishes. Enjoy morning pastries with tea, coffee, or espresso drinks; stop in for fresh lunch offerings; or make reservations for Friday night or Sunday brunch service.

     
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    Ragnar Kjartansson: Politics of the Obvious

    Through Sunday, January 31, 2027
    Jeffrey E. Gundlach Building

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Home
  • Visit

    Visit

    • Plan Your Visit
    • Hours & Admission
    • Directions & Parking
    • Codes of Conduct
    • Group Experiences
    • Accessibility
    • Shop
    • Dining
    • Frequently Asked Questions

    Cornelia

    The Buffalo AKG offers fast-casual and full-service dining experiences at Cornelia in the Knox Building. The menu at Cornelia places an artful spin on classic dishes. Enjoy morning pastries with tea, coffee, or espresso drinks; stop in for fresh lunch offerings; or make reservations for Friday night or Sunday brunch service.

     
  • Art

    Art

    • Exhibitions
    • Collection
    • Search the Collection
    • Public Art
    • Nordic Art and Culture Initiative
    • Publications

    Ragnar Kjartansson: Politics of the Obvious

    Through Sunday, January 31, 2027
    Jeffrey E. Gundlach Building

  • Events

    Events

    • Find an Event
    • M&T FIRST FRIDAYS
    • Music at the AKG
    • Public Tours
    • After Hours

    Submit to Art Alive!

    Submit your tableau or edible art for the 30th annual Art Alive celebration by Thursday, September 10, 2026! 

  • Learn & Create

    Learn & Create

    • Studio Art Classes
    • Creative Commons
    • Blog
    • Free Digital Guide
    • Art’scool: School Tours
    • Lesson Plans
    • Resources for Educators

    Studio Art Classes

    Check out our ongoing Adult, Clay, and Kids' Classes! Students of all levels of experience are invited to get creative at the Buffalo AKG.

  • Entertain

    Entertain

    • Entertain at the Buffalo AKG
    • Book Your Birthday Party
    • Book the Art Truck
    • Book a Photography Session
    • Catering at Cornelia

    Entertain at the AKG

    The Buffalo AKG Art Museum provides an unparalleled setting for your special event. With one of the foremost collections of modern and contemporary art in the world, the museum offers exclusive opportunities for you and your guests. 

  • Support

    Support

    • Membership
    • Make a Donation
    • Museum Day Pass Donations
    • Corporate Support
    • Annual Fundraising Events
    • Travel with Us
    • Volunteer
    • Our Supporters

    Become a Member Today!

    Become a member at the Buffalo AKG and enjoy a year of unlimited free admission, exclusive invitations to exhibition previews and members-only events, discounts on dining, retail, classes, and so much more! 

  • About

    About

    • Vision & Mission
    • Our Collections
    • Our Campus
    • Our History
    • Our Team
    • Annual Reports
    • 2016–2026 Strategic Plan
    • Building the Buffalo AKG Art Museum

    Campus History Timeline

    Trace the evolution of the museum’s campus, from groundbreaking for our first building in 1900 to the opening of the Buffalo AKG Art Museum in 2023.

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  4. The Box of Ointment

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  4. The Box of Ointment

Charles Émile Jacque

French, 1813-1894

No image available,
but we're working on it

The Box of Ointment, not dated

Artwork Details

Materials

unidentified print type

Collection Buffalo AKG Art Museum

Credit

Gift of Mrs. Frederick H. James, 1905

Accession ID

1905:7.7

Object Classifications:

Prints

Work Type:

Print (visual work)

Information may change due to ongoing research. Glossary of Terms

Other Works by This Artist

  • Le Cheval Blanc (The White Horse), 1839

    Charles Émile Jacque

    Le Cheval Blanc (The White Horse)
  • Landscape with Cow, not dated

    Charles Émile Jacque

    Landscape with Cow
  • La Rentree, not dated

    Charles Émile Jacque

    La Rentree
  • Shepherd and Sheep, not dated

    Charles Émile Jacque

    Shepherd and Sheep

Collection Highlights

All Collection Highlights
  • Elke-Akt 2, 1976

    Georg Baselitz

    An upside-down, loosely painted image of a seated woman fill this vertically oriented painting. The woman’s face, near the bottom center of the canvas, is quite legible, but her form progressively becomes more abstract toward her feet at the upper right of the canvas. The confident, gray strokes that define her outline are filled with white and occasional rose hues; the background is also predominately white.
  • The Whiteness of the Whale, 1957

    Sam Francis

    The Whiteness of the Whale
  • Chemin de halage à Argenteuil (Towpath at Argenteuil, Winter), 1875-1876

    Claude Monet

    This wintery landscape features a path that follows a still gray river as it curves from the bottom right corner of the canvas and recede into the distance under an overcast sky. On the right side of the painting, smokestacks on a distant are reflected in the water. Four small figures summarily rendered in dark tones walk on the path, with one appearing to move toward the viewer. To the left is a patch of trees and grass that peeks out beneath melting snow.
  • Flood, 2007

    Barnaby Furnas

    Long, thick, horizontal strokes of paint ranging in hue from black to bright magenta span the pale blue background of this abstract painting. In the upper right corner, the background emerges behind a light spray and thin drips of red paint. A faint white vertical line, like a narrow beam of light, stretches from the center of the canvas’s top toward the bottom but is quickly subsumed under the horizontal strokes.
  • Convergence: Number 10, 1952, 1952

    Jackson Pollock

    Artist Jackson Pollock dripped, poured, and splattered black, white, red, yellow, and blue oil paint across the entire surface of this large-scale, horizontally oriented canvas. The colors are visible as separate, overlapping and convey a sense of motion and energy; no single color dominates.
  • Les Arbres (The Trees), ca. 1906

    André Derain

    A vibrantly colored landscape with several slim-trunked trees and mountains in the background fills this canvas. The sky is a light yellow while the ground is a slightly darker, sandy hue. The artist used cool blues with patches of crimson to depict the mountains, and warm reds, yellows, and oranges to emphasize tall, thin tree trunks in the foreground. Shadows fall diagonally from the trees toward the right hand corner of the painting where the artist’s small, blue signature rests.
  • Numbers in Color, 1958-1959

    Jasper Johns

    Numbers in Color
  • Le Bassin du Jas de Bouffan (The Pool at Jas de Bouffan), ca. 1878-1879

    Paul Cézanne

    Similarly short, distinct brushstrokes coalesce into the trees and shallow, walled pool that fill this landscape. A thin-trunked tree with light-dappled yellow-green foliage fills much of the left side of the canvas. Behind the tree, a low sandy colored wall contains a shallow, rectangular pool of water. Additional trees with darker green leaves line the right edge of the pool, extending to the upper edge of the canvas.
  • Composition, ca. 1918-1920

    Alexander Rodchenko

    Composition

Related People

  • Charles Émile Jacque
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