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    • Hours & Admission
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    • Frequently Asked Questions

    Cornelia

    The Buffalo AKG offers fast-casual and full-service dining experiences at Cornelia in the Knox Building. The menu at Cornelia places an artful spin on classic dishes. Enjoy morning pastries with tea, coffee, or espresso drinks; stop in for fresh lunch offerings; or make reservations for Friday night or Sunday brunch service.

     
  • Art

    Art

    • Exhibitions
    • Collection
    • Search the Collection
    • Public Art
    • Nordic Art and Culture Initiative
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    Let Us Gather in a Flourishing Way

    Through September 6, 2026
    Jeffrey E. Gundlach Building

  • Events

    Events

    • Find an Event
    • M&T FIRST FRIDAYS
    • Music at the AKG
    • Public Tours
    • After Hours

    Submit to Art Alive!

    Join us for a very special Art Alive on Saturday, October 10, 2026, as we celebrate 30 years of one of the Buffalo AKG’s most beloved traditions! More than $4,000 in prizes will be awarded to the creators of the winning tableaux and edible art entries. Submissions close on September 10. 

  • Learn & Create

    Learn & Create

    • Studio Art Classes
    • Creative Commons
    • Blog
    • Free Digital Guide
    • Art’scool: School Tours
    • Lesson Plans
    • Resources for Educators

    Studio Art Classes

    Check out our ongoing Adult, Clay, and Kids' Classes! Students of all levels of experience are invited to get creative at the Buffalo AKG.

  • Entertain

    Entertain

    • Entertain at the Buffalo AKG
    • Book Your Birthday Party
    • Book the Art Truck
    • Book a Photography Session
    • Catering at Cornelia

    Entertain at the AKG

    The Buffalo AKG Art Museum provides an unparalleled setting for your special event. With one of the foremost collections of modern and contemporary art in the world, the museum offers exclusive opportunities for you and your guests. 

  • Support

    Support

    • Membership
    • Make a Donation
    • Museum Day Pass Donations
    • Corporate Support
    • Annual Fundraising Events
    • Travel with Us
    • Volunteer
    • Our Supporters

    “Lock in” Your Membership Price!

    Membership prices are increasing in July 2026, and now is your chance to renew and save! “Lock in” your membership at the current rate by renewing or upgrading for two full years before prices increase!

  • About

    About

    • Vision & Mission
    • Our Collections
    • Our Campus
    • Our History
    • Our Team
    • Annual Reports
    • 2016–2026 Strategic Plan
    • Building the Buffalo AKG Art Museum

    Campus History Timeline

    Trace the evolution of the museum’s campus, from groundbreaking for our first building in 1900 to the opening of the Buffalo AKG Art Museum in 2023.

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  4. The Box of Ointment

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  4. The Box of Ointment

Charles Émile Jacque

French, 1813-1894

No image available,
but we're working on it

The Box of Ointment, not dated

Artwork Details

Materials

unidentified print type

Collection Buffalo AKG Art Museum

Credit

Gift of Mrs. Frederick H. James, 1905

Accession ID

1905:7.7

Object Classifications:

Prints

Work Type:

Print (visual work)

Information may change due to ongoing research. Glossary of Terms

Other Works by This Artist

  • Le Cheval Blanc (The White Horse), 1839

    Charles Émile Jacque

    Le Cheval Blanc (The White Horse)
  • Landscape with Cow, not dated

    Charles Émile Jacque

    Landscape with Cow
  • La Rentree, not dated

    Charles Émile Jacque

    La Rentree
  • Shepherd and Sheep, not dated

    Charles Émile Jacque

    Shepherd and Sheep

Collection Highlights

All Collection Highlights
  • Le Peintre Ker-Xavier Roussel et sa fille (The Painter Ker-Xavier Roussel and His Daughter), 1903

    Edouard Vuillard

    Sunlight streams into a living room from open floor to ceiling windows on the left-hand side of this painting. A man sits with his back to the window, facing a child who stands slightly to the right of the image’s center on the room’s red-and-white striped carpet. A table with a decorative urn, a patterned curtain behind the child, and the rest of the room’s furnishings are also largely in shades of white and red with blue accents. The entire scene is painted in rough, loose brushstrokes.
  • Page Boy at Maxim's, ca. 1927

    Chaïm Soutine

    In this tall, narrow portrait, painted with loose, energetic brush strokes, a young man wearing a deep red uniform with matching cap stands in front of a dark burgundy, gray, green, and blue background. A row of gold buttons extends down the front of the boy’s jacket. His right hand is by his side, palm facing out, and his left hand is clenched in front of his waist. The figure’s dark eyes, hair, and moustache stand out again his pale skin.
  • Over the Edge, 1992

    Peter Halley

    A light gray-green square sits slightly above center and fills much of this square canvas. L shapes of varying widths in cream, burnt orange, black, and mustard yellow extend from the square into the taupe-colored margins above and to the left and right of the square. Two additional brighter yellow L shapes, one dramatically thicker than the other, extend from the square into the burgundy-colored margin below the square.
  • Kindergrab (No. 243), 1999

    Thomas Scheibitz

    Kindergrab (No. 243)
  • Civil Tapestry 5, 2012

    Theaster Gates

    This large-scale wall-mounted sculpture features forty-one sections of fire hose of equal size laid vertically side-by-side. From left to right, the sections of fire hose progressively appear more worn. The dominant color of the fabric gradually transitions from yellow to tones of gray. Some sections of the fire hose are stamped with black letters spelling out the original manufacturer specifications.
  • Reclining Figure, 1935-1936

    Henry Moore

    This wooden sculpture could abstractly resemble a reclining female body. The dark brown wood is polished to reveal the wood grain and knots throughout the form. The figure’s legs seem to be gently bent, and she appears to be resting on her elbows, with her head propped upright. The artist left the torso as an empty space, allowing viewers to see through the sculpture.
  • Untitled, 1986

    Olivier Mosset

    This large, horizontally oriented abstract painting is visually divided into two square portions. On the left, alternating red and purple stripes of the same width span the height of the canvas. On the right, stripes of the same color and size run horizontally from the right edge to the painting’s overall center. The lines formed by the stripes are very straight and even.
  • Jill, 1959

    Frank Stella

    A pattern of concentric, white diamond shapes fills this otherwise black canvas. The pattern extends from the paintings center at regular intervals of two and a half inches with the largest diamonds partially cut off at the work’s edges.
  • Hotel Lobby, 1950

    Max Beckmann

    More than a dozen figures crowd this canvas. Four appear to be seated around a table in the center and the rest appear to be standing elsewhere in the room. The figures’ features are abstracted, exaggerated, and outlined with thick black lines filled with a range of shades of muted russet, turquoise, pink, and green. The black frame of what appears to be a French door interrupts the right third of the composition.

Related People

  • Charles Émile Jacque
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